Diane Cilento

Feisty, uncompromising and free-spirited, Diane Cilento won international acclaim as an actress during the 1950s and 1960s. She was nominated for an Oscar for her role as the seductive Molly in Tom Jones in 1963, around which time she also gained celebrity status as the wife of Sean Connery, then becoming famous as the iconic James Bond. But these are only a few of the parts Diane has played. The twists and turns of her extraordinary life took her from a privileged childhood in Queensland, Australia, to Broadway, then to London in the Swinging Sixties. In this candid memoir Diane revisits her rich but rebellious youth, an impetuous elopement at the age of twenty-three, and her work with some of the biggest stars of stage and screen. She also shares her ongoing search for self-expression and spiritual fulfilment. Having turned her back on stardom in the 1980s, she moved to Far North Queensland, where she built and still runs Karnak Playhouse, a unique centre for the arts.

Feisty, uncompromising and free-spirited, the author won international acclaim as an actress during the 1950s and 1960s. She was nominated for an Oscar, married to Sean Connery, and then became the iconic James Bond girl. The twists and turns of her extraordinary life have led her on a search for self-expression and finally in the 1980s to northern Queensland to build and run her own unique arts centre.

The story of how Italians struggled to earn the right to live and work amidst an Anglo-Saxon society. It is a story of fear: the Britishers' fear that the 'swarthy' undesirables would threaten their jobs and their way of life; the fear, as WW2 erupted, that Italians might sabotage the war effort and assist the Axis powers to take over Australia.

Sean Connery began the sixties spy movie boom playing James Bond in Dr. No and From Russia with Love. Their success inspired every studio in Hollywood and Europe to release everything from serious knockoffs to spoofs on the genre featuring debonair men, futuristic gadgets, exotic locales, and some of the world's most beautiful actresses whose roles ranged from the innocent caught up in a nefarious plot to the femme fatale. Profiled herein are 107 dazzling women, well-known and unknown, who had film and television appearances in the spy genre. They include superstars Doris Day in Caprice, Raquel Welch in Fathom, and Ann-Margret in Murderer's Row; international sex symbols Ursula Andress in Dr. No and Casino Royale, Elke Sommer in Deadlier Than the Male, and Senta Berger in The Spy with My Face; and forgotten lovelies Greta Chi in Fathom, Alizia Gur in From Russia with Love, and Maggie Thrett in Out of Sight. Each profile includes a filmography that lists the actresses' more notable films. Some include the actresses' candid comments and anecdotes about their films and television shows, the people they worked with, and their feelings about acting in the spy genre are offered throughout. A list of websites that provide further information on women in spy films and television is also included.

Investigating Sufi-inspired spirituality in the modern world, this interdisciplinary text combines cultural study with solid data to provide a comprehensive look at how the teachings of Ibn 'Arabi have been adopted and adapted by Muslims and non-Muslims. At the heart of this movement is the Beshara School in Scotland, founded in the 1960s, and now a center of international scholarship. Using the school as a case study, the discussion describes its emergence and evolution, its approach to spiritual education, the origins of its spiritual teacher, its major teachings and practices, and its projection of Ibn 'Arabi. Both rigorous and very timely, this effort points to areas of cultural exchange between East and West and highlights commonalities in the various historical changes both societies have undergone.

The 1950's saw a major revolution on the movie front. In order to combat TV, the size of movies screens was changed forever. Unfortunately, there was no standard agreement as to what dimensions, the preferred new sized screen should be.

BOOK - “GOD = THE GOD MATRIX!~’” To be Certain there are Patterns in OUR LIVES & OUR DEATHS!~’ Patterns so obvious that the Mind cannot Escape Them!~’ These Patterns lead down a Narrow Path to an Awakening of an Understanding that will Illuminate Mankind’s Existence for the Rest of GOD’s Creation’s Existence of Time!!!~’ This Book Unlocks `-MORE of the PATTERNS, SEQUENCES; and, FORMULAS to; and, of; the FACT of DESTINY with and of (`-TIME CONSTRUCTS) that comes along with the Help (of Aids) from My Previous (`-12) BOOKS in Series and SUCCESSION of the REAL PROPHET of DOOM (Mr. Dwayne W. Anderson)!!!~’ Enjoy the READS!!!~’

Though he lived most of his life in the remote village of Deya on the island of Mallorca, Robert Graves (1895--1985) was conversant with the most important issues of this century and was acquainted with many of the most powerful people. Jorge Luis Borges called him ""a soul above."" Graves wrote almost restlessly on subjects of great diversity: myths of the Greeks, Romans, Hebrews, and Celts; modern science and economics; contemporary society and culture as well as of ancient Greece and Rome, of Celtic Wales and Ireland, of the time of Milton, and of the American Revolution. He was a poet of great fame, a celebrated writer of historical novels, and the man who imprinted the name and identity of the White Goddess upon the cultural language. His translations of Latin classics have been applauded; his recastings of Biblical and Persian texts attracted irascible attention from scholars. Throughout his long and productive life, whether he was talking with Virginia Woolf, Peter Quenell, Jorge Luis Borges, Alan Sillitoe, Edwin Newman, or Gina Lollobrigida, the voice of Graves remained clear and distinct--attracting and repelling a variety of interviewers with its surety. His Books-Goodbye to All That; The White Goddess; I, Claudius; and King Jesus-preserve his literary art. The conversations in this collection keep alive his presence and passion.