Draping Period Costumes

Draping Period Costumes provides you with the skill set you need to break away from two-dimensional patterns to drape three dimensional costumes. The basics of draping are explained in precise detail, followed by step-by-step draping projects from multiple historical periods. Packed with photographs that illustrate every seam, pleat, and tuck, you'll never be lost with this comprehensive guide. -Includes information on measurements, necessary tools, and basic rules of draping -Covers costumes for both men and women - Discusses appropriate period under garments and fabric choices Let expert draper Sharon Sobel teach you all you need to know to perfectly drape any period costume!

Draping—the art of using cotton muslin to create womenswear directly on a dress form—is an essential skill for fashion designers. Through a series of step-by-step projects, designed to develop skills from the most basic to more advanced techniques, this book will guide you in creating both classic and contemporary garments, as well as historical styles and costumes. Draping projects include dresses, bustiers, and jackets, and highlight key fashion garments such as Audrey Hepburn's dress from Breakfast at Tiffany’s and the Dolce & Gabbana tuxedo jacket. Starting with the basics of choosing and preparing the dress form for draping, the book advances through pinning, trimming, and clipping, and creating shape using darts and tucks, to adding volume using pleats and gathers, and handling complex curves. Advanced skills include how to use support elements such as shoulder pads, under layers, and petticoats, and how to handle bias draping. The book culminates with a chapter on improvisational skills. Each skill and technique throughout the book is explained with step-by-step photographs and line drawings that bring the art of creating womenswear in three dimensions to life.

Constructing costumes requires a diverse set of skills to successfully create magic on the stage. Knowledge of sewing is vital, but Katherine Strand-Evans shows how much more is involved. She walks readers step by step through setting up and supplying a costume workshop; choosing fabrics; draping, drafting, and manipulating patterns; dyeing and fabric modification; and constructing accessories such as historical undergarments, hats and headdresses, shoes and footwear, masks and armor, jewelry and crowns, and, new to this edition, wigs (written by James McGough). Throughout, the author considers not only the creative aspects of executing costume designs, but also the limitations of budgets and time. Costume Construction opens doors for each reader to find his or her own path to becoming an effective costume technician.

Learn how to create historically accurate costumes for Elizabethan period productions with Elizabethan Costume Design and Construction! Extensive coverage of a variety of costumes for both men and women of all social classes will allow you to be prepared for any costuming need, and step-by-step instructions will ensure you have the know-how to design and construct your garments. Get inspired by stunning, hand-drawn renderings of costumes used in real life productions like Mary Stuart as you’re led through the design process. Detailed instructions will allow you to bring your designs to life and create a meticulously constructed costume.

The effective preparation of garments for display is essential for exhibitions of contemporary and historical dress. Costumes not only need to be visually appealing but also fully supported and historically accurate. This book provides a comprehensive guide to mounting costumes from the eighteenth century to the present day. It includes methods for adapting and shaping figures to create historical silhouettes, constructing underpinnings and making replicas and toiles using inexpensive and simple techniques. A Practical Guide to Costume Mounting is an invaluable resource for conservators, historians and all those working with clothing in museums, private collections and throughout the fashion and theatre industries. Trained as a historical costume maker, author Lara Flecker is the textile display specialist at London’s Victoria and Albert Museum. She has worked extensively with the museum’s world-class costume collection, preparing garments for display. Her simple mounting methods are clearly explained and can be used by people with a wide range of experience, including those with few sewing skills.

This practical book explains how to achieve great designs and creative cuts by seeing ideas come to life three dimensionally. By manipulating and pinning fabric on the dress form or house model, fashion designers can visualise their ideas and become more confident with their own creative visions. This new book includes advice on how to measure the body, as well as prepare the mannequin and fabric; it explains the draping process in detail with step-by-step instructions and practical tips throughout. It gives advice on working at half scale and provides calico preparation diagrams. Finally, there are chapters which introduce new design elements and/or garment type, and covers dresses, skirts, shirts and blouses. Written by a leading designer, Draping for Fashion Design is an essential guide to this skill (also known as 'moulage'), and explains how the fashion designer can understand their designs more fully, as well as the fabric and the garment's fit, in order to achieve impressive and sometimes unexpected results.

Hunnisett provides comprehensive and complete detailed instruction for creating authentic-looking costumes from the Middle Ages through 1500. Includes over 200 drawings, patterns, and photographs.

This practical and informative guidebook is a "must-have" for anyone planning to create accurate period costumes for theatrical productions and historical reenactments. From short tunics worn by Saxon men in the fifth century to a lady's bustle dress of the late 1800s, this profusely illustrated text contains a wealth of authentic patterns. Information on pattern sizes, materials required, and methods of sewing accompany simply drawn diagrams for Elizabethan doublets, capes, and trunks; a man's coat and vest from the Restoration period; a lady's bell-shaped gown of the eighteenth century; an early-nineteenth-century empire gown; a crinoline; and other wardrobe items. Diagrams have been carefully and accurately drawn to scale from working patterns, and detailed notes for making costumes include suggestions for the most suitable colors and textures to be used for costumes of particular historical periods. A final section includes diagrams and information for creating period headdresses, caps, and hoods. Students of costume design, home tailors, and community drama groups will welcome this carefully researched guide to fifteen centuries of English fashions.