Dolls Houses

The unique dimensions make this book a miniature dollhouse. The outside hard cover with the brick house opens in the center like many dollhouses to reveal the ornate interior of the book. On the pages inside, the hundreds of stunning pictures show every detail of the most amazing dollhouses from around the world. This striking package will be irresistible to collectors and dollhouse fanatics. Covering the gamut of historical periods and international designs, each two-page spread explores a select architectural style from a medieval castle to a space-age apartment. Examples of miniature businesses and stores from bakeries to butcher shops to corporate offices offer something for every type of doll house enthusiast, young and old. Photographs showcase both the exteriors, interiors and the dolls themselves. The book focuses on the life-like details that delight dollhouse devotees-from running faucets to cut marks on an inch-tall chopping block to leather-bound books with pages of flawlessly miniscule text. Descriptions of every house and all its hidden secrets accompany each spread.

Moi Ali explores the fascinating world of dolls' houses.

This vintage book is a pictorial catalogue of eighteenth- and nineteenth-century dolls and dolls' houses, republished here in a modern edition with its original pictures and text. Containing authentic photographs and details of origins, this little volume will be of utility to doll enthusiasts, and would make for a worthy addition to collections of allied literature. Many vintage books such as this are becoming increasingly scarce and expensive. It is with this in mind that we are republishing this volume now in an affordable, high-quality edition complete with a specially commissioned new introduction on dolls.

This book traces the history of doll's houses, looking at the furniture behind the facades of 35 grand mansions, elegant townhouses, and humble homes with pictures that lead readers from room to room, revealing exquisitely crafted interiors and their intricate furnishings: tapestry rugs, solid silver services, and hand-painted porcelain. Most houses are inhabited by a doll family, and sometimes their staff, all dressed in contemporary costume, to complete this study of domestic life over the last 350 years.

A Doll's House by Henrik Ibsen is a three-act play written by Norwegian playwright Henrik Ibsen. It premiered at the Royal Theatre in Copenhagen, Denmark, on 21 December 1879, having been published earlier that month. The play is set in a Norwegian town circa 1879. The play concerns the fate of a married woman, who at the time in Norway lacked reasonable opportunities for self-fulfillment in a male-dominated world, despite the fact that Ibsen denied it was his intent to write a feminist play. It was a great sensation at the time, and caused a "storm of outraged controversy" that went beyond the theatre to the world of newspapers and society. Synopsis: The play opens at Christmas time as Nora Helmer enters her home carrying many packages. Nora's husband Torvald is working in his study when she arrives. He playfully rebukes her for spending so much money on Christmas gifts, calling her his "little squirrel." He teases her about how the previous year she had spent weeks making gifts and ornaments by hand because money was scarce. This year Torvald is due a promotion at the bank where he works, so Nora feels that they can let themselves go a little. The maid announces two visitors: Mrs. Kristine Linde, an old friend of Nora's, who has come seeking employment; and Dr. Rank, a close friend of the family, who is let into the study. Kristine has had a difficult few years, ever since her husband died leaving her with no money or children. Nora says that things have not been easy for them either: Torvald became sick, and they had to travel to Italy so he could recover. Kristine explains that when her mother was ill she had to take care of her brothers, but now that they are grown she feels her life is "unspeakably empty." Nora promises to talk to Torvald about finding her a job. Kristine gently tells Nora that she is like a child. Nora is offended, so she tells her that she got money from "some admirer" so they could travel to Italy to improve Torvald's health. She told Torvald that her father gave her the money, but in fact she illegally borrowed it without his knowledge (women were forbidden from conducting financial activities such as signing checks without a man's endorsement). Since then, she has been secretly working and saving up to pay off the loan. Krogstad, a lower-level employee at Torvald's bank, arrives and goes into the study. Nora is clearly uneasy when she sees him. Dr. Rank leaves the study and mentions that he feels wretched, though like everyone he wants to go on living. In contrast to his physical illness, he says that the man in the study, Krogstad, is "morally diseased."

A “comprehensive and enjoyable” guide to the centuries-long history of dolls’ houses and how they illuminate our past (Books Monthly). Dolls’ houses are tiny slices of social history that give us a fascinating glimpse into domestic life over the last three hundred years. Through text and photos, Nicola Lisle explores the origins and history of dolls’ houses and their furnishings, from the earliest known dolls’ house in sixteenth-century Bavaria to the present, and looks at how they reflect the architecture, fashions, social attitudes, innovations, and craftsmanship of their day. She discusses the changing role of dolls’ houses and highlights significant events and people to give historical context, as well as taking a look at some of the leading dolls’ house manufacturers such as Silber & Fleming and Lines Brothers Ltd (later Triang). Included are numerous examples of interesting dolls’ houses, the stories behind them, and where to see them—including famous models such as Queen Mary’s spectacular 1920s dolls’ house at Windsor Castle. There is also a chapter on model towns and villages, which became popular in the twentieth century and also give us a window on the past by replicating real places or capturing scenes typical of a bygone era, plus advice for dolls’ house collectors, a detailed directory of places to visit, a timeline of dolls’ house history, and recommended further reading.

Albert and Lucinda from the beloved The Enchanted Dolls' House have pled their troth (Victorian for "got engaged!"). It is a happy time for everyone in the Enchanted Dolls' House. All the dollsfrom the servant dolls to the toy dolls, even the resident dog and cat dollsenthusiastically join together to celebrate a joyous wedding with all the fashionable and tasteful accoutrement of the Edwardian, Regency and Victorian eras available to them. Four masterfully conceived and constructed pop-up buldings amaze with historical accuracy and bustle with activity: Shop for wedding finery in an Edwardian department store. See the toiletries, accessories, hair styles, and beautiful wedding clothes from which the dolls choose. Attend a wedding breakfast, complete with musicians, favors, and a glorious cake garnished with marzipan pearls, pendants and bows. Peek through windows and doors of a Victorian Manor Dolls' House and a Regency Dolls' House to see the dolls observe their elegant way of life. And finally, attend a breathtakingly beautiful wedding in a Victorian Chapel. Overflowing with doll lore and loving rendered details of wedding gifts, food, and flowers, readers of all ages will attend the wedding of their dreams!

Gloriously illustrated by Jane Ray, and with a ribbon marker and a foreword by Jacqueline Wilson, this beautiful hardback Macmillan Classics edition of Rumer Godden's The Dolls' House, which was first published in 1947, is a truly special gift to treasure. Tottie is a loving little wooden doll who lives with her family in a shoebox. The doll family are owned by two sisters, Emily and Charlotte, and are very happy, except for one thing: they long for a proper home. To their delight, their wish comes true when Emily and Charlotte fix up a Victorian dolls' house - just for them. It's perfect. But then a new arrival starts to wreak havoc in the dolls' house. For Marchpane might be a wonderfully beautiful doll, but she is also terribly cruel. And she always gets her own way . . .