Desire For Death

This novel treats the two themes of incurable diseases and euthanasia at various levels to bring into focus a web of dense arguments legal and medical woven together that never tire the readers in their attempts to grapple with issues of human suffering, disease and death and its over-arching subject of sympathy, pity and humanity. To lend credence to all the impressive arguments, the novel draws parallels from real life situations and cases that made possible a debate on physician-assisted suicides and importance of human dignity and right to life and death.

Death, Desire and Loss in Western Culture is a rich testament to our ubiquitous preoccupation with the tangled web of death and desire. In these pages we find nuanced analysis that blends Plato with Shelley, Hölderlin with Foucault. Dollimore, a gifted thinker, is not content to summarize these texts from afar; instead, he weaves a thread through each to tell the magnificent story of the making of the modern individual.

Annotation After a general discussion of methods and approaches, Walls explores the construction of desire in the Gilgamesh Epic; a Freudian analysis of Horus and Seth; and sex, power, and violence in Nergal and Ereshkigal. Annotation c. Book News, Inc., Portland, OR (booknews.com).

Enjoy this urban fantasy by best-selling author Deborah Wilde. Featuring an enemies-to-lovers romance and a savvy female P.I., this giddy sexy detective series will keep you up all night. Angel of Death. Black market magic. When you’re Ashira Cohen, smart is the new kickass. When Ash is hired to solve her first murder, it seems like a perfectly normal, open-and-shut case of family feuds and bad blood. Until Ash discovers an evil magical artifact and her lead suspect is of the winged, white-robed, celestial variety. As if that weren't bad enough, if she can't find the perpetrator quickly, fourteen vials of lethal, ghostly magic will be sold to the highest bidder. Her quest to figure out her Jezebel powers and find the shadowy organization responsible for stripping teens of their magic isn't going any smoother, either. Can't a girl just pursue her dream career without getting caught up in a mysterious destiny or playing a dangerous Sherlock-Moriarty game with her annoyingly hot nemesis? But when Ash accidentally crosses the cunning and deadly Queen of Hearts, ruler of the magic black market, all those cases may go unresolved. Permanently. With the clock ticking, it’ll take all of Ash’s intelligence to survive with her moral center–and her head–intact. The game is afoot and failure is not an option. This snarky paranormal mystery is perfect for fans of Hidden Legacy, Lizzie Grace, Blood Vice, Mist Riders, and the Sam Quinn series. Binge this complete series now! "RUN TO GET THIS SERIES if you haven’t already done so.” – Lawmom “Her books are marvellous, with intricate plots, full of characters with fears and flaws and hangups, and you can't wait to get to the end but don't want them to finish.” – Yellow Bookworm

A collection of some of Freud's most famous essays, including ON THE INTRODUCTION OF NARCISSISM; REMEMBERING, REPEATING AND WORKING THROUGH; BEYOND THE PLEASURE PRINCIPLE; THE EGO AND THE ID and INHIBITION, SYMPTOM AND FEAR.

This innovative study of the use of gender in the Apocalypse of John pushes against the boundaries of feminist biblical interpretation. Based on sociopolitical and literary readings of texts, it presents a challenging new way of reading the Apocalypse. Using the concept of catharsis, Tina Pippin focuses on two themes central to the Apocalypse—death and desire. She examines the role of the female in fantastic literature and reviews the social construction of gender and of the female body. In this interdisciplinary investigation, Pippin incorporates fantasy theory and the function of the female in the fantastic to expose the Apocalypse’s ambiguous representation of women.

The immensely influential work of Jacques Lacan challenges readers both for the difficulty of its style and for the wide range of intellectual references that frame its innovations. Lacan’s work is challenging too, for the way it recentres psychoanalysis on one of the most controversial points of Freud’s theory – the concept of a self-destructive drive or ‘death instinct’. Originally published in 1991, Death and Desire presents in Lacanian terms a new integration of psychoanalytic theory in which the battery of key Freudian concepts – from the dynamics of the Oedipus complex to the topography of ego, id, and superego – are seen to intersect in Freud’s most far-reaching and speculative formulation of a drive toward death. Boothby argues that Lacan repositioned the theme of death in psychoanalysis in relation to Freud’s main concern – the nature and fate of desire. In doing so, Lacan rediscovered Freud’s essential insights in a manner so nuanced and penetrating that prevailing assessments of the death instinct may well have to be re-examined. Although the death instinct is usually regarded as the most obscure concept in Freud’s metapsychology, and Lacan to be the most perplexing psychoanalytic theorist, Richard Boothby’s straightforward style makes both accessible. He illustrates the coherence of Lacanian thought and shows how Lacan’s work comprises a ‘return to Freud’ along new and different angles of approach. Written with an eye to the conceptual structure of psychoanalytic theory, Death and Desire will appeal to psychoanalysts and philosophers alike.