Dictionary Of Buddhist Iconography Dhyana Paramita Gzuns Las Byun Bahi Lha Mo Nor Rgyun Ma

Description: The literature on Prajnaparamita, vast, deep and vital to an understanding of the Mahayana. It has so far been neglected by the European scholars. With the aim of facilitating the study, the author has set out a certain amount of information about it. Thus this handbook records for the use of scholars the very limited knowledge acquired during the last century.

This book breaks new ground in the perception of Central Asian history by a comparison of the archaeological evidence with Tibetan and Chinese historiographic sources as well as Sanskrit texts which have rarely been used. This work resurrects the resonances of culture, defence, sericulture, political doctrine of bhumiputra (alive to this day in Malaysia), painting, philosophy across the "deep sands" and thence to its flowering in the civilizations of China, Korea and Japan.

The Tun-huang caves are the jewel of Buddhist art over the centuries. Situated at the foot of the Mountain of Singing Sands, an itinerant monk Yueh-ts'un settled down to excavate the first cave in AD 344, and to paint its walls. This book reproduces and describes the paintings from Tun-huang in the National Museum, New Delhi. The Tun-huang caves are the jewel of Buddhist art over the centuries. Situated at the foot of the Mountain of Singing Sands, they are the brush of the Buddha, where an itinerant monk Yueh-ts'un watched the iridescent peaks in the sheen of blue

This Dictionary Attempts To Reveal The Divine Paradoxes Of Buddhist-Hindu Iconography By Even Interpreting The Nuances Of Their Iconic Language. It Explains, Vividly, Thousands Of Iconic Representations (Visual, Conceptual Symbols, Images, Objects, Concepts, Rites).

This Volume Explores The Relation Of Buddhism To Greek Cosmology, Its Contacts With West Asia, And Parallels To Christianity. The Interpretation In Adibuddha As A Theistic Concept Has Been Elucidated. Buddhist Period Of Classical Afghanistan, A New Identification Of The Colossi Of Bamiyan, And The 108 Symbols On The Feet Of The Buddhas Are The Way On The Physical And Divine Planes. Several Khotanese Panels, Murals And Icons Have Been Identified Anew On The Basis Of The Six Annals Of The Kingdom In Tibetan. The Role Of The Suvarabhasa-Sutra In The Polity Of Central Asia And Thence In East Asia Has Been Discussed. The Lotus Sutra Was Transmitted To China And Japan And Became A Dominant Underpinning Of Their Political And Religious Culture. The Mind-Ground Of East Asian Art Is A General Survey Of The Aesthetic Principles Evolved In This Region. The Walling Up Of The Library Cave Of Tun-Huang Was Due To A Fundamentalist Threat. The Artistic Journey Of Fourteen Centuries Of Japanese Buddhism Is Presented. Silent Letters In Tibetan Orthography And The Ambulatory Of The Tabo Cella Are Discussed. Buddhism In Mongolia Gave A Splendid Art And Rich Literature To The People. Ajanta As The Aesthesis Of Beauty And Beyond, The Thirtythree Koti Deities, Tantas As Transcendence And Tumescence, The Cousin Cultures Of India And Iran, Chandi Sukuh As A Political Statement, The Indonesian Word Candi As An Architectural Term, Identification Of Buddhist Bronzes Of Java, And Central Asia As The Path Of Sutras (And Not As The Silk Route), And Other Studies Enrich Our Understanding Of The Art And Thought, Polity And Civilization Of The Countries Of Asia. This Volume Of 477 Pages Is A Collection Of The Research Papers Of Prof. Lokesh Chandra Written Over The Last Fifteen Years On The Evolution Of Buddhist Thought And Its Spread Over Vast Areas Of Asia. Areas Of Interest: Buddhism, History Of Art, Philosophy, And The General History Of Various Countries (India, Afghanistan, Iran, Central Asia, China, Japan, Tibet, Mongolia, Cambodia, Indonesia), And Cultural Globalism.