Drum Beat Marianne

DIVA sadistic KGB colonel hires Drum to locate a dead man/div DIVAxel Spade would not have liked the way he died. An international fugitive, Spade would have preferred being gored by a bull or gunned down by Interpol to dying quietly in his bed. But a weak heart claimed him in his sleep, and so Chester Drum, Washington PI and the closest thing Spade had to a friend, scatters his ashes in the Atlantic./divDIV /divDIVDrum’s old flame, Marianne Baker, is by his side, but she leaves before grief has a chance to reignite their faded passion. That night, Drum is awoken by a KGB operative who has kidnapped Marianne. Axel Spade is alive, the agent insists, and he wants Drum to find him. To save Marianne, Drum will do the impossible, and bring Axel Spade back from the dead./div

DIVProtecting an actor takes Drum into the seedy underworld of psychedelia/div DIVTerminal illness and regret go hand-in-hand. Two months ago, Amos Littlejohn was in the prime of life, and had plenty of energy to be enraged when his pregnant daughter was abandoned by her husband, matinee idol Ahmed Shiraz. Now stricken with leukemia, Littlejohn is near death, and beginning to regret taking out a contract on the actor’s life./divDIV /divDIVHe hires international private eye Chester Drum to call off the hit and protect Shiraz until his life is safe. On his first night on the job, Drum’s partner takes a shotgun blast meant for the actor. Wanting nothing more than to wring Shiraz’s neck, Drum follows him to Europe, where he must contend with assassins, beatniks, and the powerful effects of an experimental drug called LSD./div

DIVAn old flame’s fiancé is missing, and only Drum can save him from the Soviets/div DIVChester Drum will never love another woman the way he loves Marianne. After years of on-and-off romance, he tells her that his work as a private detective is too dangerous for him to ever marry, so she ends the affair and moves to West Berlin, to report on the Cold War from its front lines. There she falls in love with Quentin Hammond, ace foreign correspondent, and Drum is happy for her until her new man disappears behind the Iron Curtain. She telegraphs for help, and Drum is on the next plane./divDIV /divDIVHammond was close to winning the scoop of the century, by cooperating with an exiled East German dissident to tunnel beneath the Berlin Wall and free thousands of people from the other side. Before they could complete their audacious scheme, though, the Stasi kidnapped them. Only Drum has the skills to go behind the wall and return with the man who’s stolen the woman he loves./div

Private Eyes is the complete map to what Raymond Bhandler called "the mean streets," the exciting world of the fictional private eye. It is intended to entertain current PI fans and to make new ones.

This is a critical history of spy fiction, film and television in the United States, with a particular focus on the American fictional spies that rivaled (and were often influenced by) Ian Fleming's James Bond. James Fenimore Cooper's Harvey Birch, based on a real-life counterpart, appeared in his novel The Spy in 1821. While Harvey Birch's British rivals dominated spy fiction from the late 1800s until the mid-1930s, American spy fiction came of age shortly thereafter. The spy boom in novels and films during the 1960s, spearheaded by Bond, heavily influenced the espionage genre in the United States for years to come, including series like The Man from U.N.C.L.E. and Matt Helm. The author demonstrates that, while American authors currently dominate the international spy fiction market, James Bond has cast a very long shadow, for a very long time.