Descriptive Catalogue Of The Spiders Of Burma Based Upon The Collection Made By Eugene W Oates And Preserved In The British Museum

This comprehensive catalogue of the spider species found in Burma is based on the collection made by Eugene W Oates and preserved in the British Museum. It provides descriptions, classifications, and images of each species, making it an essential reference for arachnologists and nature enthusiasts alike. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Hardcover reprint of the original 1895 edition - beautifully bound in brown cloth covers featuring titles stamped in gold, 8vo - 6x9. No adjustments have been made to the original text, giving readers the full antiquarian experience. For quality purposes, all text and images are printed as black and white. This item is printed on demand. Book Information: British Museum (Natural History). Dept. of Zoology. Descriptive Catalogue of The Spiders of Burma, Based Upon The Collection Made By Eugene W. Oates And Preserved In The British Museum. Indiana: Repressed Publishing LLC, 2012. Original Publishing: British Museum (Natural History). Dept. of Zoology. Descriptive Catalogue of The Spiders of Burma, Based Upon The Collection Made By Eugene W. Oates And Preserved In The British Museum, . London, Printed By Order of The Trustees, 1895. Subject: Spiders India Burma

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This enormous undertaking, which, according to one of the prefaces, professes to be a complete list of every bird known at the time of publication, kept growing even as it was being written. The Museum added eagerly to their already vast collections during the decades of publication, acquiring by gift the great collections of A.O. Hume on Asian birds, and those of Sclater and Salvin and Godwin on Neotropical birds, so that the size of the collection nearly tripled between 1874 and 1888. Sharpe originally intended to do all the work himself, but others were called in when this became clearly impossible. The plates are all of birds not previously illustrated. In the decades following its publication this catalogue was universally acclaimed as the most important work on systematic ornithology that has ever been published. (Zimmer, p. 96). And even after one hundred years it remains an essential reference for the serious ornithologist, as it underpins a great deal of modern bird classification. With 387 plates, most hand-coloured lithographs, some chromolithographs, by William Hart, J.G. Keulemans, Joseph and Peter Smit.