Democracy In Translation

Frederic C. Schaffer challenges the assumption often made by American scholars that democracy has been achieved in foreign countries when criteria such as free elections are met. Elections, he argues, often have cultural underpinnings that are invisible to outsiders. To examine grassroots understandings of democratic institutions and political concepts, Schaffer conducted fieldwork in Senegal, a mostly Islamic and agrarian country with a long history of electoral politics. Schaffer discovered that ideas of "demokaraasi" held by Wolof-speakers often reflect concerns about collective security. Many Senegalese see voting as less a matter of choosing leaders than of reinforcing community ties that may be called upon in times of crisis.By looking carefully at language, Schaffer demonstrates that institutional arrangements do not necessarily carry the same meaning in different cultural contexts. Democracy in Translation asks how social scientists should investigate the functioning of democratic institutions in cultures dissimilar from their own, and raises larger issues about the nature of democracy, the universality of democratic ideals, and the practice of cross-cultural research.

At a time of increasing doubts about political legitimacy, concern for equal and inclusive democratic processes and deliberation is sweeping the social sciences. In this empirical study, the author presents the collective practices of political translation, which help multilingual and culturally diverse groups work together more democratically.

The Routledge Handbook of Translation and Politics presents the first comprehensive, state of the art overview of the multiple ways in which ‘politics’ and ‘translation’ interact. Divided into four sections with thirty-three chapters written by a roster of international scholars, this handbook covers the translation of political ideas, the effects of political structures on translation and interpreting, the politics of translation and an array of case studies that range from the Classical Mediterranean to contemporary China. Considering established topics such as censorship, gender, translation under fascism, translators and interpreters at war, as well as emerging topics such as translation and development, the politics of localization, translation and interpreting in democratic movements, and the politics of translating popular music, the handbook offers a global and interdisciplinary introduction to the intersections between translation and interpreting studies and politics. With a substantial introduction and extensive bibliographies, this handbook is an indispensable resource for students and researchers of translation theory, politics and related areas.

Frederic C. Schaffer challenges the assumption often made by American scholars that democracy has been achieved in foreign countries when criteria such as free elections are met. Elections, he argues, often have cultural underpinnings that are invisible to outsiders. To examine grassroots understandings of democratic institutions and political concepts, Schaffer conducted fieldwork in Senegal, a mostly Islamic and agrarian country with a long history of electoral politics. Schaffer discovered that ideas of "demokaraasi" held by Wolof-speakers often reflect concerns about collective security. Many Senegalese see voting as less a matter of choosing leaders than of reinforcing community ties that may be called upon in times of crisis. By looking carefully at language, Schaffer demonstrates that institutional arrangements do not necessarily carry the same meaning in different cultural contexts. Democracy in Translation asks how social scientists should investigate the functioning of democratic institutions in cultures dissimilar from their own, and raises larger issues about the nature of democracy, the universality of democratic ideals, and the practice of cross-cultural research.

One of Latin America's leading sociologists, Manuel Antonio Garreton explores contemporary challenges to democratization in Latin America in this work originally published in Spanish in 1995. He pays particular attention to the example of Chile, analyzing the country's return to democracy and its hopes for continued prosperity following the 1973 coup that overthrew democratically elected president Salvador Allende. Garreton contends that the period of democratic crisis and authoritarian rule that characterized much of Latin America in the 1960s and 1970s was symptomatic of a larger breakdown in the way society and government worked. A new era emerged in Chile at the end of the twentieth century, Garreton argues--an era that partakes of the great changes afoot in the larger world. This edition updates Garreton's analysis of developments in Chile, considering the administration of current president Ricardo Lagos. The author concludes with an exploration of future prospects for democracy in Latin America.

Since Thailand's prolonged political crisis began with royalist mobilization against prime minister Thaksin Shinawatra in 2005, international observers have been treated to easy clichés about reactionary Thai elites. The chapters in this book invite readers to hold back quick judgement and instead engage with the conservative norms of sections of the middle class, the military, intellectuals and state ideologues. The opening chapter by the editors provides a historical overview of relevant themes and introduces the translated pieces. It also argues that the concept of a supra-constitution, first introduced by legal scholar Somchai Preechasilpakul in a brilliant lecture to the Pridi Banomyong Institute in 2007, is a powerful frame for interpreting conservative Thai politics. Somchai's lecture, now translated here, explains that an unwritten supra-constitution sits above the many failed constitutions that litter Thai history. Like a guiding spirit it contains evolving norms on military and monarchical power which circumscribe democratic political contest.

Performing the Politics of Translation in Modern Japan sheds new light on the adoption of concepts that motivated political theatres of resistance for nearly a century and even now underpin the collective understanding of the Japanese nation. Grounded in the aftermath of the Meiji Restoration in 1868 and analyzing its legacy on stage, this book tells the story of the crucial role that performance and specifically embodied memory played in the changing understanding of the imported Western concepts of "liberty" (jiyū) and "revolution" (kakumei). Tracing the role of the post-Restoration movement itself as an important touchstone for later performances, it examines two key moments of political crisis. The first of these is the Proletarian Theatre Movement of the 1920s and '30s, in which the post-Restoration years were important for theorizing the Japanese communist revolution. The second is in the postwar years when Rights Movement theatre and thought again featured as a vehicle for understanding the present through the past. As such, this book presents the translation of "liberty" and "revolution", not through a one-to-one correspondence model, but rather as a many-to-many relationship. In doing so, it presents a century of evolution in the dramaturgy of resistance in Japan. This book will be useful to students and scholars of Japanese history, society and culture, as well as literature and translation studies alike.

Timeless comedies on resisting tyranny from one of history’s greatest comic playwrights. Against Demagogues presents Robert C. Bartlett's new translations of Aristophanes' most overtly political works, the Acharnians and the Knights. In these fantastically inventive, raucous, and raunchy comedies, the powerful politician Cleon proves to be democracy's greatest opponent. With unrivalled power, both plays make clear the dangers to which democracies are prone, especially the threats posed by external warfare, internal division, and class polarization. Combating the seductive allure of demagogues and the damage they cause, Against Demagogues disentangles Aristophanes' serious teachings from his many jokes and pratfalls, substantiating for modern readers his famous claim to "teach justice" while "making a comedy" of the city. The book features an interpretive essay for each play, expertly guiding readers through the most important plot points, explaining the significance of various characters, and shedding light on the meaning of the plays' often madcap episodes. Along with a contextualizing introduction, Bartlett offers extensive notes explaining the many political, literary, and religious references and allusions. Aristophanes' comedic skewering of the demagogue and his ruthless ambition—and of a community so ill-informed about the doings of its own government, so ready to believe in empty promises and idle flattery—cannot but resonate strongly with readers today around the world.