Drum Taps

"Drum-Taps" by Walt Whitman is an affirmative and poignant collection of poems that reflects the poet's deep engagement with the American Civil War. Published during the mid-19th century, Whitman's work captures the emotional and physical toll of war while celebrating the resilience and spirit of the American people. In "Drum-Taps," readers can expect a series of verses that provide a vivid and personal portrayal of the Civil War experience. Whitman, often referred to as the "poet of democracy," likely employs a free verse style to convey the raw and unfiltered emotions of soldiers on the battlefield, as well as the impact of the war on the nation. The title, "Drum-Taps," suggests a thematic focus on the military and the rhythmic beats of war drums, emphasizing the sounds and cadences associated with conflict. Whitman's verses may explore themes of camaraderie, sacrifice, and the profound human experiences that emerge during times of strife.

Walt Whitman worked as a nurse in an army hospital during the Civil War and published Drum-Taps, his war poems, as the war was coming to an end. Later, the book came out in an expanded form, including “When Lilacs Last in the Dooryard Bloom'd,” Whitman's passionate elegy for Lincoln. The most moving and enduring poetry to emerge from America’s most tragic conflict, Drum-Taps also helped to create a new, modern poetry of war, a poetry not just of patriotic exhortation but of somber witness. Drum-Taps is thus a central work not only of the Civil War but of our war-torn times. But Drum-Taps as readers know it from Leaves of Grass is different from the work of 1865. Whitman cut and reorganized the book, reducing its breadth of feeling and raw immediacy. This edition, the first to present the book in its original form since its initial publication 150 years ago, is a revelation, allowing one of Whitman’s greatest achievements to appear again in all its troubling glory.

Poems from one of America's best known poets, reflecting the tragic and powerful era of the war between the states. In two parts, "Memories of President Lincoln" as he and the nation mourn Lincoln's death, and "Drum-Taps" from Whitman's experiences as a nurse tending the wounded

Now, nearly forty years after its original translation into English, Roger Asselineau's complete and magisterial biography of Walt Whitman will remind readers of the complex weave of traditions in Whitman scholarship. It is startling to recognize how much of our current understanding of Whitman was already articulated by Asselineau nearly half a century ago. Throughout its eight hundred pages, The Evolution of Walt Whitman speaks with authority on a vast range of topics that define both Whitman the man and Whitman the mythical personage. Remarkably, most of these discussions remain fresh and relevant, and that is in part because they have been so influential. In particular, The Evolution of Walt Whitman inaugurated the study of Leaves of Grass as a lifelong work in progress, and it marked the end of the habit of talking about Leaves as if it were a single unified book. Asselineau saw Whitman's poetry “not as a body of static data but as a constantly changing continuum whose evolution must be carefully observed.” Throughout Evolution, Asselineau placed himself in the role of the observer, analyzing Whitman's development with a kind of scientific detachment. But behind this objective persona burned the soul of a risk taker who was willing to rewrite Whitman studies by bravely proposing what was then a controversial biographical source for Whitman's art—his homosexual desires. The Evolution of Walt Whitman is a reminder that extraordinary works of criticism never exist in and of themselves. In this expanded edition, Roger Asselineau has provided a new essay summarizing his own continuing journey with Whitman. A foreword by Ed Folsom, editor of the Walt Whitman Quarterly, regards Evolution as the genesis of contemporary Whitman studies.

"... this volume presents a reasonable, fresh, and well-researched reading of several key texts in American studies." -- Journal of the American Studies Association of Texas During the Civil War, a crisis erupted in philanthropy that dramatically changed humanitarian theories and demanded new approaches to humanitarian work. Certain writer-activists began to advocate an "eccentric benevolence" -- a type of philanthropy that would undo the distinction between the powerful bestowers of benevolence and the weaker folks who receive it. Among the figures discussed are the anti-philanthropic Henry David Thoreau and the dangerously philanthropic John Brown.

Miscellaneous Percussion Music - Mixed Levels

Geoff is a passionate educator and performer, In this book he focuses on the expansion of both standard and hybrid drum corps rudiments. He will introduce a simple but effective method allowing the reader to master over 500 modern rudimental variations. For the beginner: This is a great introduction to names and families of the most used rudiments.For the advanced player: This will teach a method that not only creates hundreds of new variations but helps develop complete rudimental freedom.For the teacher: This is a great resource to use as a reference and to expanding a student's rudimental vocabulary.