Dewey And Elvis

Beginning in 1949, while Elvis Presley and Sun Records were still virtually unknown--and two full years before Alan Freed famously "discovered" rock 'n' roll--Dewey Phillips brought the budding new music to the Memphis airwaves by playing Howlin' Wolf, B. B. King, and Muddy Waters on his nightly radio show Red, Hot and Blue. The mid-South's most popular white deejay, "Daddy-O-Dewey" soon became part of rock 'n' roll history for being the first major disc jockey to play Elvis Presley and, subsequently, to conduct the first live, on-air interview with the singer. Louis Cantor illuminates Phillips's role in turning a huge white audience on to previously forbidden race music. Phillips's zeal for rhythm and blues legitimized the sound and set the stage for both Elvis's subsequent success and the rock 'n' roll revolution of the 1950s. Using personal interviews, documentary sources, and oral history collections, Cantor presents a personal view of the disc jockey while restoring Phillips's place as an essential figure in rock 'n' roll history.

Beginning in 1949, while Elvis Presley and Sun Records were still virtually unknown--and two full years before Alan Freed famously "discovered" rock 'n' roll--Dewey Phillips brought the budding new music to the Memphis airwaves by playing Howlin' Wolf, B. B. King, and Muddy Waters on his nightly radio show Red, Hot and Blue. The mid-South's most popular white deejay, "Daddy-O-Dewey" soon became part of rock 'n' roll history for being the first major disc jockey to play Elvis Presley and, subsequently, to conduct the first live, on-air interview with the singer. Louis Cantor illuminates Phillips's role in turning a huge white audience on to previously forbidden race music. Phillips's zeal for rhythm and blues legitimized the sound and set the stage for both Elvis's subsequent success and the rock 'n' roll revolution of the 1950s. Using personal interviews, documentary sources, and oral history collections, Cantor presents a personal view of the disc jockey while restoring Phillips's place as an essential figure in rock 'n' roll history.

The touching story of thirty years of friendship between George Klein and the King that “offers an insider’s view of Presley the man as opposed to Presley the singer, actor, and icon” (Associated Press). “You capture the essence of Elvis not only in dialogue, but also in giving the reader a sense of his personality, humor, and his spirit of play.”—Priscilla Presley When George Klein was an eighth grader at Humes High, he couldn’t have known how important the new kid with the guitar—the boy named Elvis—would later become in his life. But from the first time GK (as he was nicknamed by Elvis) heard this kid sing, he knew that Elvis Presley was someone extraordinary. During Elvis’s rise to fame and throughout the wild swirl of his remarkable life, Klein was a steady presence and one of Elvis’s closest and most loyal friends until his untimely death in 1977. In Elvis: My Best Man, a heartfelt, entertaining, and long-awaited contribution to our understanding of Elvis Presley and the early days of rock ’n’ roll, George Klein writes with great affection for the friend he knew about who the King of Rock ’n’ Roll really was and how he acted when the stage lights were off. This fascinating chronicle of boundary-breaking and music-making through one of the most intriguing and dynamic stretches of American history overflows with insights and anecdotes from someone who was in the middle of it all. From the good times at Graceland to hanging out with Hollywood stars to butting heads with Elvis’s iron-handed manager, Colonel Tom Parker, to making sure that Elvis’s legacy is fittingly honored, GK was a true friend of the King and a trailblazer in the music industry in his own right.

This collection of over fifty years of writing about the South and its music by Stanley Booth, one of the undisputedly great chroniclers of the subject, is a classic, essential read. Booth's close contacts with many of the musicians he writes about provide a gateway to truly understanding the music and culture of Memphis and other blues strongholds in the South. Subjects include Elvis Presley, Otis Redding, William Eggleston, Ma Rainey, Blind Willie McTell, Graceland, Beale Street and much more.

Elvis Presley is the single biggest personality in American popular culture. Over three decades after his death in August 1977, he remains the undisputed king of rock'n'roll. Featuring a wealth of first-hand interviews, Elvis combines Jerry Hopkins's two previous classic bestselling Elvis biographies - Elvis: A Biography and Elvis: The Final Years - with all-new material to give the definitive detailed account of Presley's fantastic life

When George Klein was thirteen, he couldn't have known how important the new kid in class - the one with the guitar, the boy named Elvis - would become in his life. But from the first time GK (as he was nicknamed by Elvis) heard this kid sing, he knew that Elvis Presley was someone extraordinary. In this heartfelt, entertaining and affectionate memoir, George Klein writes candidly about their close friendship, which began at school and continued through Elvis's rise to fame and the wild swirl of his tumultuous life, right up to the singer's tragic death. Writing with the authority of someone who was in the midst of it all, from the good times at Graceland and hanging out with Hollywood stars to butting heads with Elvis's iron-handed manager, Colonel Tom Parker, GK reveals who the King really was and how he acted when the stage lights were off. Full of anecdotes and first-hand accounts of some of the most defining moments in the legend's life, Elvis: My Best Man captures the true essence of the man behind the music.

Elvis Presley was unique. "I don't sound like nobody," he said before he was anybody, and John Lennon, whose Beatles would later create their own mania in the world, would offer the tribute: "Before Elvis, there was nothing." Elvis, writes New York Times bestselling author Rees Quinn, was the world's first superstar, but that couldn't erase the scars of a childhood filled with poverty, humiliation, loneliness, and shame. He tried to buy happiness but failed. With his leather, gold, and ivory jumpsuits, Cadillacs, private planes, and Memphis mansion, Graceland, Elvis came to epitomize rock-star excess. This book goes beyond the music to explore Elvis's background, family, ambition, and the relationships that made him an icon. It is not just for Elvis fans - it's a fascinating story of a talented man who has touched all of our lives.

The music that has been produced in Memphis over the past 100 years is as unique and diverse as the city itself. Growing out of the Mississippi Delta, the Memphis blues have been transported worldwide by such ambassadors as B.B. King and Howlin' Wolf. Rock's first baby steps were taken at the tiny Sun Studio by a group of artists who have inspired generations of musicians to follow in their beat. Soul music found its groove at Stax with a homegrown sound that exploded onto the American music scene. Music producers, including Sam Phillips, Willie Mitchell, Chips Moman, and Jim Stewart, found in Memphis a sound as distinctive as their individual personalities. Each one inspired, motivated, and encouraged their artists and, in doing so, produced a volume of work that has become the sound track of their generation.