Dress Like A Million On Considerably Less

Dressing like a million is easy when you’ve got a million to spend. The challenge is trying to do it on a budget. With her top-selling fourth book, Dress Like a Million, fashion guru Leah Feldon, guarantees that every woman can meet the challenge with ultimate style. In Dress Like a Million, Feldon gives you all the tools you need to put together a look that is not only effortless, flattering, and relatively inexpensive, but also one that is timeless, perfectly suited to your body type, and packed with personal style. With snappy text, fun illustrations, and unique insights, Feldon entertains as she informs—a winning combination that has marked her as one of the best style writers in the business. Feldon has been on the fashion scene for more than twenty years, as a stylist, designer, image consultant, journalist, author, and television host. She has dressed models, celebrities, and real people alike, and if there’s one thing she has learned in her varied career it’s that money is not the deciding factor of style and chic. Know-how is. InDress Like a Million she shares her considerable knowledge and shows you how savvy, smarts, and a good sense of self can give you equal footing with any Park Avenue princess. Dress Like a Million has the definitive word on: Building the perfect wardrobe with the right look for every occasion Dressing up and down with taste and style Flattering your individual body type Hair and Make-up do’s and don’ts The final word on color theory How to choose timeless classics Sixteen basics every woman needs in her wardrobe

A close study of clothes worn by aristocratic families and their households at the time of the Black Prince - and of Chaucer - showing Europe-wide influences. 1340 to 1363 were years remarkable for dramatic developments in fashion and for extravagant spending on costume, foreshadowing the later luxury of Richard II's court. Stella Mary Newton broke new ground with this detailed study, which discusses fourteenth-century costume in detail. She draws on surviving accounts from the Royal courts, the evidence of chronicles and poetry (often from unpublished manuscripts), and representations in painting, sculpture andmanuscript illumination. Her exploration of aspects of chivalry, particularly the choice of mottoes and devices worn at tournaments, and of the exchange of gifts of clothing between reigning monarchs, offers new insights into thesocial history of the times, and she has much to say that is relevant to the study of illuminated manuscripts of the fourteenth century. STELLA MARY NEWTON's lifelong interest in costume has been the mainspring of her work, from early days as a stage and costume designer (including designing the costumes for the first production of T.S. Eliot's Murder in the Cathedral) to her later work at the National Gallery advising on the implications ofcostume for the purpose of dating, and at the Courtauld Institute where she set up the department for the study of the history of dress.