Dreads And Open Mouths

"Describes an activist life of teaching and writing queerly over the past twenty years from the author's subject position as a queer immigrant scholar/teacher of color situated in the field of rhetoric and composition"--

In Beyond Productivity, a wide range of contributors share honest narratives of the sometimes-impossible conditions that scholars face when completing writing projects. The essays provide backstage views of the authors' varying approaches to moving forward when the desire to produce wanes, when deciding a project is not working, when working within and around and redefining academic productivity expectations, and when writing with ever-changing bodies that do not always function as expected. This collection positions scholarly writers' ways of writing as a form of flexible, evolving knowledge. By exhibiting what is lost and gained through successive rounds of transformation and adaptation over time, the contributors offer a sustainable understanding and practice of process—one that looks beyond productivity as the primary measure of success. Each presents a fluid understanding of the writing process, illustrating its deeply personal nature and revealing how fragmented and disjointed methods and experiences can highlight what is precious about writing. Beyond Productivity determines anew the use and value of scholarly writing and the processes that produce it, both within and beyond the context of the losses, constraints, and adaptations associated with the COVID-19 pandemic.

Winner, 2023 CCCC Exemplar Award Writing and Desire is a sustained, multimovement exploration of how writers, particularly queer writers, think and feel through desire as central to their writing practice. In a time of political, social, global, and ecological unrest, how might we understand desire—the desire for things to be different, the desire for a better world—as a crucial dimension of contemporary human experience? What might such a recentering of desire offer us, personally and politically? And how is writing itself, as one of the primary ways through which we express and explore ourselves, central to the expression and exploration of desire? Drawing on recent theoretical work in queer theory and the new materialism, Jonathan Alexander studies a range of queer and trans writers and artists who center desire in their practice and argues that conceptualizing writing as desire allows us to reexperience both writing and our world as saturated with our dreams and wishes for change. In a book both elegant and unsettling, and by turns personal, analytic, and experimental, Alexander challenges us—and himself—to think about desire and writing as the deepest manifestation of our hopes for the future.

Joe and Rico Dredd: clone brothers who chose to live on different sides of the law. Thirty-seven years ago, Dredd arrested his twin in Cafe Cesare and condemned him to life as a cyborg on the prison-moon Titan. Now the Cafe seems to be at the heart of a wave of hallucinations sweeping Mega-City One. Even the Judges are affected. Their behaviour is increasingly erratic. It's almost as if they become entirely different people. And throughout the city, people are being tortured and killed by a man who calls himself Chief Judge Dread. To save his world, Judge Dredd must cross to another dimension where Judge Caligula is the Governor of New Rome and Anderson and Giant lead anti-Judge rebels. A dimension in which history took one very wrong turn . . .

Unable to find a meaningful posting due to the hostility of his superiors, Captain Lord Gareth Martinez has accepted a meaningless post as Inspector General of Chee, a newly-settled world. Intending nothing more than a pleasant vacation with his family, he first stumbles across a murderous conspiracy, and then learns he must battle a literal cosmic menace that threatens to wipe out all life on the planet

Dead men tell no tales. Until they meet ghost hunter Verity Long. Verity Long is proud to say she gets along with just about anybody—dead or alive. But she’s put to the test when her well-meaning boyfriend and her sweet-as-pie sister con her into a remote island “double date” weekend with her sister’s new flame and Verity’s long-time nemesis, Alec Duranja. Her plans to avoid the uptight police officer go up in smoke when the four of them team up for a weekend treasure hunt competition based on the island’s legendary pirate past. And it doesn’t take long for Verity and her team to discover more than game clues. Someone is using the game to dig up real pirate gold...and they’re willing to kill to keep it. There’s no escaping the island or the game. And when the killer targets someone Verity loves, she realizes she’s the only one who can uncover the truth behind the legend. She must stay one step ahead of the dangers of the island and two steps ahead of Frankie’s new ghostly pirate buddies—all in a race against time to solve a centuries-old puzzle and take down a real live killer before he strikes again.