Douglas Airview

Proud to Be an Okie brings to life the influential country music scene that flourished in and around Los Angeles from the Dust Bowl migration of the 1930s to the early 1970s. The first work to fully illuminate the political and cultural aspects of this intriguing story, the book takes us from Woody Guthrie's radical hillbilly show on Depression-era radio to Merle Haggard's "Okie from Muskogee" in the late 1960s. It explores how these migrant musicians and their audiences came to gain a sense of identity through music and mass media, to embrace the New Deal, and to celebrate African American and Mexican American musical influences before turning toward a more conservative outlook. What emerges is a clear picture of how important Southern California was to country music and how country music helped shape the politics and culture of Southern California and of the nation.

During World War II, unprecedented employment avenues opened up for women and minorities in U.S. defense industries at the same time that massive population shifts and the war challenged Americans to rethink notions of race. At this extraordinary historical moment, Mexican American women found new means to exercise control over their lives in the home, workplace, and nation. In From Coveralls to Zoot Suits, Elizabeth R. Escobedo explores how, as war workers and volunteers, dance hostesses and zoot suiters, respectable young ladies and rebellious daughters, these young women used wartime conditions to serve the United States in its time of need and to pursue their own desires. But even after the war, as Escobedo shows, Mexican American women had to continue challenging workplace inequities and confronting family and communal resistance to their broadening public presence. Highlighting seldom heard voices of the "Greatest Generation," Escobedo examines these contradictions within Mexican families and their communities, exploring the impact of youth culture, outside employment, and family relations on the lives of women whose home-front experiences and everyday life choices would fundamentally alter the history of a generation.

Showcasing a vast range of titles, from fashion to reportage, and high-end design to counter-cultural fanzines, this collection offers an insight not only into the work of the most influential art directors, publishers and designers of the last century, but into the way that we perceive and represent ourselves and the culture in which we live; our interests, concerns, and aspirations.

"This book examines the roots of the military industrial complex (MIC) in the eighteenth and nineteenth centuries, the MIC's full flowering in the wake of the Cold War, and how America's current MIC evolved after the events of 9/11 and throughout the War on Terror. Specifically, Cooling argues that the MIC has transformed into a problematic demand for absolute security that is neither practicable nor financially sound. While emphasizing many aspects of Eisenhower's broad conception of the MIC, and Eisenhower's own warning at the close of World War II, Cooling's synthesis provides historical perspective on American industry as a matter of national security, on the rise of outsourcing practices, and on the changing nature of modern warfare"--

During World War II, an unprecedented number of women took jobs at aircraft plants, shipyards, munitions factories, and other concerns across the nation to produce material essential to winning the war. Affectionately and collectively called aRosie the Rivetera after a popular 1943 song, thousands of these women came to the U.S. Armyafinanced Douglas Aircraft Plant in Long Beach, the largest wartime plane manufacturer, to help produce an astonishing number of the aircraft used in the war. They riveted, welded, assembled, and installed, doing man-sized jobs, making attack bombers, other war birds, and cargo transports. They trained at Long Beach City Schools and worked 8- and 10-hour shifts in a windowless, bomb-proof plant. Their children attended Long Beach Day Nursery, and their households ran on rations and victory gardens. When the men came home after the war ended, most of these resilient women lost their jobs.