Dorothy

This richly imagined novel tells the story behind The Wonderful Wizard of Oz, the book that inspired the iconic film, through the eyes of author L. Frank Baum’s intrepid wife, Maud. “A breathtaking read that will transport you over the rainbow and into the heart of one of America’s most enduring fairy tales.”—Lisa Wingate, author of Before We Were Yours Hollywood, 1938: As soon as she learns that M-G-M is adapting her late husband’s masterpiece for the screen, seventy-seven-year-old Maud Gage Baum sets about trying to finagle her way onto the set. Nineteen years after Frank’s passing, Maud is the only person who can help the producers stay true to the spirit of the book—because she’s the only one left who knows its secrets. But the moment she hears Judy Garland rehearsing the first notes of “Over the Rainbow,” Maud recognizes the yearning that defined her own life story, from her youth as a suffragette’s daughter to her coming of age as one of the first women in the Ivy League, from her blossoming romance with Frank to the hardscrabble prairie years that inspired The Wonderful Wizard of Oz. Judy reminds Maud of a young girl she cared for and tried to help in South Dakota, a dreamer who never got her happy ending. Now, with the young actress under pressure from the studio as well as her ambitious stage mother, Maud resolves to protect her—the way she tried so hard to protect the real Dorothy. The author of two New York Times bestselling nonfiction books, The Eighty-Dollar Champion and The Perfect Horse, Elizabeth Letts is a master at discovering and researching a rich historical story and transforming it into a page-turner. Finding Dorothy is the result of Letts’s journey into the amazing lives of Frank and Maud Baum. Written as fiction but based closely on the truth, Elizabeth Letts’s new book tells a story of love, loss, inspiration, and perseverance, set in America’s heartland. Praise for Finding Dorothy “In some ways reminiscent of Jerry Stahl’s excellent I, Fatty, Letts’ Finding Dorothy combines exhaustive research with expansive imagination, blending history and speculation into a seamless tapestry. . . . It’s a testament to Letts’ skill that she can capture on the page, without benefit of audio, that same emotion we have all felt sometime over the last 80 years while listening to ‘Over the Rainbow.’”—BookPage (starred review)

Blacks have always been a part of the Québec experience-from the original European explorations to enslavement, from Confederation to the present day. Dorothy Williams returns to the roots of black history by chronicling slavery in Montreal, which lasted officially in New France for seventy-one years. The author describes the impact of the railways on Montreal's black community and charts the evolution of the black community's institutions.

The Wonderful Wizard of Oz has been enchanting audiences since it was first published in 1900. While many fans may know the work only by its movie counterpart, the world L. Frank Baum built within the books is much more elaborate. Since the more recent publication of Gregory Maguire's Wicked: The Life and Times of the Wicked Witch of the West and the Broadway play of the same name, fans have had a rekindled interest in Baum's original works from which the retellings draw heavily. Anyone interested in fantasy, magic, and silliness is sure to love this American classic.L. Frank Baum (1856-1919) is one of the most recognized and beloved children's authors, though he is often recognized for only one of his many stories. The Wonderful Wizard of Oz is easily his most popular work, though Baum actually wrote 13 sequels in Oz. His writings consist of practically every genre: Baum wrote 55 novels in total, 82 short stories, more than 200 poems, as well as scripts, and other miscellaneous writings. Interestingly, many of his non-Oz works were published under pseudonyms. Baum made many attempts to bring his work to stage and screen, but the most successful productions were not made until after his death.

Kamryn Matika has no responsibilities - one birthday card will change that forever... Best friends Kamryn Matika and Adele Brannon though nothing could come between them - until Adele di the unthinkable and slept with Kamryn's fiancé Nate. Worse still, she got pregnant and had his child. When Kamryn discovered the truth about their betrayal she vowed never to see any of them again. Years later, Kamryn receives a letter from Adele asking her to visit her in hospital. Adele is dying and begs Kamryn to adopt her daughter Tegan. With a great job and hectic social life, the last thing Kamryn needs is a five-year-old daughter to disrupt things. Especially not one who reminds her of Nate. But with n on else to take care of Tegan and Adele fading fast, does she have any other choice? So begins a difficult journey that leads Kamryn towards forgiveness, love, responsibility and, ultimately, a better understanding of herself.

