Differences In The City Postmetropolitan Heterotopias As Liberal Utopian Dreams

Although it is one of the most vague and ambiguous concepts proposed by Foucault, the term "heterotopia" has been, and continues to be, one of the most widely used in technical as well as in human and social disciplines. Coinciding with the rise of postmodernism and the supposed crisis of the great unitary stories of the West, the great heterogeneity of urban and spatial phenomena and typologies referred to in the Foucauldian notion was further expanded, with the explicit intention of using it as part of the new urban ideology that neoliberal theorists of architecture and urbanism were beginning to implement under the leitmotif of the city by fragments. In this way, neoliberal urban ideology appropriated the concept of heterotopia, making it pass for libertarian and endowing it with the ability to exert political resistance to economic and urban planning by public administrations.This is why the concept of heterotopia has been used simultaneously and repeatedly as a tool to praise the beatitudes of neoliberal urbanism as well as to defend its emancipatory character by social movements and activists In this sense, the emancipatory potential that heterotopias could have had in the disciplinary arrangement of space has ended up transforming into a magic formula with which to transform the impositions of the neoliberal (de)arrangement of the territory into a hymn to freedom of movement, to a socio-cultural diversity without class conflict.The aim of this collective and interdisciplinary reflection is to prove that heterotopias are spaces that cannot be considered a priori as directly emancipatory but apart from an effective political project. As we live in a postmetropolitan word, we should ask: Are these post-metropolitan heterotopias capable of shaping themselves as the new nerve centers of anti-capitalist resistance or are they only capable of subverting the disciplinary power of public administrations already brought to crisis-point decades ago by neoliberal capitalism? Can they function as the spatial tools of an antagonistic politics for the common or, on the contrary, is their operation intrinsically neoliberal?This book brings together various analyses and investigations that maintain conflicting positions on the emancipatory or ideological-alienating character of heterotopias with the dual objective of avoiding their Western-centric bias and preserving any possible trait of emancipatory potential that may be rearticulated from an epistemological diversity viewpoint. With these objectives in mind, we have organized the twenty-two articles that make up this book into five major thematic sections, coinciding with some of the main topics around which socio-spatial debates dedicated to heterotopias have taken place in the last twenty-five years: the postmetropolis, public space, the right to the city, gender relations and their symbolic condition. Although these five categories should not be understood as unrelated compartments --but quite the opposite-- we have chosen to use this classification as an analytical tool to illuminate some of the focal points around which to exercise effective critique of one of the most frustratingly incomplete, inconsistent [and] incoherent concepts of socio-spatial theory.

This innovative book makes the case for training future planners in new and creative ways as coordinators, enablers and facilitators. An international range of teaching case studies offer distinctive ideas for the future of planning education along with practical tips to assist in adapting pedagogical approaches to various institutional settings. Unique contributions from educational scholars contextualise the emergent planning education approaches in contemporary pedagogical debates.

As Japan moved from the devastation of 1945 to the economic security that survived even the boom and bust of the 1980s and 1990s, its literature came to embrace new subjects and styles and to reflect on the nation's changing relationship to other Asian countries and to the West. This volume will help instructors introduce students to novels, short stories, and manga that confront postwar Japanese experiences, including the suffering caused by the atomic bombings of Hiroshima and Nagasaki, the echoes of Japan's colonialism and imperialism, new ways of thinking about Japanese identity and about minorities such as the zainichi Koreans, changes in family structures, and environmental disasters. Essays provide context for understanding the particularity of postwar Japanese literature, its place in world literature, and its connections to the Japanese past.

Urbanization is a system of power and knowledge, and today’s city functions through the expansive material infrastructures of the urban order. In The Urban Apparatus, Reinhold Martin analyzes urbanization and the contemporary city in aesthetic, socioeconomic, and mediapolitical terms. He argues that understanding the city as infrastructure reveals urbanization to be a way of imparting functional, aesthetic, and cognitive order to a contradictory, doubly bound neoliberal regime. Blending critical philosophy, political theory, and media theory, The Urban Apparatus explores how the aesthetics of cities and their political economies overlap. In a series of ten essays, with a detailed theoretical introduction, Martin explores questions related to urban life, drawn from a wide range of global topics—from the fiscal crisis in Detroit to speculative development in Mumbai to the landscape of Mars, from discussions of race and the environment to housing and economic inequality. Each essay proposes a particular “mediator” (or a material complex) that is shaped by imaginative practices, each answering the question “What is a city, today?” The Urban Apparatus serves as an “urban” bookend to the architectural questions explored by Martin in his earlier book Utopia’s Ghost, and ultimately offers readers a way to think politically about urbanization.

A study of urban identity and community looks at selected twentieth century literary and film texts in the context of theorizations of modernism, postmodernism, postcoloniality and globalization. Brooker draws on Beck and Giddens to propose a 'reflexive modernism' which rewrites and re-imagines the urban scene. The principal cities considered are London and New York, Tokyo, Hong Kong and Bangkok. Writers considered include Ezra Pound and T.S. Eliot, Langston Hughes, Hanif Kureishi, Iain Sinclair, Paul Auster, Sarah Schulman and William Gibson. Filmmakers include Patrick Keiller and Wong Kar-Wai.

At a three-day conference held at the TU Delft on November 6-8, 2019 researchers, scholars, activists, practitioners and artists presented individual papers that addressed the relationships between spatiality, mediation and conflict from a variety of perspectives.0In addition to academic paper contributions, the conference welcomed other proposals in different formats and media: audio-visual material (film, video, photography), digital or physical archives, experimental design proposals, installations, performances, etc.0The thematic core of the conference explored new ? or innovative ? theoretical and methodological approaches and insights on: (1) Spaces of conflict as transitional spaces of material interactions between violence and everyday life; and (2) Spaces of memory as transformative space of violence).0This conference proceedings shares the outcome of the academic event.

La quatrième de couverture indique: "How does the modern museum respond to the movement, migrations and mobilities of the modern world that exceed its practices and premises? The essays in this volume circulate in the constellation of cultural, postcolonial and museum studies to propose a series of intersecting perspectives promoting critical responses to this ongoing interrogation. Memory, the archive, and the politics of display, are unwound from their institutional moorings and allowed to drift into other, frequently non-authorised, accounts of time and space. Called upon to negotiate unplanned encounters with unsuspected actors and the obscured sides of modernity, the museum becomes an experimental space, a laboratory for a cultural democracy yet to come."

This book examines how we can conceive of a ’postcolonial museum’ in the contemporary epoch of mass migrations, the internet and digital technologies. The authors consider the museum space, practices and institutions in the light of repressed histories, sounds, voices, images, memories, bodies, expression and cultures. Focusing on the transformation of museums as cultural spaces, rather than physical places, is to propose a living archive formed through creation, participation, production and innovation. The aim is to propose a critical assessment of the museum in the light of those transcultural and global migratory movements that challenge the historical and traditional frames of Occidental thought. This involves a search for new strategies and critical approaches in the fields of museum and heritage studies which will renew and extend understandings of European citizenship and result in an inevitable re-evaluation of the concept of ’modernity’ in a so-called globalised and multicultural world.