Discordant Memories

On two separate days in August 1945, the United States dropped atomic bombs over the Japanese cities of Hiroshima and Nagasaki. As the seventy-fifth anniversary of these cataclysmic bombings draws near, American and Japanese citizens are seeking new ways to memorialize these events for future generations. In Discordant Memories, Alison Fields explores—through the lenses of multiple disciplines—ongoing memories of the two bombings. Enhanced by striking color and black-and-white images, this book is an innovative contribution to the evolving fields of memory studies and nuclear humanities. To reveal the layered complexities of nuclear remembrance, Fields analyzes photography, film, and artworks; offers close readings of media and testimonial accounts; traces site visits to atomic museums in New Mexico and Japan; and features artists who give visual form to evolving memories. According to Fields, such expressions of memory both inspire group healing and expose struggles with past trauma. Visual forms of remembrance—such as science museums, peace memorials, photographs, and even scars on human bodies—serve to contain or manage painful memories. And yet, the author claims, distinct cultures lay claim to vastly different remembrances of nuclear history. Fields analyzes a range of case studies to uncover these discordant memories and to trace the legacies of nuclear weapons production and testing. Her subjects include the Bradbury Science Museum in Los Alamos, New Mexico; the Hiroshima Peace Memorial Museum in Japan; the atomic photography of Carole Gallagher and Patrick Nagatani; and artworks and experimental films by Will Wilson and Nanobah Becker. In the end, Fields argues, the trauma caused by nuclear weapons can never be fully contained. For this reason, commemorations of their effects are often incomplete and insufficient. Differences between individual memories and public accounts are also important to recognize. Discordant Memories illuminates such disparate memories in all their rich complexity.

"An exploration of the ongoing memories of the atomic bombings of Hiroshima and Nagasaki, as well as the legacies of nuclear weapons production and testing."--

Catrina Banks wakes up with bruises on her body and no memories from the last six months. An illustrious painter, she feels as though someone has stolen the colors from her canvas. Under the teeming hospital lights and white coats crowding around her, Catrina faces questions she has no answers to. How did she end up in a city far from home? What was she doing there? Where is her phone, her ID, and most of all: Who assaulted her?Struggling with intermittent flashbacks, Catrina tries to piece her life together. Cradling a gray hoodie and wedding bands she has no memory of, Cat returns home with her boyfriend Danny.Even after she's safe at home, she can't shake the weird feeling that something is off, nor can she ignore the haunting glimpses she gets of a different life with another man.

Anzac Memories was first published to acclaim in 1994, and has achieved international renown for its pioneering contribution to the study of war memory and mythology. Michael McKernan wrote that the book gave ‘as good a picture of the impact of the Great War on individuals and Australia as we are likely to get in this generation’, and Michael Roper concluded that ‘an immense achievement of this book is that it so clearly illuminates the historical processes that left men like my grandfather forever struggling to fashion myths which they could live by’. In this new edition Alistair Thomson explores how the Anzac legend has transformed over the past quarter century, how a ‘post-memory’ of the Great War creates new challenges and opportunities for making sense of the national past, and how veterans’ war memories can still challenge and complicate national mythologies. He returns to a family war history that he could not write about twenty years ago because of the stigma of war and mental illness, and he uses newly released Repatriation files to question his own earlier account of veterans’ post-war lives and memories and to think afresh about war and memory.

Few historical events have resonated as much in modern British culture as the Second World War. It has left a rich legacy in a range of media that continue to attract a wide audience: film, TV and radio, photography and the visual arts, journalism and propaganda, architecture, museums, music and literature. The enduring presence of the war in the public world is echoed in its ongoing centrality in many personal and family memories, with stories of the Second World War being recounted through the generations. This collection brings together recent historical work on the cultural memory of the war, examining its presence in family stories, in popular and material culture and in acts of commemoration in Britain between 1945 and the present.

This book probes into how communities and social groups construct their understanding of the world through real and imagined experiences of place. The book seeks to connect the dots of the factual and the imaginary that form affective networks of identities, which help shape local memory and sense of self and community, as well as a sense of the past. It exploits the concept of make-believe spaces – in the environment, storytelling and mnemonic narratives – as a social framework that aligns and informs the everyday memory worlds of communities. Drawing upon fieldwork in cultural heritage, community archaeology, social history and conflict history and anthropology, this text offers a methodological framework within which social groups may position and enact the multiple senses of place and senses of the past inhabited and performed in different cultural contexts. This book serves to illustrate a useful visualisation methodology which can be used in participatory fieldwork and thus will be of interest to heritage specialists, ethnographers and cultural geographers and oral history practitioners who will particularly find the methodology cheap, easy to replicate and enjoyable for community-based projects.

In recent years there has been increasing interaction between basic and applied memory researchers, ranging from heated debates to highly productive collaborations. This collection of papers -- based on presentations at the Third Practical Aspects of Memory conference -- reviews the progress, as well as obstacles to progress, in the ongoing collaboration between basic and applied memory researchers. This volume represents the state of the art in memory research domains that straddle the basic-applied divide. The text is organized around three themes, including theoretical and metatheoretical issues concerning the interaction of basic and applied memory research, laboratory investigation of real world memory problems, and solutions of everyday problems using theoretical concepts derived from basic memory research. The first section illustrates why collaboration between basic and applied memory researchers should be beneficial and provides guidelines for avoiding some of the pitfalls. The second and third sections present some of the most significant, contemporary findings by researchers whose work is basic-yet-applicable or applied-yet-theoretically-based. Students and professional memory researchers will find the substantive results to be provocative and theoretically engaging, making the information presented in this volume invaluable. These examples of successful application will be of substantial, pragmatic value and researchers are certain to be grappling with these issues for years to come.

A collection of personal accounts from key figures in the battle of Gettysburg. The Civil War generation saw its world in ways startlingly different from our own. Glenn W. LaFantasie examines the lives and experiences of several key personalities who gained fame during the war. As a turning point in the war, Gettysburg had a different effect on each person. Victory at Gettysburg captures the human drama of the war and shows how this group of individuals endured or succumbed to the war and, willingly or unwillingly, influenced its outcome. At the same time, it shows how the war shaped the lives of these individuals, putting them through ordeals they never dreamed they would face or survive. The battle of Gettysburg is the thread that ties these Civil War lives together. “Glenn LaFantasie is one of the finest writers in the field of Civil War history. His prose is accessible, pleasurable to read, and always insightful and provocative . . . this book should excite a lot of interest.” —Joan Waugh, editor of The Memory of the Civil War in American Culture