Department Of Truth Volume 2

COLE TURNER has spent most of his life suppressing false memories of Satanic ritual abuse at his preschool. Now, he's the newest recruit of the Department of Truth and he just found out those false memories might be truer than he thinks. JAMES TYNION IV (Batman, Something is Killing the Children) and MARTIN SIMMONDS (Dying is Easy) continue their breakout conspiracy thriller!

Acclaimed artist ELSA CHARRETIER (NOVEMBER) joins JAMES TYNION IV (Batman) and THE DEPARTMENT OF TRUTH to uncover the deep tangled roots of the Department of TruthÑroots that stretch as far back as the Middle Ages. What is the Inquisition? Who are the Illuminati? And what is the truth behind the Phantom Time Hypothesis?

Thirty years ago, Cole Turner dreamed up a Star-Faced Man who ate children in the basement of his preschool. Today, Cole is going to make sure that nightmare can never haunt another kid. The second arc of the smash-hit THE DEPARTMENT OF TRUTH ends here with a revelation that turns the series upside down!

Comedy is hard... but dying is easy! From New York Times bestselling author Joe Hill (LOCKE & KEY, NOS4A2) comes this new graphic novel mystery. Meet Syd "Sh*t-Talk" Homes, a disgraced ex-cop turned bitter stand-up comic turned wanted killer! Syd's rival Carl Dixon is on the verge of comedy superstardom and he got there the dirty way: by stealing jokes. He's got a killer act, an ugly past, and more enemies than punch-lines. When he turns up dead, Syd is on the top of the suspect list... he had motive, he was the last man to see Dixon alive, and he had already named his price for taking Dixon out. Syd isn't guilty of anything but bad jokes but now he's on the run, and it'll take all of his investigative chops to nail the real killer, before the cops nail him.

Cole Turner has seen firsthand the horrifying ways collective belief shapes the world and how theories can manifest and take physical formÉbut what happens when those thought forms start to have thoughtsÑand desiresÑof their own? What truths about Tulpas lay at the heart of the Tibetan Book of the Dead?

Turn on, tune in, and drop out as ALISON SAMPSON (HIT-GIRL IN INDIA) enlists with the Department of Truth for a mind-altering dive into designer hallucinogens, MKUltra, and Lee Harvey Oswald’s true motivations behind unlocking the hidden power of the human mind. The Eisner-nominated series continues its history-shattering guest arc here!

WHAT is Black Hat? WHO is the mysterious man pulling its strings? WHY is he in Cole Turner's apartment? The first arc of the smash-hit new series from JAMES TYNION IV (Batman) and MARTIN SIMMONDS (Dying is Easy) comes to a dramatic conclusion, as Cole questions whether or not he's on the right side of the War for the Truth!

Superman, Batman, Daredevil, and Wonder Woman are iconic cultural figures that embody values of order, fairness, justice, and retribution. Comic Book Crime digs deep into these and other celebrated characters, providing a comprehensive understanding of crime and justice in contemporary American comic books. This is a world where justice is delivered, where heroes save ordinary citizens from certain doom, where evil is easily identified and thwarted by powers far greater than mere mortals could possess. Nickie Phillips and Staci Strobl explore these representations and show that comic books, as a historically important American cultural medium, participate in both reflecting and shaping an American ideological identity that is often focused on ideas of the apocalypse, utopia, retribution, and nationalism. Through an analysis of approximately 200 comic books sold from 2002 to 2010, as well as several years of immersion in comic book fan culture, Phillips and Strobl reveal the kinds of themes and plots popular comics feature in a post-9/11 context. They discuss heroes’ calculations of “deathworthiness,” or who should be killed in meting out justice, and how these judgments have as much to do with the hero’s character as they do with the actions of the villains. This fascinating volume also analyzes how class, race, ethnicity, gender, and sexual orientation are used to construct difference for both the heroes and the villains in ways that are both conservative and progressive. Engaging, sharp, and insightful, Comic Book Crime is a fresh take on the very meaning of truth, justice, and the American way.