Divided House

Housing is increasingly unattainable in successful global cities, and Toronto is no exception -- in part because of zoning that protects “stable” residential neighborhoods with high property values. House Divided is a citizen’s guide for changing the way housing can work in big cities. Using Toronto as a case study, this anthology unpacks the affordability crisis and offers innovative ideas for creating housing for all ages and demographic groups. With charts, maps, data, and policy prescriptions, House Divided poses tough questions about the issue that will make or break the global city of the future.

Investigating the death of an ex-serviceman in police custody, reveals the disappearance of a young family. DI Nathaniel Caslin must put aside his personal demons to uncover the truth.

In our current culture of conflict, Americans need a better way of relating to one another and responding to controversial issues; a way that transcends political partisanship and emphasizes universal care, mutual concern, and the flourishing of the common good. In A House Divided, Feldmeir suggests that the solution to our political entrenchment is a shared commitment to practicing a politics of compassion; the motivating, unifying ideals of the gospel that insist that we work together for the benefit of the common good. Feldmeir explores eight of the most divisive issues our day; climate change, immigration, medical aid in dying, Islamic extremism, racism, health care, homosexuality, and preventing suicide; through the lens of a Christian ethic of love, seeking to identify those shared values that affirm our commonality and inspire a more creative and collaborative approach to finding practical solutions and healing our divisions. Each chapter includes a study guide for small group conversations.

Washington political fixer Joe DeMarco is caught in the middle of a silent war—in a thriller that “will make your heart race and your mind ponder” (Lisa Gardner, New York Times–bestselling author). Author of House Witness, 2019 Edgar Award Finalist for Best Novel When the NSA was caught illegally wiretapping US citizens, the program was brought to a screeching halt. But the man behind the operation simply moved it into the shadows. And that’s where they’ve recorded a rogue military group murdering two American civilians—one of whom is related to Joe DeMarco. As he handles the burial of his cousin, DeMarco is unwittingly drawn into a battle for influence, power, and survival between the NSA and a ruthless four-star army general. But neither side realizes that DeMarco is no one’s pawn. And if they think they have trouble dealing with each other, they have no idea how much trouble DeMarco is about to bring to their doorsteps . . . Once again spinning a “crisply plotted” (Entertainment Weekly) tale that delves into the darkest recesses of the US government, Mike Lawson has delivered “the political thriller of the year” (John Lutz, New York Times–bestselling author).

Divided Houses is the first book to show how the Civil War transformed gender roles and attitudes toward sexuality among Americans. This unique volume brings together a wide spectrum of critical viewpoints by newly emerging scholars as well as distinguished authors in the field to show how gender became a prism through which the political tensions of antebellum America were filtered and focused. Through the course of the book, many fascinating subjects are explored, from new "manly" responsibilities both black and white men had thrust upon them as soldiers, to women's roles in the guerrilla fighting, to the wartime dialogue on interracial sex. In addition, an incisive introduction by Pulitzer Prize-winning historian James McPherson helps place these various subjects within an overall historical context. Divided House sheds new light on the entire Civil War experience, demonstrating how themes of gender, class, race, and sexuality interacted to forge the beginnings of a new society.

For more than seven decades there has been a broad gap between how philosophy is conceived and practiced. Two ill-defined but well-recognized traditions have developed--the "analytic" and "Continental" schools of philosophy. The former traces its roots to philosophers like Frege, Russell, Moore, Wittgenstein, and the logical positivists. The latter has been heavily influenced by Nietzsche, Heidegger, Merleau-Ponty, Foucault, and Derrida, among others. The aim of this collection is to reconsider the often facile characterization of major thinkers as belonging to either one or the other philosophical tradition. The contributors--philosophers from both sides of the divide working in different countries and contexts--all question the problematic conception that the two traditions are incommensurable. Each of their articles compares individual philosophers who have had a major influence on the analytic and Continental traditions with a view to clarifying their similarities and dissimilarities of approach. What this collection of thoughtful articles clearly demonstrates is that regardless of approach and precedents, analytic and Continental philosophers are all doing philosophy, and there are many important points of contact between them. The contributors are: Richard Rorty (Stanford University), whose thoughtful overview highlights the salient points in both traditions; Barry Allen (McMaster University); Babette E. Babich (Fordham University); David Cerbone (West Virginia University); Sharyn Clough (Rowan University); Jonathan Kaplan (University of Tennessee); Richard Matthews (Memorial University of Newfoundland); Carlos G. Prado (Queen's University); Bjorn Torgrim Ramberg (University of Oslo); Mike Sandbothe (Friedrich-Schiller-University Jena); Barry Stocker (Yeditepe University Istanbul); and Ed Witherspoon (Colgate University).

“In this much-needed and courageous book, Anne Wagner lays down a gauntlet to all those interested in modern and contemporary art: to think anew about these works by canonic artists, and about the relationship of art to recent history and politics. Wagner presents an exhilarating and innovative set of closely worked historical arguments that are remarkably timely, and her lucid prose makes complex ideas and critical debates accessible to a broad audience.”—Briony Fer, Professor of History of Art, UCL “In A House Divided, Anne Wagner takes on the so-called post-war era in American art and asks searching questions about what that term might mean now, amid cultural division and perpetual war. Far more than a sum of its parts, this collection of essays is essential reading on American artists' ‘post-war’ responses to nationalism, state violence, and the 1960s.”—Mignon Nixon, author of Fantastic Reality: Louise Bourgeois and a Story of Modern Art