Demigods On Speedway

"A collection of linked short stories set in modern-day Tucson, Arizona, featuring characters who struggle to make ends meet, find love, and find meaning in recession-era America. The characters are players in a contemporary southwestern story that drawsfrom tropes and characters in Greek mythology"--

The human body is admired, displayed, and dissected in this eclectic collection of stories, poems, and essays from Rick Moody, Edward Carey, and more. Being Bodies is an exploration of the complex circumstances of our flesh-and-blood existence. Our bodies dance; they’re inked; they contain prosthetics and implants. Our bodies are gendered, though not always correlative with how we perceive ourselves. Some use bodies for violence; some sacrifice their bodies for others. Our bodies are mortal, their days numbered. We do with them what we can and what we will. Through innovative poetry, fiction, and narrative nonfiction, thirty writers consider bodies as subjects; bodies as objects; bodies as loci of politics, illness, nature, artifice, performance, power, abuse, reward, disgust, and desire. Conjunctions:69, Being Bodies includes contributions from Rick Moody, Edward Carey, Carole Maso, Bin Ramke, Dina Nayeri, Rachel Blau DuPlessis, Sallie Tisdale, Stephen O’Connor, Sejal Shah, Maud Casey, Samantha Stiers, Forrest Gander, Kristin Posehn, Nomi Eve, Rosamond Purcell, Alan Rossi, Aurelie Sheehan, Peter Orner, Gregory Norman Bossert, Mary Caponegro and Fern Seiden, Anne Waldman, Jorge Ángel Pérez, Jena Osman, Michael M. Weinstein, Emily Geminder, Elizabeth Gaffney, Jessica Reed, Michael Ives, and Kyoko Mori.

Fifty leading writers retell myths from around the world in this dazzling follow-up to the bestselling My Mother She Killed Me, My Father He Ate Me. Icarus flies once more. Aztec jaguar gods again stalk the earth. An American soldier designs a new kind of Trojan horse—his cremains in a bullet. Here, in beguiling guise, are your favorite mythological figures alongside characters from Indian, Punjabi, Inuit, and other traditions. Aimee Bender retells the myth of the Titans. Elizabeth McCracken retells the myth of Lamia, the child-eating mistress of Zeus. Madeline Miller retells the myth of Galatea. Kevin Wilson retells the myth of Phaeton, from Ovid’s Metamorphoses. Emma Straub and Peter Straub retell the myth of Persephone. Heidi Julavits retells the myth of Orpheus and Euridice. Ron Currie, Jr. retells the myth of Dedalus. Maile Meloy retells the myth of Demeter. Zachary Mason retells the myth of Narcissus. Joy Williams retells the myth of Argos, Odysseus’ dog. If “xo” signals a goodbye, then xo Orpheus is a goodbye to an old way of mythmaking. Featuring talkative goats, a cat lady, a bird woman, a beer-drinking ogre, a squid who falls in love with the sun, and a girl who gives birth to cubs, here are extravagantly imagined, bracingly contemporary stories, heralding a new beginning for one of the world’s oldest literary traditions.

An original, witty, compulsively readable tale for any woman who has struggled with creative yearning and duty to the daily grind. In her absorbing debut novel, Sheehan's depiction of the working girl's life in the big city is as charming as it is inspiring.

Please Come Back To Me is another remarkable collection by an author the New York Times has called “a writer with an unsparing bent for the truth.” In “The Nurse and the Black Lagoon” a woman tries to understand why her teenage son has been accused of a disturbing crime. In “Testimony” an adult daughter visiting her father does everything she can to keep herself from remembering what she believes she cannot bear. A man returns to his hometown in “Dear Nicole” to face the realization that he married the wrong woman out of misplaced guilt. “Oregon” portrays the internal struggle of a woman who, having years ago betrayed a secret entrusted to her by her best friend, is tempted to repeat the mistake with the same friend’s daughter. And in the collection’s novella, “Please Come Back To Me,” a young widow seeks faith and comfort—in both natural and supernatural realms—after her husband’s death leaves her alone to care for their infant son. On the surface, Jessica Treadway’s stories offer realistic portrayals of people in situations that make them question their roles as family members, their ability to do the right thing, and even their sanity. But Treadway’s psychic landscapes are tinged with a sense of the surreal, inviting readers to recognize—as her characters do—that very little is actually as it seems.

Suelette Dreyfus and her co-author, WikiLeaks founder Julian Assange, tell the extraordinary true story of the computer underground, and the bizarre lives and crimes of an elite ring of international hackers who took on the establishment. Spanning three continents and a decade of high level infiltration, they created chaos amongst some of the world's biggest and most powerful organisations, including NASA and the US military. Brilliant and obsessed, many of them found themselves addicted to hacking and phreaking. Some descended into drugs and madness, others ended up in jail. As riveting as the finest detective novel and meticulously researched, Underground follows the hackers through their crimes, their betrayals, the hunt, raids and investigations. It is a gripping tale of the digital underground.

A lyrical coming-of-age memoir, Down from the Mountaintop chronicles a quest for belonging. Raised in northwestern Montana by Pentecostal homesteaders whose twenty-year experiment in subsistence living was closely tied to their faith, Joshua Doležal experienced a childhood marked equally by his parents’ quest for spiritual transcendence and the surrounding Rocky Mountain landscape. Unable to fully embrace the fundamentalism of his parents, he began to search for religious experience elsewhere: in baseball, books, and weightlifting, then later in migrations to Tennessee, Nebraska, and Uruguay. Yet even as he sought to understand his place in the world, he continued to yearn for his mountain home. For more than a decade, Doležal taught in the Midwest throughout the school year but returned to Montana and Idaho in the summers to work as a firefighter and wilderness ranger. He reveled in the life of the body and the purifying effects of isolation and nature, believing he had found transcendence. Yet his summers tied him even more to the mountain landscape, fueling his sense of exile on the plains. It took falling in love, marrying, and starting a family in Iowa to allow Doležal to fully examine his desire for a spiritual mountaintop from which to view the world. In doing so, he undergoes a fundamental redefinition of the nature of home and belonging. He learns to accept the plains on their own terms, moving from condemnation to acceptance and from isolation to community. Coming down from the mountaintop means opening himself to relationships, grounding himself as a husband, father, and gardener who learns that where things grow, the grower also takes root.