Devotional Literature In South Asia

This volume addresses recent research topics within the field of bhakti literature, the devotional poetry and other compositions of devotional character in the earlier literature of the modern South Asian languages. Its papers range from the roots of the bhakti tradition in the early history of krsna to its modern adaptations in nineteenth and twentieth-century culture. Geographically, they span Bengal to Sind, Panjab to Maharashtra. Materials in six modern languages are discussed: Bengali, Gujarati, Hindi in its main literary forms, Marathi, Panjabi and Sindhi; with assessment also of material in Sanskrit, Arabic and Chinese.

Over The Past Few Decades More And More Scholars From Around The World Have Taken Up The Study Of South Asian Devotional Litertue.

This book contains the reports given at the Eighth Bhakti Conference' organized in Leuven in August 2000. Forty scholars came to Leuven, hailing from fourteen different countries -- from Japan to the west coast of the United States -- each one bringing his or her expertise and experience. Nearly all the reports are published here. In addition, another twenty scholars sent a report or their list of publications. The result is a fascinating overview of the very wide field that Bhakti studies have become, with a list of 1162 books and articles, and reports about Bengali, Braj, Gujarati, Marathi, Punjabi and Rajasthani literature, lexicography, musicology, Santa literature, Sikhism, Gorakhanath, Kabir, Krishna Bhakti, Lalan Fakir, Mirabai, Ramananda, Surdas, Tulsidas, and many other topics of research. A detailed index makes all this matter easily accessible.

The devotional literature of the Ismailis in the Indo-Pakistan subcontinent is a rich seam of creativity in the cultural heritage of Islam. This book looks at the "ginans", a large corpus of hymns and poems composed in a variety of Indic languages and attributed to a series of preacher-saints who propagated Ismaili Islam in the subcontinent over several centuries. The work explores the origins of this literature in the larger historical, cultural and religious contexts of the Sufi, Bhakti and Sant movements in medieval India. The characteristics of the "ginans" are explored and the Khojki script in which they were written. There is also a look at the continuing enthusiasm for this poetic tradition in the religious life of contemporary Nizari Ismaili communities of South Asian origin.

This book explores the key motif of the religious other in devotional (bhakti) literatures and practices from across the Indian subcontinent unmasks processes of representation that involve adoption, appropriation, and rejection of different social and religious agents. The book reconsiders and challenges inherited notions of the bhakta’s or devotee’s other. Considering the ways in which bhakti might be conceived as having an inter-regional impact—as a force, discourse, network, mythology, ethic—the book critically engages with extant scholarly narratives about what bhakti is and traces when and how those narratives have been used. The sheer diversity of South Asia’s devotional traditions renders them an especially rich resource for examining social and religious fault lines, thereby furthering scholarly understanding of how communalism and sectarianism originate and develop on local or regional levels, with wider geographic implications. Bringing together studies from a subcontinent-wide variety of linguistic, geographical, and historical frames for the first time, this book will be an important contribution to the literature on bhakti and will be of interest to scholars of South Asian Religions and Asian Religions.

"The devotional and mystical literature of the Ismailis in the Indo-Pakistan subcontinent is a little known but rich seam of creativity in the cultural heritage of Islam. This book focuses on the ginans - a large corpus of hymns and poems composed in a variety of Indic languages and attributed to a series of preacher-saints who propogated the Ismaili form of Islam in the subcontinent over several centuries. Situating the gians in the larger context of Sufi, Bhakti and Sant poetry in medieval India, the author explores their history, characteristics, themes and prosody, as well as the unique Khojki script in which they were recorded. He also highlights the continuing vitality of this tradition in the religious life of Nizari Ismaili communities of South Asian origin."--Bloomsbury Publishing.