Dont Think Dear

‘Don’t think, dear’ said Balanchine. ‘Just do.’ For centuries, being a ballerina has been synonymous with being beautiful, thin, obedient and feminine. It is the crucible of womanhood, together with the harassment, physical abuse and eating disorders endemic at top schools. Can we abide this in a post #MeToo world? Weaving together her own time at America’s most elite ballet school with the lives of renowned ballerinas throughout history, Alice Robb interrogates what it means to perform ballet today. She confronts the all-consuming nature of the form: the obsessive and dangerous practices to perfect the body, the embrace of submission and the idealisation of suffering. Yet ballet also gifts its dancers ‘brains in their toes’, a way to fully inhabit their bodies and a sanctuary of control away from the pressures of the outside world. Perhaps it is time to reimagine its liberating potential.

WINNER OF THE NOBEL PRIZE© IN LITERATURE 2013 A New York Times Notable Book A Washington Post Notable Work of Fiction A Best Book of the Year: The Atlantic, NPR, San Francisco Chronicle, Vogue, AV Club In story after story in this brilliant new collection, Alice Munro pinpoints the moment a person is forever altered by a chance encounter, an action not taken, or a simple twist of fate. Her characters are flawed and fully human: a soldier returning from war and avoiding his fiancée, a wealthy woman deciding whether to confront a blackmailer, an adulterous mother and her neglected children, a guilt-ridden father, a young teacher jilted by her employer. Illumined by Munro’s unflinching insight, these lives draw us in with their quiet depth and surprise us with unexpected turns. And while most are set in her signature territory around Lake Huron, some strike even closer to home: an astonishing suite of four autobiographical tales offers an unprecedented glimpse into Munro’s own childhood. Exalted by her clarity of vision and her unparalleled gift for storytelling, Dear Life shows how strange, perilous, and extraordinary ordinary life can be.

"A rousing call to action for more racially diverse children's literature." -Kirkus Reviews, STARRED REVIEW In this book a young girl pens a love letter to libraries and books, and powerfully expresses the need for diversity and the importance of representation in stories! There was just this one thing, this nagging suspicion, that I didn't meet the criteria for a heroine's condition. In the books that I read, an absence of melanin was a clear omission. A voracious young reader loves nothing more than going to the library and poring through books all day, making friends with characters and going off on exciting adventures with them. However, the more she reads, the more she notices that most of the books don't have characters that look like her, and the only ones that do tell about the most painful parts of their history. Where are the heroines with Afros exploring other planets and the superheroes with 'locs saving the day?

These nuggets of wisdom are offered by an Academy Award–nominated actor (James Woods), a popular comedian (Aasif Mandvi), and a world-famous novelist (Jodi Picoult) to their sixteen-year-old selves. No matter how accomplished and confident they seem today, at sixteen, they were like the rest of us—often unsure, frequently confused, and usually in need of a little reassurance. In Dear Me, 75 celebrities, writers, musicians, athletes, and actors have written letters to their younger selves that give words of comfort, warning, humor, and advice. These letters present intimate, moving, and witty insights into some of the world’s most intriguing and admired individuals. By turns funny, surprising, raw, and uplifting, this singular collection captures the universal conditions that are youth, life, and growing up.

Charles Holbrook Prentiss (1830-1924), my father’s great uncle by marriage, wrote many letters home while serving in the 19th Michigan Volunteer Infantry between 1862 and 1865. These letters came to me from my father and I have transcribed them to make them more accessible. They provide a unique and interesting view of events during the war. Charlie wrote his letters to entertain and inform the readers at home. They make you think you are eavesdropping on a veteran’s recollections. Nancy Jordan, a native of Kalamazoo, Michigan, is retired in Fairfax, Virginia, with her husband, Douglas, after having lived in a number of places around the country. In addition to raising four daughters, she has been a librarian, school teacher, homemaker, youth leader, genealogist, and transcriber and now enjoys being a grandmother. The transcribing was a labor of love as well as an interesting experience, and she is happy to make the results available to others.

A reckoning with one of our most beloved art forms, whose past and present are shaped by gender, racial, and class inequities—and a look inside the fight for its future Every day, in dance studios all across America, legions of little children line up at the barre to take ballet class. This time in the studio shapes their lives, instilling lessons about gender, power, bodies, and their place in the world both in and outside of dance. In Turning Pointe, journalist Chloe Angyal captures the intense love for ballet that so many dancers feel, while also grappling with its devastating shortcomings: the power imbalance of an art form performed mostly by women, but dominated by men; the impossible standards of beauty and thinness; and the racism that keeps so many people of color out of ballet. As the rigid traditions of ballet grow increasingly out of step with the modern world, a new generation of dancers is confronting these issues head on, in the studio and on stage. For ballet to survive the twenty-first century and forge a path into a more socially just future, this reckoning is essential.