Double Exposure

In this heart-pounding tale of deception, a young P.I. must unravel the secrets behind a murders of a Los Angeles heiress's parents. Four years ago, a beautiful young heiress survived an attack that claimed the lives of both of her parents. The crime made headlines all over Los Angeles, both for the vicious nature of the killings and the seemingly random nature of the attack: nothing was stolen, and the van Aust family had no obvious enemies. Melia van Aust fled the city soon after the murders – which were never solved – but her brother Jasper has not been seen since. After a childhood spent in the shadow of her famous parents, Rainey Hall understands the dynamics of a dysfunctional family. She still hasn’t recovered from a tragedy that tore her own family apart six years before. It's part of the reason why she started her own private investigation agency—to aid victims of crimes that might otherwise go unsolved. When Melia returns to Los Angeles and moves back into her family home, someone begins sending her increasingly violent messages that allude to the killing of her parents. She hires Rainey to track down the culprit and find her missing brother. Touched by the similarities between their lives, Rainey feels compelled to protect Melia, even when it becomes clear that their relationship has become more than professional. Soon, Rainey finds herself falling down the rabbit hole of Melia’s life. Her quest to find Melia’s stalker will bring her in contact with disgraced royals, seedy neighbors, violent ex-boyfriends and former staff, each one with their own set of secrets. As the threats against Melia escalate and the two women are drawn together, it’s only a matter of time before another victim turns up.

A new collaborative venture between Manuel Vason and forty of the most visually arresting artists working with performance in the United Kingdom, Double Exposures brings together newly commissioned images and essays to explore new ways of bridging performance and photography. Ten years after Vason’s first book, Exposures, this ambitious project draws into sharp focus the body, the diptych, documentation, the photobook, identity, mediation, collaborative practices, and the relationship between photography and performance. With essays by leading critics, academics, and practitioners, this collection solidifies Vason’s centrality to the photography of performance. Copublished with the Live Art Development Agency (LADA). Published with the support of Arts Council England.

Fifteen-year-old Alyx Atlas was raised as a boy, yet she knows something others don’t. She’s a girl. And after her dad dies, it becomes painfully obvious that she must prove it now—to herself and to the world. Born with ambiguous genitalia, Alyx has always felt a little different. But it’s after she sustains a terrible beating behind a 7-Eleven that she and her mother pack up their belongings and move from California to Milwaukee, Wisconsin, to start a new life—and Alyx begins over again, this time as a girl. Alyx quickly makes new friends, earns a spot on the girls’ varsity basketball team, and for the first time in her life feels like she fits in. That is, until her prowess on the court proves too much for the jealous, hotheaded Pepper Pitmani, who sets out to uncover Alyx’s secret. A dangerous game of Truth or Dare exposes Alyx’s difference and will disqualify her entire basketball team from competing in the state championships unless Alyx can prove, once and for all, that she is a girl. But will Alyx find the courage to stand up for the truth of her personhood, or will she do what she’s always done—run away? Whatever she decides, she knows there’s much more at stake than a championship win. A stunning debut young adult novel from Bridget Birdsall, Double Exposure brings to light complex gender issues, teenage insecurities, and overcoming all obstacles. Sky Pony Press, with our Good Books, Racehorse and Arcade imprints, is proud to publish a broad range of books for young readers—picture books for small children, chapter books, books for middle grade readers, and novels for young adults. Our list includes bestsellers for children who love to play Minecraft; stories told with LEGO bricks; books that teach lessons about tolerance, patience, and the environment, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.

In 1921 there burst upon the New York social scene the famous Morgan twins, Thelma and Gloria, whose names in the decade that followed came to spell glamour and excitement in that magic world of the “international set.” Two continents thrilled to Thelma Furness’s romances with Richard Bennett, Lord Furness, the Prince of Wales, Aly Khan, and Edmund Lowe. The whole world followed with bated breath the searing custody trial over young Gloria that pitted mother against daughter and shook the Vanderbilts and society. While much has been written from the outside about all of this, the two principals have never before disclosed the real truth behind the rumors and the headlines. And exciting as are their personal adventures and escapades, their story is also a portrait of an era. In every age there have been certain women who through a combination of beauty and personality have attracted the love and admiration of rich or famous men, and who seem to be the embodiments of the feminine charm of the period. The Edwardian era had its Lily Langtry, the Napoleonic its Josephine, the eighteenth century its Du Barry and its Lady Hamilton—and so on back to antiquity. In our time, among those women who have come close to fitting this role are Lady Furness and Gloria Vanderbilt. From childhood each had the elusive qualities that characterize the femme fatale. Both knew the love of many men, both suffered deeply, and now both have happily risen above the vicissitudes of their checkered careers and face the future with gallantry, humor, and without rancor or bitterness over the past. In this spirit, and with all sincerity, they have set down the story of their lives. In Double Exposure, we are given a matchless picture of life among the great—and the near-great—in the now-vanished world between the two wars. Above all, we come to know the minds and hearts and philosophy of life and love of two fascinating women, and something of the nature of fascination itself.

