Dick Deadeye

Rudolf Waltz's principal objection to life was that it was too easy to make horrible mistakes. He was himself to become a double-murderer at the age of twelve - on Mother's Day. This would at least make subsequent mistakes seem fairly trivial. Rudolf's father, Otto Waltz, had in 1910 bought a painting in Vienna from a destitute Adolf Hitler, thereby possibly saving him from starvation for a future generation. He made the further mistake of setting himself up as an artist when he returned from Europe to Midland City, Ohio, where everyone knew Otto couldn't draw for sour apples. He had funds to indulge this grand illusion (in the splendor of a vast converted 'medieval granary' studio, reminiscent of Mount Fujiyama) because his father had made a fortune producing an opium-and-cocaine-laced quack medicine called Saint Elmo's Remedy, popularly known to be 'absolutely harmless unless discontinued'. The Waltz inheritance even stretched to a troupe of black servants, which was just as well since Rudy's mother was as disinclined to look after a home as his 'artist' father was to paint.

Character drawings from the film Dick Deadeye or Duty done.

Famed duo's first smash hit about a lowly able seaman who falls in love with the Captain's daughter is now available in a handsome new edition, using original manuscripts and early sources. This will be an indispensable rehearsal aid for soloists, chorus members, and pianists.

The following book is a collection of comic operas with the play itself being written by the dramatist W. S. Gilbert and the music composed by Arthur Sullivan. It includes their best known works: 'H.M.S. Pinafore', 'The Pirates of Penzance' and 'The Mikado'. Gilbert, who wrote the libretti for these operas, created fanciful "topsy-turvy" worlds where each absurdity is taken to its logical conclusion; fairies rub elbows with British lords, flirting is a capital offense, gondoliers ascend to the monarchy, and pirates emerge as noblemen who have gone astray. Sullivan, six years Gilbert's junior, composed the music, contributing memorable melodies that could convey both humor and pathos. Their operas have enjoyed broad and enduring international success and are still performed frequently throughout the English-speaking world.

Gilbert and Sullivan’s operas are some of the world’s best-loved musical works, delighting audiences with their joyous wit, topsy-turvy logic and extravagant wordplay. This glorious treasury is the definitive annotated edition of all fourteen of their operas. From the partially lost work Thespis, the first collaboration between W. S. Gilbert and Arthur Sullivan, through the triumphant comic romps The Pirates of Penzance and The Mikado, to lesser-performed gems such as the fanciful The Sorcerer and the acerbic lampoon Patience, Gilbert’s libretti are collected here in their most accurate and faithful form. There is a fascinating commentary on each work, telling the extraordinary stories behind the inspiration for the opera and its performance history, and giving plot summaries and original cast lists.

Literary mashup master Waldrop is back with new stories of pirates, hidden movie history, the Wolfman of Alcatraz, and more.

"H.M.S. Pinafore" is a comic opera in two acts, that takes place aboard the Royal Navy ship HMS Pinafore. The captain's daughter, Josephine, is in love with a lower-class sailor, Ralph Rackstraw, although her father intends her to marry Sir Joseph Porter, the First Lord of the Admiralty. She abides by her father's wishes at first, but Sir Joseph's advocacy of the equality of humankind encourages Ralph and Josephine to overturn conventional social order. They declare their love for each other and eventually plan to elope.