Desert Flower Four Historical Romances

Cynthia The Spaniard & Diego Her Rancher - A woman's father sends her off via a matchmaker to a man with a castle in New Mexico. Abandoned By The Wagon Train: A Story of Survival & Faith -- is about a teacher who needs to find a new job because her schoolhouse is being torn down. Mail Order Bride: Meeting The Doctor On The Voyage To Her Husband, is a beautiful and emotional and sweet romance about a woman who is fired as a governess in England and decides to chuck it all in and emigrate to the American West as a mail order bride. Mail Order Bride: Her Stranger On A Train, is about a mail order bride headed for California, and a man she has never met, to marry him and start a new life out west.

The power of love and the strength of women working together are proved once again. When Willow Sanchez is asked to help Alec Thurston, the man for whom her parents work and who’s always treated her as the daughter he once lost, she doesn’t hesitate to leave Boston and come back home to Palm Desert, California. Alec is dying of cancer and needs her help in overseeing the sale of his hotel, The Desert Sage Inn, to another hotel group. With her hotel accounting background and financial ability, she’s his perfect choice to help make the sale a smooth transition while maintaining the reputation of the upscale property. She arrives to find two other women summoned to help Alec. Lily Weaver was once Alec’s assistant, and Rose Macklin was heavily involved in the hotel in earlier years. They join forces to help him, lovingly accepting his nickname for them—the Desert Flowers, similar to the well-known Charlie’s Angels. Willow is assigned to work with two young men, sons of the majority owners of the hotel company purchasing the Desert Sage Inn. One of the men, Brent Armstrong, attended the School of Hotel Administration at Cornell University with her and used to bully her with unkind names. His cousin, Trace Armstrong, seems to be very different. Struggling to compete against them for the eventual job of executive assistant manager at the Desert Sage Inn, Willow wonders if she’ll ever find the right man to settle down with as she decides to stay in Palm Desert. A talented golfer, she is forced to take Alec’s place in a foursome with Craig Kincaid, the man both Rose and Lily think is perfect for her. But neither Willow nor Craig is interested in anything serious until Willow wonders if Craig might be the good guy Alec had always thought he was. A series for those who love stories about strong women facing challenges and finding love and happiness along the way. Be sure to read the other books in the series: Rose, Lily, and Mistletoe and Holly Other series written by Judith Keim are receiving a lot of love: The Hartwell Women Series, The Beach House Hotel Series, The Fat Fridays Series, the Salty Key Inn Series, the Chandler Hill Inn series, and the books in the Seashell Cottage Collection.

Standards-Based Connections Reading for grade 4 offers focused skill practice in reading comprehension. A skill assessment will point out students' learning gaps. This allows teachers to choose appropriate student pages for individualized remediation. The student pages emphasize five important reading comprehension skills: summarizing, inferring, story elements, comparing and contrasting, and cause and effect. The book includes high-interest fiction and nonfiction, with texts about genres, summer camp, American Indians, fireflies, the wide world of animals, bees, and more. --Each 96-page book in the Standards-Based Connections Reading series includes a skill assessment, an assessment analysis, targeted practice pages, and an answer key, making this series an ideal resource for differentiation and remediation. The skill assessments and assessment analyses help teachers determine individualized instructional needs. And, the focused, comprehensive practice pages and self-assessments guide students to reflection and exploration for deeper learning!

Stolen nights with the secret princess...

The three concepts mentioned in the title of this volume imply the contact between two or more literary phenomena; they are based on similarities that are related to a form of ‘travelling’ and imitation or adaptation of entire texts, genres, forms or contents. Transfer comprises all sorts of ‘travelling’, with translation as a major instrument of transferring literature across linguistic and cultural barriers. Transfer aims at the process of communication, starting with the source product and its cultural context and then highlighting the mediation by certain agents and institutions to end up with inclusion in the target culture. Reception lays its focus on the receiving culture, especially on critcism, reading, and interpretation. Translation, therefore, forms a major factor in reception with the general aim of reception studies being to reveal the wide spectrum of interpretations each text offers. Moreover, translations are the prime instrument in the distribution of literature across linguistic and cultural borders; thus, they pave the way for gaining prestige in the world of literature. The thirty-eight papers included in this volume and dedicated to research in this area were previously read at the ICLA conference 2016 in Vienna. They are ample proof that the field remains at the center of interest in Comparative Literature.

Standards-Based Connections Reading for grade 4 offers focused skill practice in reading comprehension. A skill assessment will point out students' learning gaps. This allows teachers to choose appropriate student pages for individualized remediation. The student pages emphasize five important reading comprehension skills: summarizing, inferring, story elements, comparing and contrasting, and cause and effect. The book includes high-interest fiction and nonfiction, with texts about genres, summer camp, American Indians, fireflies, the wide world of animals, bees, and more. Each 96-page book in the Standards-Based Connections Reading series includes a skill assessment, an assessment analysis, targeted practice pages, and an answer key, making this series an ideal resource for differentiation and remediation. The skill assessments and assessment analyses help teachers determine individualized instructional needs. And, the focused, comprehensive practice pages and self-assessments guide students to reflection and exploration for deeper learning!

This vintage book contains a complete handbook on quilting in three parts: “History and Quilt Patches”, “Quilts—Antique and Modern”, and “Quilting and Quilting Designs”. A detailed and fascinating exploration of the history and development of quilting, this is a volume that will appeal to those with an interest in the textile industry, and one that would make for a fantastic addition to any collection. Contents include: “Origin and History of Quilt-making with Photographic Reproduction of Patches”, “The Romance of Patchwork”, “Quilt Names”, “The Quilting Bee”, “The Quilt's Place in Art”, “The Quilt in the Twentieth Century”, “Historical Quilts from Recent Exhibitions”, “Gleanings from Old Scrapbooks”, “How to Make a Quilt”, “Reproductions of Quilt Patches”, etc. Many vintage books such as this are becoming increasingly scarce and expensive. We are republishing this volume now in an affordable, high-quality edition complete with a specially commissioned new introduction on quilting.

Since the publication of the first volume of Directory of World Cinema: China, the Chinese film industry has intensified its efforts to make inroads into the American market. The 2012 acquisition of US theatre chain AMC and visual effects house Digital Domain by Chinese firms testifies to the global ambitions of China’s powerhouse film industry. Yet Chinese cinema has had few crossover hits in recent years to match the success of such earlier films as Crouching Tiger, Hidden Dragon; House of Flying Daggers and Kung Fu Hustle. Yet even overseas revenue for Chinese movies has dwindled, domestic market growth has surged year after year. Indeed, annual production output remains healthy, and the daily expansion of screens in second-or third-tier cities attracts audiences whose tastes favour domestic films over foreign imports.