Disowning Knowledge

Reissued with a new essay on Macbeth this famous collection of essays on Shakespeare's tragedies considers these plays as responses to the crisis of knowledge and the emergence of modern skepticism provoked by the new science of the late sixteenth and early seventeenth centuries.

Shakespeare's tragedies are among the greatest works of tragic art and have attracted a rich range of commentary and interpretation from leading creative and critical minds. This Reader's Guide offers a comprehensive survey of the key criticism on the tragedies, from the 17th century through to the present day. In this book, Nicolas Tredell: - Introduces essential concepts, themes and debates. - Relates Shakespeare's tragedies to fi elds of study including psychoanalysis, gender, race, ecology and philosophy. - Summarises major critical texts from Dryden and Dr Johnson to Janet Adelman and Julia Reinhard Lupton, and covers influential critical movements such as New Criticism, New Historicism and poststructuralism. - Demonstrates how key critical approaches work in practice, with close reference to Shakespeare's texts. Informed and incisive, this is an indispensable guide for anyone interested in how the category of Shakespeare's tragedies has been constructed, contested and changed over the years.

Since the publication of his celebrated first essay on Shakespeare, The Avoidance of Love: A reading of King Lear, Stanley Cavell has continued to explore radically new and provocative interpretations of a number of the plays. This volume collects those writings for the first time and includes pieces not previously published. The essays are bound together by a concern for scepticism. In Coriolanus' disdain, Leontes' and Othello's jealousy, Hamlet's inertia, and Lear's exorbitance, Stanley Cavell sees Shakespeare as offering, for the first time in European letters, a profound diagnosis of the sceptical refusal to acknowledge truths about oneself and one's relations to others, and as exploring the motives and tragic consequences of that refusal. His readings of the plays are subtle and challenging, and the insights they contain often startle by both their originality and their familiarity. As a whole they present a unique point of view on the plays.

Since the publication of his celebrated first essay on Shakespeare, The Avoidance of Love: A reading of King Lear, Stanley Cavell has continued to explore radically new and provocative interpretations of a number of the plays. This volume collects those writings for the first time and includes pieces not previously published. The essays are bound together by a concern for scepticism. In Coriolanus' disdain, Leontes' and Othello's jealousy, Hamlet's inertia, and Lear's exorbitance, Stanley Cavell sees Shakespeare as offering, for the first time in European letters, a profound diagnosis of the sceptical refusal to acknowledge truths about oneself and one's relations to others, and as exploring the motives and tragic consequences of that refusal. His readings of the plays are subtle and challenging, and the insights they contain often startle by both their originality and their familiarity. As a whole they present a unique point of view on the plays.

Film has become such an underpinning of art and pop culture that its potential for inspiring serious thought is often overlooked. Our intellectual involvement with film has been minimized as more in the audience want to be merely amazed and entertained. Essays written by both established and cutting-edge philosophers of film concentrate in this work on the value of film in general and the value of certain films in particular for the study and teaching of ideas. The essays explore such topics as the significance of narrative unity for self knowledge in David Lynch’s Lost Highway and in Paul Schrader’s Affliction; ambiguity and responsibility in Akira Kurosawa’s Rashomon; consciousness and cognition in Orson Welles’s Citizen Kane; skepticism in Alfred Hitchcock’s Suspicion and David Cronenberg’s Naked Lunch; language and gender in Neil Jordan’s The Crying Game; Platonic idealism in Chris Marker’s La Jetée; race in Spike Lee’s Summer of Sam; the concept of the imagination in cognitive film theory; and the role of ideology in feminist film theory. Instructors considering this book for use in a course may request an examination copy here.

In this innovative and learned study, Dennis Kezar examines how Renaissance poets conceive the theme of killing as a specifically representational and interpretive form of violence. Closely reading both major poets and lesser known authors of the early modern period, Kezar explores the ethical self-consciousness and accountability that attend literary killing, paying particular attention to the ways in which this reflection indicates the poet's understanding of his audience. Among the many poems through which Kezar explores the concept of authorial guilt elicited by violent representation are Skelton's Phyllyp Sparowe, Spenser's Faerie Queene, Shakespeare's Julius Caesar, the multi-authored Witch of Edmonton, and Milton's Samson Agonistes.

A collection that includes a lengthy introduction describing historical trends in critical interpretations and theatrical performances of Shakespeare's play; 20 essays on the play, including two written especially for this volume (by Maurice Hunt and David Bergeron).