Downtown Mardi Gras

After Hurricane Katrina devastated New Orleans and the surrounding region in 2005, the city debated whether to press on with Mardi Gras or cancel the parades. Ultimately, they decided to proceed. New Orleans’s recovery certainly has resulted from a complex of factors, but the city’s unique cultural life—perhaps its greatest capital—has been instrumental in bringing the city back from the brink of extinction. Voicing a civic fervor, local writer Chris Rose spoke for the importance of Carnival when he argued to carry on with the celebration of Mardi Gras following Katrina: “We are still New Orleans. We are the soul of America. We embody the triumph of the human spirit. Hell, we ARE Mardi Gras." Since 2006, a number of new Mardi Gras practices have gained prominence. The new parade organizations or krewes, as they are called, interpret and revise the city’s Carnival traditions but bring innovative practices to Mardi Gras. The history of each parade reveals the convergence of race, class, age, and gender dynamics in these new Carnival organizations. Downtown Mardi Gras: New Carnival Practices in Post-Katrina New Orleans examines six unique, offbeat, Downtown celebrations. Using ethnography, folklore, cultural studies, and performance studies, the authors analyze new Mardi Gras’s connection to traditional Mardi Gras. The narrative of each krewe’s development is fascinating and unique, illustrating participants’ shared desire to contribute to New Orleans’s rich and vibrant culture.

A sociological study of the African American carnival revelers in New Orleans who dress in Native American-influenced costumes. One of the most dazzling elements of the Mardi Gras celebrations, the Mardi Gras Indians receive the attention and respect of carnival-goers for their elaborately beaded costumes and entertaining dances. But what few realize about the groups is that the parading is more than just for show. Costuming, dancing, and all the rituals of these groups are acts of cultural preservation that date back more than a century. In this book, author Michael P. Smith addresses the sociological issues surrounding the mislabeled and rarely understood Maroon groups now known as “Mardi Gras Indians.” His textual analysis of the culture examines its African origins and how the participants help to develop the African American cultural identity. He looks at how some African Americans resisted efforts to suppress traditions that are re-emerging in modern society. Researched and documented by generations of oral and written history, this work clearly outlines the mistaken identification of the Mardi Gras Indians as just an entertainment element of the carnival season. It also shows the vital role this traditional culture plays in the community, much as the black Spiritual Churches do, in preserving an authentic base for the unique cultural heritage of blacks in New Orleans. This work illustrates how the Mardi Gras Indians are a part of the New Orleans second-line tradition. A dynamic element of this book is the collection of more than one hundred color photos. These prints capture the striking beauty of spectacles with a purpose far greater than entertaining. Combined with authoritative text by Smith, the visual images round out this examination of the roots of the Mardi Gras Indians and current practices of the whole range of African American cultural societies and parading groups in the Crescent City.

Dive into Cajun Mardis Gras, where the party goes down with a wholly different flourish Everyone knows about Louisiana Mardi Gras and its glitz, glam, parades and masquerades. But in Cajun County, the festival turns communities into stage shows of wild revelry. Called Courir de Mardi Gras in the rural parishes, you'll find masked runners and horsemen bedecked in colorful, tattered clothing, cavorting through the countryside on a begging quest for gumbo ingredients. It's an outrageous celebration--derived from the French medieval Festival of Begging--on the eve of Lenten season's fasting. In exchange for neighborly generosity, the revelers sing, dance, act a fool, chase chickens and unite the community with an abundance of mirth that reverberates year-round. Join author Dixie Poche and take part in the wild spectacle and otherworldly whimsy of Courir de Mardis Gras.

"After Hurricane Katrina devastated New Orleans and the surrounding region in 2005, the city debated whether to press on with Mardi Gras or cancel the parades. Ultimately, they decided to proceed. New Orleans's recovery certainly has resulted from a complex of factors, but the city's unique cultural life--perhaps its greatest capital--has been instrumental in bringing the city back from the brink of extinction. Voicing a civic fervor, local writer Chris Rose spoke for the importance of Carnival when he argued to carry on with the celebration of Mardi Gras following Katrina: "We are still New Orleans. We are the soul of America. We embody the triumph of the human spirit. Hell, we ARE Mardi Gras." Since 2006, a number of new Mardi Gras practices have gained prominence. The new parade organizations or krewes, as they are called, interpret and revise the city's Carnival traditions but bring innovative practices to Mardi Gras. The history of each parade reveals the convergence of race, class, age, and gender dynamics in these new Carnival organizations. Downtown Mardi Gras: New Carnival Practices in Post-Katrina New Orleans examines six unique, offbeat, Downtown celebrations. Using ethnography, folklore, cultural, and performance studies, the authors analyze new Mardi Gras's connection to traditional Mardi Gras. The narrative of each krewe's development is fascinating and unique, illustrating participants' shared desire to contribute to New Orleans's rich and vibrant culture." -- Provided by publisher.

