Denver Dry Goods The Where Colorado Shopped With Confidence

Over the course of eleven decades, The Denver Dry Goods and its predecessor, McNamara Dry Goods, proudly served Coloradoans, who knew they could "shop with confidence" for the best quality at the fairest prices. Much more than the goods it sold, the store was a major institution that touched the lives of nearly every Denverite. Comforting culinary traditions like Chicken ala King in the vast fifth-floor tearoom and breakfast with Santa delighted locals. Festive chandeliers adorned the four-hundred-foot-long main aisle during the holidays, and longtime salesclerks knew customers by name. Devoted patrons dearly missed all that charm after the doors closed in 1987. Mark Barnhouse explores the fascinating history and cherished memories of Denver's most beloved department store.

Over the course of eleven decades, the Denver Dry Goods and its predecessor, McNamara Dry Goods, proudly served Coloradoans, who knew they could 'shop with confidence' for the best quality at the fairest prices. Much more than the goods it sold, the store was a major institution that touched the lives of nearly every Denverite. Festive chandeliers adorned the four-hundred-foot-long main aisle during the holidays, and longtime salesclerks knew customers by name. The doors closed in 1987 and this fascinating history explores the cherished memories of Denver's most beloved department store.

Denverites once enjoyed a retail landscape rich with personal touches. Revisit May-D&F's animated holiday windows or the ice skating rink in front of the store. Reminisce about the Christmas chandeliers that stretched for four hundred feet on the main floor of the Denver Dry Goods or the elegance of Neusteters, with its fashion shows and exclusive merchandise. Recall finding that perfect outfit at Fashion Bar and going back-to-school shopping at Joslins. Celebrate salespeople who remembered your name and the comforting feeling of shopping locally where your parents and grandparents shopped. Through decades of research and interviews with former staff, Denver's unofficial "department store historian" Mark Barnhouse assembles the ultimate mosaic of the Mile High City's fabulous retail past.

Colorado’s Mile High City sits atop a mountain of Old West history—from stories of fortune seekers to captains of industry, immigrants to activist women. Founded in an unlikely spot where dry prairies meet formidable mountains, Denver overcame its doubtful beginning to become the largest and most important city within a thousand miles. This tour of the Queen City of the Plains goes beyond travel guidebooks to explore its fascinating historical sites in detail. Tour the grand Victorian home where the unsinkable Molly Brown lived prior to her Titanic voyage. Visit the Brown Palace Hotel suite that President Dwight and First Lady Mamie Eisenhower used as the “Summer White House.” Pay respects at the mountaintop grave of the greatest showman of the nineteenth century, Colonel William F. “Buffalo Bill” Cody. From the jazzy Rossonian lounge where Ella scatted and Basie swung to gleaming twenty-first-century art museums, author Mark A. Barnhouse traces the Mile High City’s story through its historical legacy.

Andy Kirk's Clouds of Joy came from Kansas City to find nationwide fame in the later 1930s. The many records they made between 1929 and 1949 came to exemplify the Kansas City style of jazz, but they were also criticized for their populism and inauthenticity. In The Recordings of Andy Kirk' and his Clouds of Joy, George Burrows considers these records as representing negotiations over racialized styles between black jazz musicians and the racist music industry during a vital period of popularity and change for American jazz. The book explores the way that these reformative negotiations shaped and can be heard in the recorded music. By comparing the band's appropriation of musical styles to the manipulation of masks in black forms of blackface performance--both signifying and subverting racist conceptions of black authenticity--it reveals how the dynamic between black musicians, their audiences and critics impacted upon jazz as a practice and conception.