Discovering Postmodern Cosmology

Learn how a world-class inventor-scientist is currently tackling the greatest scientific mysteries of the universe -- and succeeding. With his new book, Drexler provides a viable baseline to jump-start debate on a standard model for postmodern cosmology. It is the first book to not only address these seven unsolved cosmic mysteries, shown in this book's subtitle, but also offer plausible explanations for each of them. The correlation of these seven cosmic phenomena by Drexler offers a revolutionary advance in cosmological research and potentially broad acceptance and use of the related concepts. This book was written for open-minded cosmologists, astronomers, astrophysicists, physicists, engineers, students, enthusiasts and those at NASA, NSF, DOE and ESO who want to understand postmodern cosmology. The author's five years of cosmology research, and his successes, convinced him that his postmodern cosmology model is correctly based upon the relationships and linkages of these seven cosmic phenomena.

"Can we rely on the discoveries that scientists make about one or another part, or aspect, of the world as a basis for drawing conclusions abou the Universe as a Whole?" Thirty years ago, the separateness of different intellectual disciplines was an unquestioned axiom of intellectual procedure. By the mid-nineteen-seventies, however, even within the natural sciences proper, a shift from narrowly disciplinary preoccupations to more interdisciplinary issues had made it possible to reopen questions about he cosmological significance of the scientific world picture and scarcely possible any longer to rule out all religious cosmology and "unscientific." This book, the product of both a professional and personal quest, follow the debate about cosmology--the theory of the universe--as it has changed from 1945 to 1982. The open essay, "Scientific Mythology" reflects the influence of Stephen Toulmin's postwar study with Ludwig Wittgenstein in its skepticism about the naive extrapolation of scientific concepts into nonscientific contexts. Skepticism gradually gives way to qualified optimism that there may be "still a real chance of working outward from the natural sciences into a larger cosmological realm" in a series of essays on the cosmological speculations of individual scientists, including Arthur Koestler, Jacques Monod, Carl Sagan, and others. In the programmatic concluding essays, Toulmin argues that the classic Newtonian distinction between the observer and the observed was inimical not only to the received religious cosmology but also to any attempt to understand humanity and nature as parts of a single cosmos. In the twentieth century, however, what he calls "the death of the spectator" has forced the postmodern scientist--theoretically, in quantum physics, and practically, in the recognized impact of science-derived technologies on the environment--to include himself in his science. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1982.

This book is different from all other modern cosmology books in several ways. It introduces a cosmologic universe, which is orderly, logical, and systematic. It teaches and explains by illustrating how a variety of cosmic mysteries have been solved. It raises the status of dark matter in the universe by illuminating its roles as the principal source of energy, the principal source of matter in the form of hydrogen and helium, and the principal source of cosmic relationships with the principal cosmic phenomena of the universe. This book simplifies the universe as Nicolaus Copernicus' book simplified the solar system in 1543. With more and more cosmic mysteries being discovered and the slow progress in solving them, cosmologists and astrophysicists must re-train themselves to understand and to utilize the postmodern unified astrophysical cosmology model and to maximize the knowledge derived from the astronomical data. These are the three principal objectives of this book.

In this strikingly original book, a world-renowned cosmologist and an innovative writer of the history and philosophy of science uncover an astonishing truth: Humans actually are central to the universe. What does this mean for our culture and our personal lives? The answer is revolutionary: a science-based cosmology that allows us to understand the universe as a whole and our extraordinary place in it.

This book describes the move from modern, mechanistic science to a post-modern, organismic science. David Ray Griffin gives voice to a revisionary postmodernism, based on the work of Whitehead and Hartshorne that contrasts with the relativistic, nihilistic postmodernism of Heidegger, Derrida, and Wittgenstein. The book brings together some of today’s most creative thinking about science. Griffin’s introductory essay summarizes the way in which the mechanistic view led to the disenchantment of science and the various reasons for the reversal of this process in our time. The essays on physics, cosmology, biology, ecology, psychosomatic medicine and parapsychology bring out the various dimensions of the reenchantment of science: the replacement of modern dualism and reductionism with an ecological, organismic paradigm; the priority of internal relations to external; the casal power of experience; the presence of experience, purpose, and intrinsic value throughout nature; influence at a distance; the laws of nature as habits; the presence of a divine whole in all the parts; and the history of the universe as a self-creative, meaningful story. This book gives a powerful voice to this emerging movement’s proposals for a postmodern science, spirituality, and world order.

This compelling book explores the challenges to theory, politics, and human identity that we face on the threshold of the third millennium. It follows on the successor of Best and Kellner's two previous books, Postmodern Theory, acclaimed as the best critical introduction to the field - and The Postmodern Turn, which provides a powerful mapping of postmodern developments developments in the arts, politics, science, and theory. In The Postmodern Adventure, Best and Kellner analyze a broad array of literary, cultural, and political phenomena from fiction, film, science, and the Internet, to globalization and the rise of a transnational image culture.

In this book, Huston Smith and David Ray Griffin propose religious philosophies to succeed the waning worldview of modernity. Huston Smith proposes the perennial philosophy or primordial tradition, and David Ray Griffin offers postmodern process theology. The ultimate issue debated is whether we should return to a traditional religious philosophy or seek a new never-before-articulated worldview. The debate covers the following issues: the relation of Christianity to other religions; the ultimate reality of a personal God in relation to a transpersonal absolute; the ultimate reality of time and progress; the problem of evil; the nature of immortality; the relation of humans to nature; the relation of science to theology; the relation of upward to downward causation; and the possibility of nonrelativistic criteria for deciding between competing worldviews.

Sometimes a small change in the way we define a basic term can have major repercussions on the way we look at the world around us. What happens, for example, if you change the way you look at concepts such as "religion" or "myth"? How might this affect the way we perceive forces shaping the modern and postmodern West? While chapter 1 pursues postmodernism's ethical implications, the issue of euthanasia and the fate reserved for those deemed "unproductive" or incapable of self-fulfilment, following chapters look at a fundamental question: Can a society function without myth? Modern ideologues claim that by the twentieth century much of the West had finally escaped the prison of religion. Many educated Westerners view themselves as secular, free of religion and myth. But this conflicts with an observation supplied by Social Anthropology, that myth is inevitable and plays a critical role in the development of any civilization. This volume looks at a fundamental issue, re-examining the materialistic cosmology shared by modern and postmodern belief systems. It takes a deconstructive look at a cultural monument that many would consider untouchable, that is the theory of evolution. Flight v2 looks at this issue from two angles. First, that of Social Anthropology, asking questions such as: What roles do origins myths play in society? How do they "make sense" of the world? Can parallels be drawn between myth and the theory of evolution? Secondly, we examine parallels between the way myths gain prestige (and shield their beliefs from criticism) and how evolution is marketed. To grasp how evolution's sacred aura has been built up, advances in philosophy of science are examined. For example, when evolutionists oppose criticism of evolution in education, claiming that evolution is science, what does this really mean? If we bring a restricted definition of science into the origins debate, what might be the repercussions?