Dismembered

Includes Killer's Gruesome Confession! "She had beautiful legs. I wanted to keep those legs." One by one, investigators found the women's bodies. Each one carefully posed. Each one brutally mutilated. An arm here. A leg there. A breast, nipples, a tattoo. The killer was cutting his victims to pieces. . . "At that point, I pretty much went for the head." For ten years in Baton Rouge, Louisiana, the killings went on. Women of slight stature were hunted down, bludgeoned and strangled. And what the killer did with their bodies in the privacy of his car, his home, his kitchen, and his shower-was beyond anything police could imagine. "I was pure evil." When investigators finally caught mild-mannered, Star Trek fan Sean Vincent Gillis, he couldn't wait to tell his story. In the presence of shocked veteran detectives, Sean told them every detail of his killings, everything he did with the bodies. . .. And he smiled the whole time. . . Includes 16 pages of shocking photographs Warning: Contains Graphic Details

While the number of federally recognized Native nations in the United States are increasing, the population figures for existing tribal nations are declining. This depopulation is not being perpetrated by the federal government, but by Native governments that are banishing, denying, or disenrolling Native citizens at an unprecedented rate. Since the 1990s, tribal belonging has become more of a privilege than a sacred right. Political and legal dismemberment has become a national phenomenon with nearly eighty Native nations, in at least twenty states, terminating the rights of indigenous citizens. The first comprehensive examination of the origins and significance of tribal disenrollment, Dismembered examines this disturbing trend, which often leaves the disenrolled tribal members with no recourse or appeal. At the center of the issue is how Native nations are defined today and who has the fundamental rights to belong. By looking at hundreds of tribal constitutions and talking with both disenrolled members and tribal officials, the authors demonstrate the damage this practice is having across Indian Country and ways to address the problem.

This book provides a detailed exploration of profit-driven biblioclasm, centring on the case of a Book of Hours, part of the Brooklyn Museum’s holdings until 2021. Facing financial difficulties exacerbated by the COVID-19 pandemic, the museum chose to deaccession and sell various pieces, among which was a manuscript from the Mary Benson bequest of 1919, later dismembered by an American dealer who had purchased it at auction. Whilst examining the moral complexities surrounding these sales and the destruction of irreplaceable European cultural artifacts, the book uncovers the identity of the original owner of the manuscript, and provides a digital reconstruction of the original text. This book not only brings to light a critical occurrence but also discusses wider issues of cultural conservation and ethical responsibility in the art world. Its global significance and focus on a notable event in art history render it an indispensable read for those dedicated to safeguarding our collective cultural heritage.

Criminal Dismemberment is the first book to examine dismemberment as a phenomenon in the context of criminal acts. While the number of such dismemberment cases in any given country is often small, the notion of dismemberment captures the imagination, often leading many to question the motivations as to why anyone would perpetrate such an unnatural act. The act of dismemberment, in its original form, referred to cutting, tearing, pulling, wrenching or otherwise separating the limbs from a living being as a form a capital punishment. In today’s society, it has become associated most frequently with the criminal act of sectioning the remains of the dead in an attempt to conceal the death and dispose of the remains or make the process of identification of the deceased more difficult to achieve. Drawing on expertise from leading forensic anthropologists, pathologists, and forensic materials engineers, the book brings together much of the literature on criminal dismemberment—viewing it from the investigative, forensic, and social science perspectives. Key features include: Psychological analysis of the perpetrator Detailed examination of case studies, anonymized from recent investigations Difficulties encountered in a dismemberment investigation Tool mark analysis, including knives and saws, accompanied by over 120 detailed, full-color illustrations and photographs Serves as a unique and useful resource in the investigation of dismembered human remains The diverse backgrounds of the contributors offers a thorough account of such topics as the history of dismemberment, the forensic pathology in such cases, the importance of developing a common vocabulary in terminology used, the legal admissibility in dismemberment cases. As such, Criminal Dismemberment will serve as a comprehensive reference for students and practitioners alike.

The medieval and early modern English imaginary encompasses a broad range of negative and positive dismemberments, from the castration anxieties of Turk plays to the elite practices of distributive burial. This study argues that representations and instances of bodily fragmentation illustrated and performed acts of exclusion and inclusion, detaching not only limbs from bodies but individuals from identity groups. Within this context it examines questions of legitimate and illegitimate violence, showing that such distinctions largely rested upon particular acts’ assumed symbolic meanings. Specific chapters address ways dismemberments manifested gender, human versus animal nature, religious and ethnic identity, and social rank. The book concludes by examining the afterlives of body parts, including relics and specimens exhibited for entertainment and education, contextualized by discussion of the resurrection body and its promise of bodily reintegration. Grounded in dramatic works, the study also incorporates a variety of genres from midwifery manuals to broadside ballads.

The long history of the politically symbolic use of the bodies, or body parts, of martyred heroes in Latin America.

Dismemberment in Drama / Dismemberment of Drama is an essay collection which considers the dramatic possibility contained in the images and narratives of dismemberment frequently recurring on the western stage. The Classical Tragedies of Sophocles and Euripides, the Romanticism of Kleist, the surrealism of Artaud, and the contemporary drama of Suzan-Lori Parks and Marina Carr are just some of the fractured and fragmented bodies analyzed in this collection. Both individually and in concert the contributors ask what a dismembered body means. Such an inquiry allows them to confront dismemberment as a theoretical category which understands such twentieth-century innovations as the Theatre of Cruelty, the Epic Theatre, the Open Theater, and documentary theatre as part of a long dramatic tradition. Dismemberment in drama examines the tenuous bond between representation and the object being represented by highlighting the dismemberment of drama as a form that occurs during drama’s repeated theorizations of its own enactment. There is a conflict between disintegration and unity inherent in mimesis, theatrical phenomenology, and performance.

"This study has essentially two focuses, two stories to tell. One story traces the secularization, theatricalization, and uncanny returns of suppressed religious culture in early modern drama. The other story concerns the tendency of the theater to expose contingencies and gaps in politico-judicial practices of spectacular violence." "The investigation covers a broad range of plays dating from the fifteenth century to the closing of the theatres in 1642; however, three chapters are devoted to extensive analysis of single plays: R.B.'s Apius and Virginia, Shakespeare's 2 Henry VI, and Marlowe's Doctor Faustus."--Jacket.