Dot Com Design

From dial-up to wi-fi, an engaging cultural history of the commercial web industry In the 1990s, the World Wide Web helped transform the Internet from the domain of computer scientists to a playground for mass audiences. As URLs leapt off computer screens and onto cereal boxes, billboards, and film trailers, the web changed the way many Americans experienced media, socialized, and interacted with brands. Businesses rushed online to set up corporate "home pages" and as a result, a new cultural industry was born: web design. For today's internet users who are more familiar sharing social media posts than collecting hotlists of cool sites, the early web may seem primitive, clunky, and graphically inferior. After the dot-com bubble burst in 2000, this pre-crash era was dubbed "Web 1.0," a retronym meant to distinguish the early web from the social, user-centered, and participatory values that were embodied in the internet industry's resurgence as "Web 2.0" in the 21st century. Tracking shifts in the rules of "good web design," Ankerson reimagines speculation and design as a series of contests and collaborations to conceive the boundaries of a new digitally networked future. What was it like to go online and "surf the Web" in the 1990s? How and why did the look and feel of the web change over time? How do new design paradigms like user-experience design (UX) gain traction? Bringing together media studies, internet studies, and design theory, Dot-com Design traces the shifts in, and struggles over, the web's production, aesthetics, and design to provide a comprehensive look at the evolution of the web industry and into the vast internet we browse today.

As much as skills and styles matter when it comes to design, every visual begins with a fundamental element that can be enhanced or expanded into an aesthetically pleasing and meaningful piece of work. Whether they serve as simple points of focus or building blocks for complex patterns, these elements present countless possibilities when combined with purpose and principles like contrast, balance, rhythm, and white space. Going back to basics, DOT, LINE, SHAPE is a comprehensive collection of projects that manifest the three elements in inspiring and ingenious ways to bring unique creative visions to life. No matter how trends or platforms change over time, they serve as timeless components that provide designers and artists around the world with infinite means of expression to make a lasting impact.

From dial-up to wi-fi, an engaging cultural history of the commercial web industry In the 1990s, the World Wide Web helped transform the Internet from the domain of computer scientists to a playground for mass audiences. As URLs leapt off computer screens and onto cereal boxes, billboards, and film trailers, the web changed the way many Americans experienced media, socialized, and interacted with brands. Businesses rushed online to set up corporate "home pages" and as a result, a new cultural industry was born: web design. For today's internet users who are more familiar sharing social media posts than collecting hotlists of cool sites, the early web may seem primitive, clunky, and graphically inferior. After the dot-com bubble burst in 2000, this pre-crash era was dubbed "Web 1.0," a retronym meant to distinguish the early web from the social, user-centered, and participatory values that were embodied in the internet industry's resurgence as "Web 2.0" in the 21st century. Tracking shifts in the rules of "good web design," Ankerson reimagines speculation and design as a series of contests and collaborations to conceive the boundaries of a new digitally networked future. What was it like to go online and "surf the Web" in the 1990s? How and why did the look and feel of the web change over time? How do new design paradigms like user-experience design (UX) gain traction? Bringing together media studies, internet studies, and design theory, Dot-com Design traces the shifts in, and struggles over, the web's production, aesthetics, and design to provide a comprehensive look at the evolution of the web industry and into the vast internet we browse today.

A celebration of twenty years of design, philosophy, and inspiration from the renowned American furniture brand Blu Dot. Blu Dot is an American pioneer of democratic design, and winner of the 2018 National Design Award for Product Design from the Cooper Hewitt, Smithsonian Design Museum. Founded and run by its principal designers, the company is celebrated for its minimal and innovative design, and its mission to make modern design accessible to a wider audience. Published to coincide with the brand's twentieth anniversary, this carefully produced book collects two decades' worth of ideas, inspiration, designs, and products that chronicle the evolution of one of the most iconic names in contemporary American design. Illustrated with stunning photography of Blu Dot's best-known pieces, the book includes everything the brand has ever produced, from the very earliest designs like the Chicago 8 box shelving system to the ubiquitous and iconic Real Good Chair. Supplemented by sketches, notes, and other inspirational materials drawn from the archives of Blu Dot's founders -- John Christakos, Maurice Blanks, and Charlie Lazor -- this book also includes revealing interviews and written contributions from leading names in contemporary design, including an essay by design curator Andrew Blauvelt. The book is a celebration not just of the pioneering work of one American company, but of good design.

This book covers several futuristic computing technologies like quantum computing, quantum-dot cellular automata, DNA computing, and optical computing. In turn, it explains them using examples and tutorials on a CAD tool that can help beginners get a head start in QCA layout design. It discusses research on the design of circuits in quantum-dot cellular automata (QCA) with the objectives of obtaining low-complexity, robust designs for various arithmetic operations. The book also investigates the systematic reduction of majority logic in the realization of multi-bit adders, dividers, ALUs, and memory.

A guide to the cultural, historical, and social meanings of twenty-seven colors, plus examples of successful usage of each as well as options for palette variations. The Designer’s Dictionary of Color provides an in-depth look at twenty-seven colors key to art and graphic design. Organized by spectrum, in color-by-color sections for easy navigation, this book documents each hue with charts showing color range and palette variations. Chapters detail each color’s creative history and cultural associations, with examples of color use that extend from the artistic to the utilitarian—whether the turquoise on a Reid Miles album cover or the avocado paint job on a 1970s Dodge station wagon. A practical and inspirational resource for designers and students alike, The Designer’s Dictionary of Color opens up the world of color for all those who seek to harness its incredible power.

This book provides a composite solution for optimal logic designs for Quantum-Dot Cellular Automata based circuits. It includes the basics of new logic functions and novel digital circuit designs, quantum computing with QCA, new trends in quantum and quantum-inspired algorithms and applications, and algorithms to support QCA designers. Futuristic Developments in Quantum-Dot Cellular Automata Circuits for Nanocomputing includes QCA-based new nanoelectronics architectures that help in improving the logic computation and information flow at physical implementation level. The book discusses design methodologies to obtain an optimal layout for some of the basic logic circuits considering key metrics such as wire delays, cell counts, and circuit area that help in improving the logic computation and information flow at physical implementation level. Examines several challenges toward QCA technology like clocking mechanism, floorplan which would facilitate manufacturability, Electronic Design Automation (EDA) tools for design and fabrication like simulation, synthesis, testing etc. The book is intended for students and researchers in electronics and computer disciplines who are interested in this rapidly changing field under the umbrella of courses such as emerging nanotechnologies and its architecture, low-power digital design. The work will also help the manufacturing companies/industry professionals, in nanotechnology and semiconductor engineers in the development of low power quantum computers.