Double Feature Magazine

Double Feature Magazine is a monthly magazine of science fiction and horror featuring amazing short stories by diverse, talented authors from around the world. Edited by JC Michaels and Gari Seldom.

Double Feature Magazine is a monthly magazine of science fiction and horror featuring amazing short stories by diverse, talented authors from around the world. Edited by JC Michaels and Gari Seldom.

SAM DOLAN is a young man coming to terms with his life in the process and aftermath of making his first film. He has a difficult relationship with his father, B-movie actor Booth Dolan—a boisterous, opinionated, lying lothario whose screen legacy falls somewhere between cult hero and pathetic. Allie, Sam’s dearly departed mother, was a woman whose only fault, in Sam’s eyes, was her eternal affection for his father. Also included in the cast of indelible characters: a precocious, frequently violent half-sister; a conspiracy-theorist second wife; an Internet-famous roommate; a contractor who can’t stop expanding his house; a happy-go-lucky college girlfriend and her husband, a retired Yankees catcher; the morose producer of a true-crime show; and a slouching indie-film legend. Not to mention a tragic sex monster. Unraveling the tumultuous, decades-spanning story of the Dolan family’s friends, lovers, and adversaries, Double Feature is about letting go of everything—regret, resentment, dignity, moving pictures, the dead—and taking it again from the top. Against the backdrop of indie filmmaking, college campus life, contemporary Brooklyn, and upstate New York, Owen King’s epic debut novel combines propulsive storytelling with mordant wit and brims with a deep understanding of the trials of ambition and art, of relationships and life, and of our attempts to survive it all.

Double Feature Magazine is a collection of short stories and artwork with a horror twist.

THE MOVIE STAR AND THE MOVIE CRITIC -- HOW FAR WOULD THEY GO TO KEEP THEIR SECRETS BURIED? DOUBLE FEATURE Contains two CLASSIC Donald E. Westlake novellas, A Travesty and Ordo. WHAT'S HIDDEN BEHIND THE SILVER SCREEN? In New York City, a movie critic has just murdered his girlfriend - well, one of his girlfriends (not to be confused with his wife). Will the unlikely crime-solving partnership he forms with the investigating police detective keep him from the film noir ending he deserves? On the opposite coast, movie star Dawn Devayne - the hottest It Girl in Hollywood - gets a visit from a Navy sailor who says he knew her when she was just ordinary Estelle Anlic of San Diego. Now she's a big star who's put her past behind her. But secrets have a way of not staying buried... These two short novels, one hilarious and one heartbreaking, are two of the best works Westlake ever wrote. And fittingly, both became movies - one starring Jack Ryan's Marie Josée Croze, and one starring Fargo's William H. Macy and Desperate Housewives' Felicity Huffman. "A book by this guy is cause for happiness" - Stephen King

This book, the first of two volumes, will provide a major new history of the British B film, tracing the development of the low-budget supporting feature from the 1927 Films Act (which introduced a quota system for the distribution and exhibition of indigenous product) to the age of television, when B film producers channelled their energies into making TV programmes. Along the way, the authors will address leading producers and studios, B film stars, distributors, the genres and themes that tended to dominate B film production (comedy, horror, crime and fantasy). 'Quota Quickies' will include a case study of the B films of Michael Powell. The authors' argument is that the B film was hugely important in British cinema history in offering an opportunity for British actors and technicians to develop their careers, and that the films themselves provided an outlet for the exploration of peculiarly British cultural concerns in an industry traditionally dominated by Hollywood output. They also contend that some of the films stand up well to contemporary viewing and are deserving of critical re-evaluation.

DOUBLE FEATURE magazine rounds out 2023 with "GOURMETS and GHOSTS", which should be pretty self-explanatory but if we need to drop some details....paranormal encounters! Food-based horrors! Probably cannibalism! Tootsie pops! Wait, what? TOOTSIE POPS! This issue we feature the splendidly sordid and gruesomely graphic work of our own MADI QUINN as she lights up our matted and musty marquee with her tales The Unbeating Heart and Chef de Cuisine - not to be missed for those with discerning tastes. Our shorts come from John A. McColley with Shift Change and w.p. Quigley's Tootsie Pop. Plus, a preview of what's in store in 2024 for DOUBLE FEATURE, and w.p. looks back on year one of DOUBLE FEATURE. CHECK IT OUT!!!

After a film director dies in a mysterious fire, there is more than one side to the story of his life. Movie director Leland Granger sought acclaim his entire life, but only achieved his goal after his death. His sole feature film is released posthumously, and his daughter Debby pens a biography to establish her father's status as an auteur, despite the efforts of those, she contends, who undermined him. However, Leland's longtime friend Paul Garvey sees things differently. Paul levies his judgment upon the biography, while sharing his perspective on the man he had known since college, when he was just the asthmatic, eccentric Leon Grossman from Milwaukee. While Debby's sensationalist, pretentious tell-all, The Celluloid Umbilical, is widely panned and revealed to be largely fictional, Paul provides particular insight into her flights of fancy, having been present at many of the events she describes. His motive in debunking Debby's book isn't simply devotion to the truth or his friend's memory-he's defending himself and others against the character assassination she undertakes, which goes so far as to implicate him in the fire that killed her parents. The narrative is a deliciously sarcastic tale, packed with Hollywood history told from an insider's viewpoint, but the language is often too clever for its own good. Wolfe throws himself wholeheartedly into his novel's conceit, even supplying numerous footnotes citing Debby's fictional biography and those of other figures involved, as well as an index. But the meta-fictional premise, which brings Paul Auster to mind, isn't quite sufficient enough to sustain the reader's interest for 300 pages. The book ultimately ends with an unsatisfying whimper. Adding to the post-modern resonance, Double Feature has been published posthumously; Wolfe, a longtime Hollywood writer, died in 2007. A Hollywood whodunit told in compelling, if at times verbose, style.-Kirkus Discoveries