Life for the main character, Daniel Howard, begins with his birth in New Orleans in 1902. His father is a prominent Methodist preacher from a successful and influential Creole family -“the Howard’s.” The family motto is, “work, save, educate.” His mother operates a no-name school for children who cannot attend regular school during the day. His paternal grandmother, Grandma Howard, chiefly commands the Howard family business interests. She is extremely color conscious, preferring the lighter hue and Creole heritage. In his pre-teen years, Daniel Howard is often in trouble for being sighted on Bourbon or Basin Streets tap dancing and yearning to play the piano in the blues clubs and juke joints. Through his lens the reader is introduced to his view of New Orleans to include, the lively scenes in the French Quarters; Mardi Gras; Voodoo; Congo Square; and, life in a vibrant port city among many other experiences. His maternal grandmother, “Nana”, heads the maternal side of his family. Nana is a widow and illiterate and resides in a tin roofed former slave cabin outside of New Orleans. She is an extremely religious woman and ekes out a meager living as a maid. She is also the local midwife, and tends to the sick with herb potions. She still grieves that her son, Lester, was dragged from her cabin one dark night and lynched. After graduating from college, he is recruited to teach in a small-impoverished town in the Mississippi Delta where despite his hopes and desire to make a difference, hardships and humiliations await him and his new bride, Miss Emma.

A biography of the life, work, and legacy of a pivotal figure in New Orleans cultural history. Based on more than seventy interviews with the subject and his close friends and family, this biography delves deep into the life of Donald Harrison—a waiter, performer, mentor to musicians, philosopher, devoted family man, and, most notably, the Big Chief of the Guardians of the Flame, a Mardi Gras Indian tribe. The firsthand accounts and anecdotes from those who knew him offer insight into the electrifying existence of a man who enriched the culture of New Orleans, took pride in his African American heritage, and advocated education throughout the city. Beneath a vibrant costume of colorful feathers and intricate beading stood a man of conviction who possessed a great intellect and intense pride. Harrison grew up during the Great Depression and faced discrimination throughout his life but refused to bow down to oppression. Through determination and an insatiable eagerness to learn, he found solace in philosophy, jazz, and art and spiritual meaning in the Mardi Gras Indian tradition. He shared his ideals and discoveries with his family, whom he protected fiercely, until he took his last breath in 1998. Harrison’s wife, children, and grandchildren continue to carry his legacy by furthering literacy programs for New Orleans’ youth. From Harrison’s birth in 1933 to his desire to become a Mardi Gras Indian to the moment he met his beloved wife, author Al Kennedy shares Harrison’s significant life experiences. He allows Big Chief Donald to take center stage and explain—in his own words—the mysterious world of the Mardi Gras Indians, their customs, and beliefs. Rare personal photographs from family albums depict the Big Chief with his family, parading through the streets on Carnival Day, and performing the timeless rituals of the Mardi Gras Indians of New Orleans. This well-researched biography presents a side of the Big Chief the public did not see, revealing the rebellious spirit of a man who demanded respect, guarded his family, and guided his tribe with utmost pride. Praise for Big Chief Harrison and the Mardi Gras Indians “Enormously enjoyable, richly informative, and deeply moving. . . . To meet the Harrisons is to encounter an America you can't help but fall in love with and be inspired by forever, while gaining a glimpse into the powerful and meaningful tradition of the Mardi Gras Indians in New Orleans. It's a story of strength, passion, survival, and resistance. It’s a story for today.” —Jonathan Demme, Academy Award–winning director “Building on his impressive knowledge of New Orleans culture, Al Kennedy delivers a masterpiece of artistic biography. The world needs to know about Big Chief Donald Harrison, Sr. Al Kennedy tells his full story in this wonderful book. . . . A powerful read.” —Robert Farris Thompson, Col. John Trumbull Professor, History of Art; Master of Timothy Dwight College, Yale University; and author, Tango: The Art History of Love, Face of the Gods, and Aesthetic of the Cool

There's just nowhere else but South Louisiana to find real knee-slapping, crowd-hooting Zydeco music. Even the big-city chefs can't cook up a Cajun meal the way they do at the roadside restaurants deep in the bayous of Acadiana. Likewise, no other guide matches the amount of in-depth information presented in Cajun Country Guide. It's a study of Cajuns that tells visitors how to find the sights, sounds, and flavors of one of America's most culturally unique regions. Take a vacation to a part of our own country that, in some places, didn't even speak English until nearly fifty years ago. While modern technology is weeding out some of the one-of-a-kind qualities of this subculture, not all of them are gone, or even hard to find, if you know how to hunt for them. And there are no better hunters than authors Macon Fry and Julie Posner. With the handy maps, reviews, and recommendations packed into the Cajun Country Guide, a trip to the bayous won't leave one feeling like a visitor, but more like a native who has come back home.