Discourses Of Vision In Nineteenth Century Britain

This book offers an innovative reassessment of the way Victorians thought and wrote about visual experience. It argues that new visual technologies gave expression to new ways of seeing, using these to uncover the visual discourses that facilitated, informed and shaped the way people conceptualised and articulated visual experience. In doing so, the book reconsiders literary and non-fiction works by well-known authors including George Eliot, Charles Dickens, G.H. Lewes, Max Nordau, Herbert Spencer, and Joseph Conrad, as well as shedding light on less-known works drawn from the periodical press. By revealing the discourses that formed around visual technologies, the book challenges and builds upon existing scholarship to provide a powerful new model by which to understand how the Victorians experienced, conceptualised, and wrote about vision.

This volume explores the politics and poetics of Victorian surfaces in their manifold manifestations. In so doing, it examines various cultural products ‘as they are’ and highlights the art of surface composition in the Victorian era as well as the socio-cultural ramifications of the preoccupation with the exterior. By closely reading the various surfaces materialising in Victorian literature and culture, the individual contributions explore the dialectics of surface and depth in Victorian (and Neo-Victorian) cultures as well as the legibility of surfaces. They look into the surfaces of literary narratives, paintings, and film but also into natural surfaces such as skin or bark. Each chapter foregrounds what is present rather than absent in a text, while also paying attention to the surfaces that become manifest on the diegetic level of the text, be they cloth, landscapes, or human bodies or faces. This is an open access book.

Jonathan Crary's Techniques of the Observer provides a dramatically new perspective on the visual culture of the nineteenth century, reassessing problems of both visual modernism and social modernity. This analysis of the historical formation of the observer is a compelling account of the prehistory of the society of the spectacle. In Techniques of the Observer Jonathan Crary provides a dramatically new perspective on the visual culture of the nineteenth century, reassessing problems of both visual modernism and social modernity. Inverting conventional approaches, Crary considers the problem of visuality not through the study of art works and images, but by analyzing the historical construction of the observer. He insists that the problems of vision are inseparable from the operation of social power and examines how, beginning in the 1820s, the observer became the site of new discourses and practices that situated vision within the body as a physiological event. Alongside the sudden appearance of physiological optics, Crary points out, theories and models of "subjective vision" were developed that gave the observer a new autonomy and productivity while simultaneously allowing new forms of control and standardization of vision. Crary examines a range of diverse work in philosophy, in the empirical sciences, and in the elements of an emerging mass visual culture. He discusses at length the significance of optical apparatuses such as the stereoscope and of precinematic devices, detailing how they were the product of new physiological knowledge. He also shows how these forms of mass culture, usually labeled as "realist," were in fact based on abstract models of vision, and he suggests that mimetic or perspectival notions of vision and representation were initially abandoned in the first half of the nineteenth century within a variety of powerful institutions and discourses, well before the modernist painting of the 1870s and 1880s.

This book examines the political response to current environmental concerns in the context of the British Isles. How have the issues been assimilated by political parties? Which ones have been given priority? Who are the main actors and what is the role of ecologists? Answers to questions such as these are provided in this collective work, not only through valuable insights into the theories and concepts found in political ecology, but also with specific examination of present political debates, such as the Liberal Democrats’ stance, the question of nuclear energy or the salient issue of climate change. A recurring theme is the link between landscape and identity, explored in the contexts of Welsh, Scottish and Irish nationalisms. While this volume reveals some cases of genuine commitment and effective action, it also highlights discrepancies between statements of intent on the one hand and implemented policies on the other. The authors’ aim is to promote dialogue among politicians, experts and academics in the field of environmental issues, political and social sciences, linguistics and discourse.

The Victorian Pulpit is the first book to employ the methods of orality-literacy scholarship in the study of the nineteenth-century British sermon. The first chapters present three ways in which Victorian preaching was a conflation of oral and written practice. The second part is an analysis of the rhetoric of three prominent ministers. The book concludes by suggesting other ways of bringing orality-literacy studies and Victorian scholarship together.

This collection examines the intersection of historical recollection, strategies of representation, and reading practices in historical fiction from the eighteenth century to today. In shifting focus to the agency of the reader and taking a long historical view, the collection brings a new perspective to the field of historical representation.

English and the Discourses of Colonialism opens with the British departure from Hong Kong marking the end of British colonialism. Yet Alastair Pennycook argues that this dramatic exit masks the crucial issue that the traces left by colonialism run deep. This challenging and provocative book looks particularly at English, English language teaching, and colonialism. It reveals how the practice of colonialism permeated the cultures and discourses of both the colonial and colonized nations, the effects of which are still evident today. Pennycook explores the extent to which English is, as commonly assumed, a language of neutrality and global communication, and to what extent it is, by contrast, a language laden with meanings and still weighed down with colonial discourses that have come to adhere to it. Travel writing, newspaper articles and popular books on English, are all referred to, as well as personal experiences and interviews with learners of English in India, Malaysia, China and Australia. Pennycook concludes by appealing to postcolonial writing, to create a politics of opposition and dislodge the discourses of colonialism from English.

It was during the course of the eighteenth century that Britain's status as a major maritime and commercial power was forged, shaping the political, economic and military policies of the nation for the next two centuries. Starting from a relatively minor role in global affairs before 1700, Britain rapidly rose to become a significant player in European affairs, and leading imperial power by 1800. In this commanding contribution to the subject, Jeremy Black draws on his extensive expertise to examine how British political culture and public debate in this period responded to, and in part shaped, this transition to an increasingly prominent role in world affairs. Rather than offering a familiar narrative of Britain's eighteenth-century foreign policy, this book instead focuses upon how this policy was debated and written about in British society. Taking as a central theme the debate over policy and the development of public culture and politics, the study explores how these were linked to developing relations with Europe and helped shape colonial strategies and expectations. It highlights how widely shared concerns about such issues as national defence, the strength of the Royal Navy and trade protection, presented little consensus in how they were to be realised and were the subject of fierce public debate. The book underlines how these kinds of issues were not considered in the abstract, but in terms of a political community that was divided over a series of key issues. By probing the problems and issues surrounding the need to define and discuss Britain's foreign policy in semi-public and public contexts, this book offers a fascinating insight into questions of perceived national interest, and how this developed and evolved over the course of the eighteenth century. This work complements the author's other studies by joining the institutional focus seen there to a wider assessment of public politics and print culture, and as such will make a central contribution to studies of eighteenth-century Britain and Europe.