Dire Straits

The bass player and founding member Dire Straits shares a behind-the-scenes history of the British rock band. One of the most successful music acts of all time, Dire Straits filled stadiums around the world. Their albums sold hundreds of millions of copies and their music—classics like “Sultans of Swing,” “Romeo and Juliet,” “Money for Nothing,” and “Brothers in Arms” —is still played on every continent today. There was, quite simply, no bigger band on the planet throughout the eighties. In this powerful and entertaining memoir, founding member John Illsley gives the inside track on the most successful rock band of their time. From playing gigs in the spit-and-sawdust pubs of south London, to hanging out with Bob Dylan in LA, Illsley tells the story of the band with searching honesty, soulful reflection, and wry humor. Starting with his own unlikely beginnings in Middle England, he recounts the band’s rise from humble origins to the best-known venues in the world, the working man’s clubs to Madison Square Garden, sharing gigs with wild punk bands to rocking the Live Aid stage at Wembley. And woven throughout is an intimate portrait and tribute to his great friend Mark Knopfler, the band’s lead singer, songwriter, and remarkable guitarist. Tracing an idea that created a phenomenal musical legacy, an extraordinary journey of joy and pain, companionship and surprises, this is John Illsley’s life in Dire Straits. Praise for My Life in Dire Straits “A forensic and uplifting journey through the sheer hard work, pitfalls, and thrills of navigating a great rock and roll band to the pinnacle of success. I so enjoyed the ride! Onwards, John!” —Roger Taylor, drummer, songwriter, and founding member of Queen “Reading John Illsley’s book, I relived so many moments. He captures the early days of the “English bands” and their story—the ups and downs, relationships, craziness, and fun. Of course, the music was key. This really happened!” —Mike Rutherford of Genesis “Fascinating. . . . Illsley is brutally frank about the toll that the band’s fame had on his relationships, most notably his marriage (“a victim,” he writes, “of my life on the road”). Fans will be mesmerized.” —Publishers Weekly (starred review)

England became a centrally important maritime power in the early modern period, and its writers – acutely aware of their inhabiting an island – often depicted the coastline as a major topic of their works. However, early modern English versifiers had to reconcile this reality with the classical tradition, in which the British Isles were seen as culturally remote compared to the centrally important Mediterranean of antiquity. This was a struggle for writers not only because they used the classical tradition to legitimate their authority, but also because this image dominated cognitive maps of the oceanic world. As the first study of coastlines and early modern English literature, Dire Straits investigates the tensions of the classical tradition's isolation of the British Isles from the domain of poetry. By illustrating how early modern English writers created their works in the context of a longstanding cultural inheritance from antiquity, Elizabeth Jane Bellamy offers a new approach to the history of early modern cartography and its influences on literature.

1979 was an amazing time for post-punk pop. At the end of March, a fresh new sound entered the UK top 20. It was ‘Sultans of Swing’, a very wordy song with lots of driving guitar, a tight rhythm section and some killer musicianship. Dire Straits, unlikely pop stars led by a 29-year-old Geordie who could play guitar brilliantly, had finally arrived. Six years later, they were, for a time, the biggest band in the world. Brothers in Arms sold by the truckload, one of the first massive sellers on CD. Since then, however, their star has fallen. Over exposure as the safe, boring champions of the CD age has resulted in Dire Straits becoming, to many, the embodiment of a certain sort of benign, homogenised music. Mark Knopfler, their singer, guitarist, producer and songwriter, became a caricature of the middle-aged rocker in the minds of many. Their music remains stubbornly unfashionable but retains its huge fanbase. Dire Straits On Track revisits, re-evaluates and contextualises the band’s six studio albums and two live albums, as well as EPs and archive releases. Seven ex-members of Dire Straits have been interviewed for this book, providing fresh perspective and insight. The band made a huge amount of good music; it’s time it was reappraised. Andrew Wild is a music collector and experienced writer with several books to his name, including Crosby, Stills & Nash (Sonicbond, 2020), The Solo Beatles (Sonicbond 2020) and Queen On Track (Sonicbond 2018). He's been a fan of Dire Straits since seeing them perform the forgotten single 'Skateaway' on the kids’ Saturday morning TV show Multi-Coloured Swap Shop in spring 1981. He lives in Rainow, Cheshire, UK.

In Dire Straits is a healing memoir about the challenges of coping with and recovering from an incapacitating rheumatoid disease. Told from the perspective of a solo world traveler, it reads like a travel book, full of edifying adventures and quirky discoveries. Each encounter prompts reflection on self-empowerment through greater mindfulness, curiosity and imagination.