Directory Of World Cinema American Independent

This book is part of the 'Directory of World Cinema' series. It includes contributions from some of the leading academics in the field. There are 150 reviews of American independent films from cult classics to recent releases and new sections devoted to 'brutal youth, ' religion, and war movies. It features full colour illustrations and interviews with influential directors. It features comprehensive filmography as an index. American independent cinema has undergone several incarnations since its emergence as an underground movement in the 1960s. Today, with high-profile Academy Award nominations and an increasing number of big-name actors eager to sign on to promising projects, these films garner more interest than ever before. Newly revised and expanded, the 'Directory of World Cinema: American Independent 2' extends its chronicle of the independent sector's rise.

With high-profile Academy Award nominations and an increasing number of big-name actors eager to sign on to promising projects, independent films have been at the forefront in recent years like never before. But the roots of such critical and commercial successes as The Hurt Locker and Precious can be traced to the first boom of independent cinema in the 1960s, when a raft of talented filmmakers emergedto capture the attention of a rapidly growing audience of young viewers. A thorough overview of a thriving area of cultural life, Directory of World Cinema: American Independent chronicles the rise of the independent sector as an outlet for directors who challenge the status quo, yet still produce accessible feature films that not only find wide audiences but enjoy considerable box office appeal—without sacrificing critical legitimacy. Key directors are interviewed and profiled, and a sizeable selection of films are referenced and reviewed. More than a dozen sub-genres—including African American cinema, queer cinema, documentary, familial dysfunction, and exploitation—are individually considered, with an emphasis on their ability to engage with tensions inherent in American society. Copious illustrations and a range of research resources round out the volume, making this a truly comprehensive guide. At a time when independent films are enjoying considerable cultural cachet, this easy-to-use yet authoritative guide will find an eager audience in media historians, film studies scholars, and movie buffs alike.

Scotland, its people and its history have long been a source of considerable fascination and inspiration for filmmakers, film scholars and film audiences worldwide. A significant number of critically acclaimed films made in the last twenty-five years have ignited passionate conversations and debates about Scottish national cinema. Its historical, industrial and cultural complexities and contradictions have made it all the more a focus of attention and interest for both popular audiences and scholarly critics. Directory of World Cinema: Scotland provides an introduction to many of Scottish cinema’s most important and influential themes and issues, films and filmmakers, while adding to the ongoing discussion concerning how to make sense of Scotland’s cinematic traditions and contributions. Chapters on filmmakers range from Murray Grigor to Ken Loach, and Gaelic filmmaking, radical and engaged cinema, production, finance and documentary are just a few of the topics explored. Film reviews range from popular box office hits such as Braveheart, and Trainspotting to lesser known but equally engaging independent and lower budget productions, such as Shell and Orphans. This book is both a stimulating and accessible resource for a wide range of readers interested in Scottish film.

From Andy Warhol's Factory films to Roger Corman's exploitation productions to contemporary features backed by Hollywood studio subdivisions, American independent cinema has undergone several incarnations since its emergence as a politically charged underground movement in the 1960s. Today, with high-profile Academy Award nominations and an increasing number of big-name actors eager to sign on to promising projects, these films garner more interest than ever before. Newly revised and expanded, the "Directory of World Cinema: American Independent 2" extends its chronicle of the independent sector's rise as an outlet for directors who both challenge the status quo and enjoy considerable box office appeal--without sacrificing critical legitimacy. In addition to essays on such genres as African-American films, documentary, and queer cinema, this volume features new sections devoted to "brutal youth," dream factory, religion, and war movies. It also includes one hundred and fifty reviews of significant American independent films--ranging from such cult classics as "Faces," "My Hustler," and "Supervixens" to recent releases like "Drive," "Mysterious Skin, " and "Win Win." In addition to interviews with and profiles of influential directors, a wide array of color illustrations and a range of suggested research resources round out the "Directory of World Cinema: American Independent 2." At a time when independent films are enjoying considerable cultural cachet, this easy-to-use yet authoritative guide will find an eager audience among media historians, film studies scholars, and movie buffs alike.

films. --Book Jacket.

Hollywood continues to reign supreme; from award-winning dramas to multimillion-dollar, special-effects-laden blockbusters, Tinseltown produces the films that audiences around the world go to the cinema to see. While the film industry has dramatically changed over the years – stars have come and gone, studios have risen and fallen, new technologies have emerged to challenge directors and entice audiences – Hollywood remains the centre of global media entertainment. The second volume of Directory of World Cinema: American Hollywood builds on its predecessor by exploring how the industry has evolved and expanded throughout its history. With new essays that discuss the importance of genre, adaptation, locations and technology in the production of film, this collection explores how Hollywood has looked to create, innovate, borrow and adapt new methods of filmmaking to capture the audience’s imaginations. Touching on classic films such as North by Northwest and Dirty Harry alongside CGI blockbusters like The Lord of the Rings and The Dark Knight as well as comedies such as When Harry Met Sally and Jerry Maguire, this landmark book charts the changing tastes of cinema-goers and the diverse range of offerings from Hollywood. User-friendly and concise, yet dense and wide-ranging, Directory of World Cinema: American Hollywood 2 demonstrates that Hollywood, despite its challenges from independent filmmakers and foreign directors, remains the undisputed king of moviemaking in the twenty-first century.

World War II coincided with cinema's golden age. Movies now considered classics were created at a time when all sides in the war were coming to realize the great power of popular films to motivate the masses. Through multinational research, One World,