Departure From The Script

Aspiring actress Amanda Clark and photographer Michelle Osinski are two women burned by love and not looking to test the fire again. And even if they were, it certainly wouldn't be with each other. Amanda has never been attracted to a butch woman before, and Michelle personifies the term butch. Having just landed a role on a hot new TV show, she's determined to focus on her career and doesn't need any complications in her life. After a turbulent breakup with her starlet ex, Michelle swore she would never get involved with an actress again. Another high-maintenance woman is the last thing she wants, and her first encounter with Amanda certainly makes her appear the type. But after a date that is not a date and some meddling from Amanda's grandmother, they both begin to wonder if it's not time for a departure from their usual dating scripts.

Although much of the primary information about the Parthian period comes from coins, there has been much new research undertaken over the past few decades into wider aspects of both the Parthian and Sassanian Empires including the Arsacid Parthians, and their material culture. Despite a change of ruling dynasty, the two empires were closely connected and cannot be regarded as totally separate entities. The continuation of Parthian influence particularly into the early Sasanian period cannot be disputed. An historic lack of detailed information arose partly through the relative lack of excavated archaeological sites dating to the Parthian period in Iran and western scholars’ lack of knowledge of recent excavations and their results that are usually published in Persian, coupled with the inevitable difficulties for academic research engendered by the recent political situation in the region. Although an attempt has been made by several scholars in the west to place this important Iranian dynasty in its proper cultural context, the traditional GrecoRoman influenced approach is still prevalent. The present volume presents 15 papers covering various aspects of Parthian and early Sasanian history, material culture, linguistics and religion which demonstrate a rich surviving heritage and provide many new insights into ideology, royal genealogy, social organisation, military tactics, linguistic developments and trading contacts.

Teachers need to develop the art of noticing if they are to improve their practice and undertake successful research in their classrooms.

An event, defined as the decisive turn, the surprising point in the plot of a narrative, constitutes its tellability, the motivation for reading it. This book describes a framework for a narratological definition of eventfulness and its dependence on the historical, socio-cultural and literary context. A series of fifteen analyses of British novels and tales, from late medieval and early modern times to the late 20th century, demonstrates how this concept can be put into practice for a new, specifically contextual interpretation of the central relevance of these texts. The examples include Chaucer’s “Miller’s Tale”, Behn’s “Oroonoko”, Defoe’s “Moll Flanders”, Richardson’s “Pamela”, Fielding’s “Tom Jones”, Dickens’s “Great Expectations”, Hardy's “On the Western Circuit”, James’s “The Beast in the Jungle”, Joyce’s “Grace”, Conrad’s “Shadow-Line”, Woolf’s “Unwritten Novel”, Lawrence’s “Fanny and Annie”, Mansfield’s “At the Bay”, Fowles’s “Enigma” and Swift’s “Last Orders”. This selection is focused on the transitional period from 19th-century realism to 20th-century modernism because during these decades traditional concepts of what counts as an event were variously problematized; therefore, these texts provide a particularly interesting field for testing the analytical capacity of the term of eventfulness.

Drawing on documents from archives in St Petersburg and Moscow, the analysis portrays film production "in the round" and shows that the term "censorship" is less appropriate than the description preferred in the Soviet film industry itself, "control," which referred to a no less exigent but far more complex and sophisticated process. The book opens with four framing chapters that examine the overall context in which films were produced. The two opening chapters trace the various crises that beset film production between 1961 and 1970 (Chapter 1) and 1970 and 1985 (Chapter 2). These are followed by a chapter on the working life of the studio and particularly the technical aspects of production (Chapter 3), and a chapter on the studio aesthetic (Chapter 4). The second part of the book comprises close analyses of fifteen films that are particularly typical of the studio's production and which had especial impact within the studio and beyond. .

A clinical psychologist presents an overview of transactional analysis and a discussion of the key elements and practical applications of script theory.