Deserfest

In their twenties, PJ Addison and Wylie Parsons were hot young actors. Their iconic performances as the final girls in Dangerous Summer Nights launched a slasher franchise, and their real-life relationship only made their characters’ romance—and the film—more popular. But young love rarely lasts, and the Hollywood machine is brutal. A decade later they are called back to the most recent Dangerous Summer Nights installment. Their days of shifting cultural paradigms are long past. It’s hard enough just to maintain Hollywood careers and pseudo happy lives. PJ’s a director, finally making a name for herself that isn’t attached to having been a sexy starlet. Wylie is on marriage number three and most days doesn’t even mind that she’s a cliché. Their job is simple: pretend to be wildly in love on film again. Like professionals. But the more they fake it, the more they realize their feelings are anything but an act.

This is the first extensive scholarly study of drone metal music and its religious associations, drawing on five years of ethnographic participant observation from more than 300 performances and 74 interviews, plus surveys, analyses of sound recordings, artwork, and extensive online discourse about music. Owen Coggins shows that while many drone metal listeners identify as non-religious, their ways of engaging with and talking about drone metal are richly informed by mysticism, ritual and religion. He explores why language relating to mysticism and spiritual experience is so prevalent in drone metal culture and in discussion of musical experiences and practices of the genre. The author develops the work of Michel de Certeau to provide an empirically grounded theory of mysticism in popular culture. He argues that the marginality of the genre culture, together with the extremely abstract sound produces a focus on the listeners' engagement with sound, and that this in turn creates a space for the open-ended exploration of religiosity in extreme states of bodily consciousness.

In the 80's Heavy Metal became massive and coincided perfectly with a Heavy Metal Journey starting from the A666 in Lancashire to the 405 Freeway in L.A. (and back). The soundtrack to the road trip covered a diverse mix tape of tunes from Def Leppard to Metallica to Possessed. This adventure involves illegal aliens, repatriation, Belgian bierkellers, mosh pits, Satanic dwellings and Indian black metal bands. From '78 to 2014 the Journey continues! A Rockin good read!! .................No parental guidance required!!!

Explore the Northeast through the most notable wineries, breweries, and distilleries in the region! Drink the Northeast is your guide to the wineries, breweries, and distilleries that call the Northeast home. Explore the region and celebrate its rich history while discovering your new favorite drink. This guide is perfect for anyone who appreciates enjoying a carefully crafted drink in the rolling hills or bustling cities of the Northeast.

'Electric Wizard is heavy, man - we don't sing about love and flowers.' Jus Oborn In 1993, in the market town of Wimborne Minster in Dorset, England, the heaviest band in the world was born. Led by guitarist and singer Jus Oborn, Electric Wizard began as an untameable power trio. They inhaled the iniquity of their lives and vomited it out in colossal waves of doom metal, synthesising the forbidding local landscape, biker culture, video-nasties, black magic rituals and titanic doses of psychedelics. In 1997 they released their revolutionary second album, Come My Fanatics... Then, after triumphant and calamitous tours of the USA and following the release of arguably the heaviest rock album ever recorded, 2000's Dopethrone, Electric Wizard all but imploded, destroyed by the very reality they were fighting against. However, when guitarist Liz Buckingham joined Oborn on guitar for We Live, they drew a magic circle around themselves in a new line-up that went on to explore deeper occult horrors on modern doom classic Witchcult Today onwards. Come My Fanatics is a kaleidoscopic exploration of the subculture the band has absorbed and, in turn, created. From seventies exploitation cinema, through the writers of Weird Tales magazine and a panoply of the marginal and downright sinister, to the band's own live ceremonial happenings - this is Electric Wizard's world. We're just dying in it.

The book recounts day by day how the FBI investigators somehow centered the entire extortion plot around Nelson and another innocent man whose only mistake was to spend fifteen minutes chatting by the lake, and then to stop at a fast food restaurant for a hamburger. Nelson fit the profile that the FBI had in mind - a long pony tail, a cellular phone, and a red Corvette which he liked to drive fast. From this harmless set of facts grew an inconsistent FBI surveillance log, incredibly biased misstatements of the truth, and wholly contrived witness statements, all elaborately tailored to inplicate Nelson. Other evidence of Nelson's innocence and the unreliability of the existing evidence was simply ignored, including an FBI wiretap conversation between the real extortionist and his accomplice discussing the extortion plot in detail. The real extortionist admitted that he had no idea who the FBI had arrested. Nevertheless, Nelson was indeed arrested with his photo plastered all over the Phoenix newspapers. Nelson's life would never be the same.

Festivals is a must-have guide to the world’s best and most memorable music festivals – a list of all those you need to know and those you should experience. Discover the compelling stories behind the most significant and exciting events around the world which shape music and festival culture. This inspirational global guide showcases 50 bucket list festivals with photographs, posters, facts and figures, and draws attention to hundreds more to explore. Highlighting festival giants and jazz classics, pop powerhouses and indie favourites to dance scene darlings and punk rock adventures, we travel from Woodstock, Glastonbury, Coachella and Roskilde to Fuji Rock, Tomorrowland, Burning Man and Afro Punk. Here, the unique experience of a music festival is evocatively captured and an overview of the rise of the wonderful world of festival culture as we know it today revealed. Music journalist and DJ Oliver Keens writes with expertise, having played across Europe, from Glastonbury to the top of a Bulgarian mountain, and he guides us through these special and truly unique cultural gatherings with insight, bringing the vibrant scenes recounted in these pages to life.