Devi

Devi, Mother and Protector of the World, is one of the most loved figures of Hindu iconography. In her various incarnations, Devi is warrior, mother, faithful wife, and the fount of knowledge, delivering all that her devotees ask of her. Bulbul Sharma tells the fascinating story of Devi in this book, drawing upon the many strands of myth and legend contained in ancient scriptures and also in folklore. She looks at how these stories were created, how they changed down the ages, and the vision of the world they uphold. Rich in drama and symbolism, these stories live today with the same intensity as they did when they were first told.

The essay in this book endeavour to capture the multifaceted cultural and aesthetic legacy of Rukmini Devi preserved both in India and international scholars, including dance cirtics, dance administrators, dancers, dance teachers, bueraucrats, and alumni of the world-renowned lalakshetra arts institution that Rukmini Devi founded in 1936. The essaysalso discuss Rukmini Devi`s aesthetic vision in relation to history,to tradition, her creation of ensemble dance-drama productions, and contemporary dance in the United Kingdom.

This translation and commentary on an important Hindu text on the Great Goddess envisions a universe created and protected by a compassionate female deity.

In 1976, John Roskelley joined an expedition to climb Nanda Devi, a 26,645-foot peak in India's remote northwest frontier. What unfolded during this climb was a story of strong emotion, conflicting ambitions, death and victory, desire and regret. This is the story of Willi Unsoeld, the expedition leader who supported the participation of his young daughter, who was named after the mountain they were climbing.

This charming book The Many Worlds of Sarala Deri and The Tagores and Sartorial Styles, as the titles suggest, contain two separate but related writings on the Tagores. The Tagores were a pre-eminent family which became synonymous with the cultural regeneration of India, specifically of Bengal, in the ninteenth century. --

On the life and works of Nalinibala Devi, 1898-1977, Assamese poetess.

The monotheistic religions of Judaism, Christianity, and Islam have severely limited the portrayal of the divine as feminine. But in Hinduism "God" very often means "Goddess." This extraordinary collection explores twelve different Hindu goddesses, all of whom are in some way related to Devi, the Great Goddess. They range from the liquid goddess-energy of the River Ganges to the possessing, entrancing heat of Bhagavati and Seranvali. They are local, like Vindhyavasini, and global, like Kali; ancient, like Saranyu, and modern, like "Mother India." The collection combines analysis of texts with intensive fieldwork, allowing the reader to see how goddesses are worshiped in everyday life. In these compelling essays, the divine feminine in Hinduism is revealed as never before—fascinating, contradictory, powerful.

Takes readers through Shakta imagery, philosophy, beliefs, customs, history, folklore and myth. This book includes tales of Adi-Maya-Shakti, Lakshmi, Saraswati, Parvati, Kali, Durga as well as several village-goddesses such as Kanyakumari, Vaishnav-devi, Bahucharmata and heroines such as Anasuya, Arundhati and Savitri.