Deranged Marriage

An affectionate, often hilarious, memoir of growing up in London in the 1970s in an Indian household, and avoiding an arranged marriage. ‘From the age of fourteen, I was aware my parents expected me to have an arranged marriage, a big Bollywood wedding. There was just one hitch: nobody asked me.’ For Sushi Das, growing up in 1970s London was a culturally messed-up time. Feminists were telling women they could be whatever they wanted, skinheads were yelling at dark-skinned foreigners to go home and The Boomtown Rats were singing about ‘Lookin’ after Number 1.’ While Sushi was fabricating intricate lies and plotting harebrained schemes to get to the pub and meet ‘undesirable elements’ – boys – her parents were on the hunt for a respectable Indian doctor for her to marry. But how do you turn your back on centuries of tradition without trashing your family’s honour? How do you break free of your parents’ stranglehold without casting off their embrace? And how do you explain to your strict dad why there’s a boy smoking in his living room and another one lurking in his garden? Breaking free meant migrating to the other side of the world, only to find that life in Australia had unexpected consequences. This is an intelligent, often hilarious memoir and a fascinating look at one of the oldest traditions of Eastern culture, which aims to join two families in economic prosperity, but whose reality is not always so blissful.

Would you ever consider a marriage pact? Holly Miller did. In a heartbroken and drunken haze, it had all seemed to make perfect sense. George was her best friend - would always be her best friend - and if they both found themselves single at the age of thirty, well, why not? But when, a decade later, a man Holly hasn't seen for years claims she's signed a contract and she has to marry him, Holly realises exactly why it was not such a good idea. Forget the fact that her career is going places, forget that she's head-over-heels in love with her gorgeous boyfriend, George wants the pact fulfilled and will stop at nothing to get his way. At twenty-nine Holly's life had been falling neatly into place - but the dramatic reappearance of her oldest friend is about to turn her whole world upside down, in ways she could not even imagine... Can I do become I don't? Or will it all end horribly ever after...' Praise for Deranged Marriage: 'The perfect tonic...hilarious!' - OK Faith Bleasdale lives in London and writes full time. 'Deranged Marriage' is her fourth novel. To find out more about Faith and her other novels visit www.faithbleasdale.com. Endeavour Press is the UK's leading independent digital publisher. For more information on our titles please sign up to our newsletter at www.endeavourpress.com. Each week you will receive updates on free and discounted ebooks. Follow us on Twitter: @EndeavourPress and on Facebook via http://on.fb.me/1HweQV7. We are always interested in hearing from our readers. Endeavour Press believes that the future is now.

Staging British South Asian Culture: Bollywood and Bhangra in British Theatre looks afresh at the popularity of forms and aesthetics from Bollywood films and bhangra music and dance on the British stage. From Andrew Lloyd Webber’s Bombay Dreams to the finals of Britain’s Got Talent, Jerri Daboo reconsiders the centrality of Bollywood and bhangra to theatre made for or about British South Asian communities. Addressing rarely discussed theatre companies such as Rifco, and phenomena such as the emergence of large- scale Bollywood revue performances, this volume goes some way towards remedying the lack of critical discourse around British South Asian theatre. A timely contribution to this growing field, Staging British South Asian Culture is essential reading for any scholar or student interested in exploring the highly contested questions of identity and representation for British South Asian communities.

Making a Performance traces innovations in devised performance from early theatrical experiments in the twentieth-century to the radical performances of the twenty-first century. This introduction to the theory, history and practice of devised performance explores how performance-makers have built on the experimental aesthetic traditions of the past. It looks to companies as diverse as Australia's Legs on the Wall, Britain's Forced Entertainment and the USA-based Goat Island to show how contemporary practitioners challenge orthodoxies to develop new theatrical languages. Designed to be accessible to both scholars and practitioners, this study offers clear, practical examples of concepts and ideas that have shaped some of the most vibrant and experimental practices in contemporary performance.

The stage musical constitutes a major industry not only in the US and the UK, but in many regions of the world. Over the last four decades many countries have developed their own musical theatre industries, not only by importing hit shows from Broadway and London but also by establishing or reviving local traditions of musical theatre. In response to the rapid growth of musical theatre as a global phenomenon, The Oxford Handbook of the Global Stage Musical presents new scholarly approaches to issues arising from these new international markets. The volume examines the stage musical from theoretical and empirical perspectives including concepts of globalization and consumer culture, performance and musicological analysis, historical and cultural studies, media studies, notions of interculturalism and hybridity, gender studies, and international politics. The thirty-three essays investigate major aspects of the global musical, such as the dominance of Western colonialism in its early production and dissemination, racism and sexism--both in representation and in the industry itself--as well as current conflicts between global and local interests in postmodern cultures. Featuring contributors from seventeen countries, the essays offer informed insider perspectives that reflect the diversity of the subject and offer in-depth examinations of specific cultural and economic systems. Together, they conduct penetrating comparative analysis of musical theatre in different contexts as well as a survey of the transcultural spread of musicals.

A strange rumor ripples through the quiet town of Tomobiki—Lum is participating in an arranged marriage event! As Lum cheerfully gets dolled up for this intergalactic gala, Ataru pretends to be indifferent to the news. Upset that Lum might find the husband of her dreams, though, Ataru contemplates following her into outer space to check out the competition! -- VIZ Media