Dorothy Wordsworth has a unique place in literary studies. Notoriously self-effacing, she assiduously eschewed publication, yet in her lifetime, her journals inspired William to write some of his best-known poems. Memorably depicting daily life in a particular environment (most famously, Grasmere), these journals have proven especially useful for readers wanting a more intimate glimpse of arguably the most important poet of the Romantic period. With the rise of women’s studies in the 1980s, however, came a shift in critical perspective. Scholars such as Margaret Homans and Susan Levin revaluated Dorothy’s work on its own terms, as well as in relation to other female writers of the eighteenth and nineteenth centuries. Part of a larger shift in the academy, feminist-oriented analyses of Dorothy’s writings take their place alongside other critical approaches emerging in the 1980s and into the next decade. One such approach, ecocriticism, closely parallels Dorothy’s changing critical fortunes in the mid-to-late 1980s. Curiously, however, the major ecocritical investigations of the Romantic period all but ignore Dorothy’s work while at the same time emphasizing the relationship between ecocriticism and feminism. The present study situates Dorothy in an ongoing ecocritical dialogue through an analysis of her prose and poetry in relation to the environments that inspired it.

An intimate portrait of Jane Austen, Dorothy Wordsworth, and their world—two women torn between revolutionary ideas and fierce conservatism, artistic creativity and emotional upheavals. Jane Austen and Dorothy Wordsworth were born just four years apart, in a world torn between heady revolutionary ideas and fierce conservatism, but their lives have never been examined together before. They both lived in Georgian England, navigated strict social conventions and new ideals, and they were both influenced by Dorothy’s brother, the Romantic poet William Wordsworth, and his coterie. They were both supremely talented writers yet often lacked the necessary peace of mind in their search for self-expression. Neither ever married. Jane and Dorothy uses each life to illuminate the other. For both women, financial security was paramount and whereas Jane Austen hoped to achieve this through her writing, rather than being dependent on her family, Dorothy made the opposite choice and put her creative powers to the use of her brilliant brother, with whom she lived all her adult life. Though neither path would bring lasting fulfillment and independence, both women’s mark on literary culture is undeniable. In this probing book, Marian Veevers discovers a crucial missing piece to the puzzle of Dorothy and William’s relationship and addresses enduring myths surrounding the one man who seems to have stolen Jane’s heart, only to break it . . .

In 1949, Dorothy Vaughan became the first African American woman to lead a team at NASA's Langley Research Center. Her work as a mathematician was an important part of helping the United States explore space. Learn more about Vaughan's life as a famous mathematician!

Angel Dorothy is the inspiring biography of a formidable woman: wealthy American heiress Dorothy Elmhirst, who poured her considerable resources into founding Dartington Hall in 1925. What started as a progressive school rapidly transformed into a magnet for artists, architects, writers, philosophers and musicians, creating an exceptional centre for British cultural life. It was at Dartington in Devon that the Labour Party’s post-war manifesto was written and the Arts Council was conceived. Born in Washington, DC, into the influential Whitney family, Dorothy was a national darling: bells rang, flags flew and the American Navy’s new fast tugboat was named Dorothy. Orphaned at seventeen, she started giving away her inheritance at eighteen and buried herself in social and political work. She maintained her status as an unmarried woman until she fell in love with and married her first husband, Willard Straight, in 1911. Following Willard’s untimely death, Dorothy worked herself into a breakdown trying to fulfil his wishes. She recovered with the help of Leonard Elmhirst, an Englishman who shared her liberal beliefs; they married and moved to England in 1925 to start what would become Dartington Hall. In this vividly told biography, Jane Brown follows Dorothy from one side of the Atlantic to the other, a journey Dorothy made one hundred times to spread her political beliefs, her passion for education and her support of the arts for all. She traces the evolution of Dartington, from its restoration to its farming and forestry projects, and to its time as a home for the period’s greatest artists and intellectuals.