Drowned Boy

The 2008 Mary McCarthy Prize winner, selected by Andrea Barrett. A kind of contemporary Winesburg, Ohio.

A brand new addition to the captivating Inspector Sejer series from Norway's finest crime writer.

‘He'd just learnt to walk,’ she said. ‘He was sitting playing on his blanket, then all of a sudden he was gone.’ A 16-month-old boy is found drowned in a pond right by his home. Chief Inspector Sejer is called to the scene as there is something troubling about the mother’s story. As even her own family turns against her, Sejer is determined to get to the truth.

An intimate and poignant memoir about the family of Alan Kurdi—the young Syrian boy who became the global emblem for the desperate plight of millions of Syrian refugees—and of the many extraordinary journeys the Kurdis have taken, spanning countries and continents. Alan Kurdi’s body washed up on the shore of the Mediterranean Sea on September 2, 2015, and overnight, the political became personal, as the world awoke to the reality of the Syrian refugee crisis. Tima Kurdi first saw the shocking photo of her nephew in her home in Vancouver, Canada. But Tima did not need a photo to understand the truth—she and her family had already been living it. In The Boy on the Beach, Tima recounts her idyllic childhood in Syria, where she grew up with her brother Abdullah and other siblings in a tight‑knit family. A strong‑willed, independent woman, Tima studied to be a hairdresser and had dreams of seeing the world. At twenty‑two, she emigrated to Canada, but much of her family remained in Damascus. Life as a single mother and immigrant in a new country wasn’t always easy, and Tima recounts with heart‑wrenching honesty the anguish of being torn between a new home and the world she’d left behind. As Tima struggled to adapt to life in a new land, war overtook her homeland. Caught in the crosshairs of civil war, her family risked everything and fled their homes. Tima worked tirelessly to help them find safety, but their journey was far from easy. Although thwarted by politics, hounded by violence, and separated by vast distances, the Kurdis encountered setbacks at every turn, they never gave up hope. And when tragedy struck, Tima suddenly found herself thrust onto the world stage as an advocate for refugees everywhere, a role for which she had never prepared but that allowed her to give voice to those who didn’t have an opportunity to speak for themselves. From the jasmine‑scented neighbourhoods of Damascus before the war to the streets of Aleppo during it, to the refugee camps of Europe and the leafy suburbs of Vancouver, The Boy on the Beach is one family’s story of love, loss, and the persistent search for safe harbour in a devastating time of war.

Dennis Nilsen was one of Britain's most notorious serial killers, jailed for life in 1983 after the murders of 12 men and the attempted murders of many more.Seven years after his conviction, Nilsen began to write his autobiography, and over a period of 18 years he typed 6,000 pages of introspection, reflection, comment and explanation.History of a Drowning Boy - taken exclusively from these astonishing writings - uncovers, for the first time, the motives behind the murders, and delivers a clear understanding of how such horrific events could have happened, tracing the origins back to early childhood.In another first, it provides an insight into his 35 years inside the maximum-security prison system, including his everyday life on the wings; his interactions with the authorities and other notorious prisoners; and his artistic endeavours of music, writing and drama. It also reveals the truth behind many of the myths surrounding Dennis Nilsen, as reported in the media.Nilsen was determined to have his memoir published but to his frustration, the Home Office blocked publication during his lifetime. He died in 2018 entrusting the manuscript to his closest friend and it is now being published with the latter's permission.Any autobiography presents the writer's story from just one perspective: his own, and as such this record should be treated with some caution. An excellent foreword by criminologist Dr Mark Pettigrew offers some context to Nilsen's words, and this important work provides an extraordinary journey through the life of a remarkable and inadequate man.Extract from the Foreword by Dr Mark Pettigrew, criminologistIn the UK, there are thought to be at least two serial killers active at any one time; in the USA the figure is estimated to be as high as fifty. Although a relatively rare phenomenon, there is a great deal of public interest in the life and crimes of serial killers. Yet, despite the inordinate amount of interest, the serial killer remains one of the least understood types of criminal - even in the academic world the simple definition of a serial killer has still not been settled.In a saturated market of true crime novels, there are very few that include the voice of the actual killer. As such, amongst a literary sea of accounts devoted to the serial killer and his crimes, this book stands out as unique. Of course any subjective retelling by the killer must be approached with caution; the prevalence of personality disorders, psychopathy, paranoid schizophrenia and other psychiatric and mental disorders, can distort the personal account just as an attempt at self-aggrandising can misrepresent the true narrative of the crimes. Yet, the simple facts of a case can be gleamed from police records, trial testimony and crime scene evidence, whereas personal introspection offers much more of an insight into the motivation of the killer.As the reader will learn from these memoirs, a confluence of factors met to form Dennis Nilsen. In all the academic and clinical research on the topic, there is no definitive answer as to why or how a person becomes a serial killer. Realistically, we can only identify risk factors. What this book offers, though, is an insight into how those killings are comprehended and understood by the killer in retrospect. In my own conversations with Dennis Nilsen, over several years, he did not try to excuse what he did, nor trivialise the devastating effect his actions had upon the families and loved ones of his victims. Instead, he sought to understand his actions in light of his particular circumstances. I cannot honestly say that he ever found a definitive answer as to why he became one of Britain's most infamous serial killers, but if the answer is ever to be found, it will be found within these pages.

Explore the wondrous sea and the oddities of human nature in this international bestselling, thrilling epic novel of a Danish port town. Hailed in Europe as an instant classic, We, the Drowned is the story of the port town of Marstal, Denmark, whose inhabitants sailed the world from the mid-nineteenth century to the end of the Second World War. The novel tells of ships wrecked and blown up in wars, of places of terror and violence that continue to lure each generation; there are cannibals here, shrunken heads, prophetic dreams, and miraculous survivals. The result is a brilliant seafaring novel, a gripping saga encompassing industrial growth, the years of expansion and exploration, the crucible of the first half of the twentieth century, and most of all, the sea. Called “one of the most exciting authors in Nordic literature” by Henning Mankell, Carsten Jensen has worked as a literary critic and a journalist, reporting from China, Cambodia, Latin America, the Pacific Islands, and Afghanistan. He lives in Copenhagen and Marstal. “We, the Drowned sets sail beyond the narrow channels of the seafaring genre and approaches Tolstoy in its evocation of war’s confusion, its power to stun victors and vanquished alike…A gorgeous, unsparing novel.”—Washington Post “A generational saga, a swashbuckling sailor’s tale, and the account of a small town coming into modernity—both Melville and Steinbeck might have been pleased to read it.”—New Republic “Dozens of stories coalesce into an odyssey taut with action and drama and suffused with enough heart to satisfy readers who want more than the breakneck thrills of ships battling the elements.”—Publishers Weekly (starred)

Argues that for the first time in history we're in a position to end extreme poverty throughout the world, both because of our unprecedented wealth and advances in technology, therefore we can no longer consider ourselves good people unless we give more to the poor. Reprint.