Dilettanti

Bruce Redford re-creates the vibrant culture of connoisseurship in Enlightenment England by investigating the multifaceted activities and achievements of the Society of Dilettani. Elegantly and wittily he dissects the British connoisseurs whose expeditions, collections, and publications laid the groundwork for the Neoclassical revival and for the scholarly study of Graeco-Roman antiquity. After the foundation of the society in 1732, the Dilettani commissioned portraits of the members. Including a striking group of mock-classical and mock-religious representations, these portraits were painted by George Knapton, Sir Joshua Reynolds, and Sir Thomas Lawrence. During the second half of the century, the society’s expeditions to the Levant yielded a series of pioneering architectural folios, beginning with the first volume The Antiquities of Athens in 1762. These monumental volumes aspired to empirical exactitude in text and image alike. They prepared the way for Specimens of Antient Sculpture (1809), which combines the didactic (detailed investigations into technique, condition, restoration, and provenance) with the connoisseurial (plates that bring the illustration of ancient sculpture to new artistic heights). The Society of Dilettanti’s projects and publications exemplify the Enlightenment ideal of the gentleman amateur, which is linked in turn to a culture of wide-ranging curiosity.

For over 50 years between the 1760s and the early 19th century, the pioneers who sailed from Europe to explore the Pacific brought back glimpses of a new world in the form of oil paintings, watercolors and drawings--a sensational view of a part of the world few would ever see. Today these works represent a fascinating and inspiring perspective from the frontier of discovery. It was Sir Joseph Banks, President of the Royal Society, who popularized the placement of professional artists on British ships of exploration. They captured striking and memorable images of everything they encountered: exotic landscapes, beautiful flora and fauna, as well as remarkable portraits of indigenous peoples. These earliest views of the Pacific were designed to promote the new world as enticing, to make it seem familiar, to encourage further exploration and, ultimately, British settlement. Drawing on both private and public collections from around the world, this lavish book collects oil paintings, watercolors, drawings, prints and other documents from those voyages, and presents a unique glimpse into an age where science and art became irrevocably entwined.

The rediscovery of the Roman cities overwhelmed by the rage of Vesuvius is one of history's most extraordinary adventure stories. Pompeii Awakened revels in that adventure, and tells of the re-emergence of a long-vanished cosmopolis which profoundly inspired a later age - from its arts and architecture to its science, sex and religion. When Herculaneum, Pompeii' s sister in disaster, was located in 1709, that first discovery launched a frenzied scramble for buried treasure. Then in 1755 Pompeii too rose from its crust of volcanic rock, and the science of archaeology was born. Whereas Herculaneum had artistic, political and philosophical impact, the later discoveries at Pompeii spoke rather of domesticity - of cuisine and household architecture, tools, gardens and religion. To this day it is the only site to show what daily life was like in antiquity. However, the full story of Pompeii consists not just in its uniquely preserved classical villas and votives, but in the powerful response it evoked in the European cultural imagination. Here are the English, whose wealth, wet weather and classical education fostered a passion for Naples and its rediscovered cities. We read of Sir William Hamilton discussing priapic cults with his near neighbour, the dilettante Richard Payne Knight, and of how the famous love affair of Emma Hamilton and Admiral Nelson saved the Heculaneum papyri from the French. Here too are the hosts who arrived from across Europe, and then from America - engineers and artists, dreamers and poets, photographers and cinematographers, whose reconstructions and remembrances of Pompeii have never ceased to resonate. Judith Harris brings the doomed city vibrantly to life. Pompeii breathes again through her account of the diverse people who sifted through its remains to catch a glimpse of themselves in the past. From the poetic souls who found a majestic melancholy in Pompeii's shatttered walls , to the tub-thumping Victorian preachers who denounced the city as akin to Sodom and Gomorrah, Pompeii Awakened uncovers many fascinating stories - of sex, science, love and death. The author has spoken to experts on three continents, flown over Pompeii in a hot-air balloon, delved into ancient diaries and descended deep underground to assess the latest discoveries of a lost world . As the sleeping city re-awakens in her hands, Pompeii casts its spell once more, bewitching those who seek to unearth its buried secrets.

This is the first book to offer a literary analysis of Peacock's novels, including the two ironic medieval romances Maid Marian and The Misfortunes of Elphin. Other works included are Headlong Hall, Melincourt, Nightmare Abbey, Crotchet Castle, The Romances and Gryll Grange.

Paul Mellon (1907--1999) assembled one of the world’s greatest collections of British drawings and watercolors. In his memoirs he wrote of their “beauty and freshness… their immediacy and sureness of technique, their comprehensiveness of subject matter, their vital qualities, their Englishness.” This catalogue celebrating the centenary of Mellon's birth features eighty-eight outstanding watercolors from the fifty thousand works of art on paper with which he endowed the Yale Center for British Art. The selection spans the emergence of watercolor painting in the mid-18th century to its apogee in the mid-19th. These works highlight the diversity of British watercolors, showcasing both landscape and figurative works by some of the principal artists working in the medium, including Thomas Gainsborough, Thomas Rowlandson, William Blake, and J. M.W. Turner.