Diego Garcia

Sad and funny and bitter and true, a novel about grief, discovering your own story, and trying to listen for those stories that are not yours to tell. August 2014. Two friends, writers Damaris Caleemootoo and Oliver Pablo Herzberg, arrive in Edinburgh from London, the city that killed Daniel—his brother, her frenemy and loved by them both. Every day is different but the same. Trying to get to the library, they get distracted by bickering—will it rain or not and what should they do about their tanking bitcoin?—in the end failing to write or resist the sadness which follows them as they drift around the city. On such a day they meet Diego, a poet. They learn that Diego’s mother was from the Chagos Archipelago, that she and her community were forced to leave their ancestral islands by soldiers in 1973 to make way for a military base. They become obsessed with this notorious episode in British history and the continuing resistance of the Chagossian people, and feel urged to write in solidarity. But how to share a story that is not theirs to tell? Sad, funny and angry, this collaborative fiction builds on the true fact of another: a collaborative fiction created by the British and US governments to dispossess a people of their homeland.

David Vine recounts how the British & US governments created the Diego Garcia base, making the native Chagossians homeless in the process. He details the strategic significance of this remote location & also describes recent efforts by the exiles to regain their territory.

Diego Garcia is about the Navy's need for secure communications in the Indian Ocean area, and who and how this need was fulfilled. The establishment of a classified radio station on the island of Diego Garcia in the Chagos Archipelago precipitated considerable national and international debate during the Cold War. How Diego Garcia became the linchpin of United States strategy in the Indian Ocean and Southwest Asia illustrates the complexities and difficulties that a democracy faces whenever it addresses national security issues. During the early 1970's, as British presence East of Suez was being withdrawn, India led an effort to establish a Zone of Peace, and the dependence on Middle East oil required the United States to establish an Indian Ocean presence effectively and unobtrusively. Diego Garcia fills in a 25 year gap in the history of this base, and those who made it possible.

Sad and funny and bitter and true, a novel about grief, discovering your own story, and trying to listen for those stories that are not yours to tell. August 2014. Two friends, writers Damaris Caleemootoo and Oliver Pablo Herzberg, arrive in Edinburgh from London, the city that killed Daniel—his brother, her frenemy and loved by them both. Every day is different but the same. Trying to get to the library, they get distracted by bickering—will it rain or not and what should they do about their tanking bitcoin?—in the end failing to write or resist the sadness which follows them as they drift around the city. On such a day they meet Diego, a poet. They learn that Diego’s mother was from the Chagos Archipelago, that she and her community were forced to leave their ancestral islands by soldiers in 1973 to make way for a military base. They become obsessed with this notorious episode in British history and the continuing resistance of the Chagossian people, and feel urged to write in solidarity. But how to share a story that is not theirs to tell? Sad, funny and angry, this collaborative fiction builds on the true fact of another: a collaborative fiction created by the British and US governments to dispossess a people of their homeland.

Diego Garcia is a pivotal US base for all Middle East operations. This book describes its evolution from a secret US-UK bilateral deal in 1966 and the deportation of the native population in the 70s to its new role in Guantánamo-style 'renditions' and the impact of miltary construction on its environment.

Tells the story of the Ilois people, their displacement at the hands of a colonial power, and their struggle for recognition and justice.