Susan Ford, daughter of Former President Gerald R. Ford, brings her White House insider perspective to this sparkling debut novel, the first in a series of First Daughter mysteries. In Double Exposure, Ford introduces photographer Eve Cooper, daughter of the newly elected President, as she is swept into killer politics in Washington, DC... Double Exposure Eve and her family have barely settled into their new surroundings after the Inauguration when chaos and scandal erupt. White House photographer Michael Cauffman is taking Eve's picture in the Rose Garden when they stumble upon a corpse in the snow. It's one of the White House ushers and in his pocket is a torn photograph of an unclad and unidentified couple in the Lincoln bedroom-clearly involved in very unofficial activities. The story (complete with photos) is on the front page of The Washington Post, and the press is in a feeding frenzy. With the help of Michael, Eve sets out to clear her father, the President, by discovering exactly who took those pictures, and when, and why. As Eve closes in on the truth, she opens a vast Pandora's box of new troubles, both public and private. As the body count rises, Eve must race against the clock to find a killer who will stop at nothing to compromise the President... "Has charm...sure to attract [an] audience." -Publishers Weekly "Ford's debut offers some pleasant glimpses behind the scenes at the White House." -Kirkus Reviews

From the creators of Smallville and Into the Badlands comes an action-packed "triple feature" debut thriller about a war veteran and CIA officer in the 1960s swept up into a cat and mouse game with enormous, world-altering consequences where Hitler may still be alive (Brad Meltzer, #1 New York Times bestselling author of The Escape Artist and The First Conspiracy). David Toland, a decorated Korean War veteran, has done all he can to leave a life of combat behind. Now Director of Preservation for the Library of Congress's National Film Archive, Toland has made it his mission to preserve what he loves most: the Golden Age of American cinema, moving pictures full of romance, adventure and American Dream. That is, until CIA Agent Lana Welles drops in unannounced with a film canister, smuggled over the Berlin Wall at great cost, that may prove WWII never really ended -- it just went underground. David reluctantly agrees to serve his country one last time and help recover the film for Lana and the CIA. But it seems not everyone is as eager as they are to dig up the past. David and Lana's discovery awakens shadowy forces who will do anything to keep their findings a secret. In search of the truth, David and Lana find themselves intertwined in a global conspiracy.

Over the past decade, historians and sociologists have increasingly used visual materials, in particular photographs, in their work. This volume brings together historians, sociologists, anthropologists, and media and visual scholars to articulate how photography, as a practice and as a visual medium, can provide insights into national memory, collective identities, and the historical imagination. This collection allows the reader to trace parallel conceptual developments occurring in the sociology and anthropology of memory and in the history and theory of photography, and to illustrate the unique "angles of vision" these disciplines offer. Photographic images commonly accompany historical accounts, from documentaries to family scrapbooks, and since the early days of commercial photography, pictures have been viewed as tools to capture memories. Later critical writing has challenged this equation by inverting it: photos, along with other archival practices, were often viewed as falling short of their supposed function as vessels of memory and at times even denounced as devices that distorted memories. How does photography participate in the formation and maintenance of collective identities and shared memory discourses, from the family to the nation? Furthermore, how can we begin to conceptualize photography's effects on the historical imagination of individuals and groups? Double Exposure endeavors to answer these questions by calling attention to the variety of contexts in which images circulate and to the narratives from which they spring and which they, in turn, shape. This is the latest volume in Transaction's Memory and Narrative series.

A feminist literary theorist, specialist in Rembrandt, and a scholar with a knack for reading Old Testament stories, Mieke Bal weaves a tapestry of signs and meanings that enrich our senses. Her subject is the act of showing, the gesture of exposing to view. In a museum, for example, the object is on display, made visually available. "That's how it is," the display proclaims. But who says so? Bal's subjects are displays from the American Museum of Natural History, paintings by such figures as Courbet, Caravaggio, Artemisia Gentileschi, and Rembrandt, as well as works by twentieth-century artists, and such literary texts as Shakespeare's Rape of Lucrece.