Dialectics

After half a century exploring dialectical thought, renowned cultural critic Fredric Jameson presents a comprehensive study of a misunderstood yet vital strain in Western philosophy. The dialectic, the concept of the evolution of an idea through conflicts arising from its inherent contradictions, transformed two centuries of Western philosophy. To Hegel, who dominated nineteenth-century thought, it was a metaphysical system. In the works of Marx, the dialectic became a tool for materialist historical analysis. Jameson brings a theoretical scrutiny to bear on the questions that have arisen in the history of this philosophical tradition, contextualizing the debate in terms of commodification and globalization, and with reference to thinkers such as Rousseau, Lukcs, Heidegger, Sartre, Derrida, and Althusser. Through rigorous, erudite examination, Valences of the Dialectic charts a movement toward the innovation of a "spatial" dialectic. Jameson presents a new synthesis of thought that revitalizes dialectical thinking for the twenty-first century.

To the question of &lquo;what is art?&rquo;, it is often simply responded that art is whatever is produced by the artist. For John Molyneux, this clearly circular answer is deeply unsatisfying. In a tour de force spanning renaissance Italy and the Dutch Republic to contemporary leading figures, The Dialectics of Art instead approaches its subject matter as a distinct field of creative human labour that emerges alongside and in opposition to the alienation and commodification brought about by capitalism. The pieces and individuals Molyneux examines — from Michelangelo’s Slaves to Rembrandts Jewish Bride to the vast drip paintings of Jackson Pollock – are presented as embodying the social contradictions of their times, giving art an inherently political relevance. In its relationship of creative and dialectical tension to prevailing social relationships and norms, such art points beyond the existing order of things, hinting at a potential future society not based on alienated labour in which creative production becomes the property and practice of all.

This volume comprises Adorno's first lectures specifically dedicated to the subject of the dialectic, a concept which has been key to philosophical debate since classical times. While discussing connections with Plato and Kant, Adorno concentrates on the most systematic development of the dialectic in Hegel's philosophy, and its relationship to Marx, as well as elaborating his own conception of dialectical thinking as a critical response to this tradition. Delivered in the summer semester of 1958, these lectures allow Adorno to explore and probe the significant difficulties and challenges this way of thinking posed within the cultural and intellectual context of the post-war period. In this connection he develops the thesis of a complementary relationship between positivist or functionalist approaches, particularly in the social sciences, as well as calling for the renewal of ontological and metaphysical modes of thought which attempt to transcend the abstractness of modern social experience by appeal to regressive philosophical categories. While providing an account of many central themes of Hegelian thought, he also alludes to a whole range of other philosophical, literary and artistic figures of central importance to his conception of critical theory, notably Walter Benjamin and the idea of a constellation of concepts as the model for an 'open or fractured dialectic' beyond the constraints of method and system. These lectures are seasoned with lively anecdotes and personal recollections which allow the reader to glimpse what has been described as the 'workshop' of Adorno's thought. As such, they provide an ideal entry point for all students and scholars in the humanities and social sciences who are interested in Adorno's work as well as those seeking to understand the nature of dialectical thinking.

This book incorporates seven 'Introductions' that Hegel wrote for each of his major works: the Phenomenology, Logic, Philosophy of Right, History, Fine Art, Religion and History of Philosophy, and includes an Introduction and Epilogue by the Editors, serving to introduce Hegel to the reader and to situate him and his works into their wider context.

In Dialectics of the Ideal: Evald Ilyenkov and Creative Soviet Marxism Levant and Oittinen provide a window into the subterranean tradition of ‘creative’ Soviet Marxism, which developed on the margins of the Soviet academe and remains largely outside the orbit of contemporary theory in the West. With his ‘activity approach’, E.V. Ilyenkov, its principal figure in the post-Stalin period, makes a substantial contribution toward an anti-reductionist Marxist theory of the subject, which should be of interest to contemporary theorists who seek to avoid economic and cultural reductionism as well as the malaise of postmodern relativism. This volume features Levant’s translation of Ilyenkov’s Dialectics of the Ideal (2009), which remained unpublished until thirty years after the author’s tragic suicide in 1979. Contributors include: Evald Ilyenkov, Tarja Knuuttila, Alex Levant, Andrey Maidansky, Vesa Oittinen, Paula Rauhala, and Birger Siebert.

Dialectical thought is at the core of Karl Marx's work and all subsequent attempts to build on his legacy: Marxism. And, arguably, Marx's special departure into dialectics represents an anomaly in that tradition and all of Western philosophy. Marxism finds its philosophers in the academy; in trade unions; in former soviet states; in industrial and non-industrial nations and this makes it distinct from all other modern philosophies. It is certainly the most international modern philosophical movement. Chinese Dialectics From Yijing to Marxism is an unparalleled investigation into the conversation between Western Marxism and Chinese, or Eastern Marxism. An autochthonous version of Marxism persists in China coming to fruition through the work of Mao Zedong. Chenshan Tian contends that the conversation between Eastern and Western Marxism results in a striking feature of dialectics that pervades the everyday thinking and speech of ordinary persons in China. No study to date has undertaken the task of tracing the development of Marxism in China through it's ancient philosophical texts. This book is absolutely essential reading in the disciplines of comparative political theory, philosophy, and Asian studies.

Called by Marx “The Philosopher of Socialism,” Joseph Dietzgen was a pioneer of dialectical materialism and a fundamental influence on anarchist and socialist thought who we would do well not to forget. Dietzgen examines what we do when we think. He discovered that thinking is a process involving two opposing processes: generalization, and specialization. All thought is therefore a dialectical process. Our knowledge is inherently limited however, which makes truth relative and the seeking of truth on-going. The only absolute is existence itself, or the universe, everything else is limited or relative. Although a philosophical materialist, he extended these concepts to include all that was real, existing or had an impact upon the world. Thought and matter were no longer radically separated as in older forms of materialism. The Nature of Human Brain Work is vital for theorists today in that it lays the basis for a non-dogmatic, flexible, non-sectarian, yet principled socialist politics.

This book presents a modification of the dialectical method of Jean-Paul Sartre as a tool for critical discourse on aesthetic experience. Three practical demonstrations are offered of the modified progressive-regressive method: (1) on the original location and function of a medieval altarpiece, (2) on a theme in the literature of the Marquis de Sade, and (3) on a theory of consciousness in a novel by Samuel Beckett. The study concludes with guidelines on how the method may enhance critical discourse in teaching.