Drums Women And Goddesses

Updated version of author's thesis (master's)--Tel Aviv University, 2003.

For millennia, the sacred drummers of pre-Christian Mediterranean and western Asia were women. In this inspiring book, Layne Redmond, herself a renowned drummer, tells their history. Artistic representations reveal that female frame drummers carried the spiritual traditions of many of the earliest recorded civilizations. During those ancient times, the drummer-priestesses held the keys to experience of the divine through rhythm. They were at the center of the goddess worship of matriarchal societies until the ascendance of patriarchal cultures and the loss of drumming as a spiritual technology. With wisdom and passion, Redmond chronicles our species’ deep connection to the drum, our rich heritage of inseparable spirituality and music, and the modern-day women reclaiming it. This book encourages readers—both women and men—to reestablish rhythmic links with themselves, nature, and other people through the power of drumming. Redmond illustrates her message with an extensive collection of images gathered during ten years of research and travel. Woven throughout the book are strands of ancient ritual and mythology, personal stories, and scientific evidence of the benefits of drumming. It is at once a history, a memoir, and a resounding call for spiritual and social renewal.

日本人学者による聖書考古学の研究書

A wide-ranging study of women in ancient Israelite religion. Susan Ackerman has spent her scholarly career researching underexamined aspects of the world of the Hebrew Bible—particularly those aspects pertaining to women. In this collection drawn from three decades of her work, she describes in fascinating detail the worship of goddesses in ancient Israel, the roles women played as priests and prophets, the cultic significance of queen mothers, and the Hebrew Bible’s accounts of women’s religious lives. Specific topics include: the “Queen of Heaven,” a goddess whose worship was the object of censure in the book of Jeremiah Asherah, the great Canaanite mother goddess for whom Judean women were described as weaving in the books of Kings biblical figures considered as religious functionaries, such as Miriam, Deborah, and Zipporah the lack of women priests in ancient Israel explored against the prevalence of priestesses in the larger ancient Near Eastern world the cultic significance of queen mothers in Israel and throughout the ancient Near East Israelite women’s participation in the cult of Yahweh and in the cults of various goddesses

Rising science fiction and fantasy star P. Djèlí Clark brings an alternate New Orleans of orisha, airships, and adventure to life in his immersive debut novella The Black God's Drums. Alex Award Winner! In an alternate New Orleans caught in the tangle of the American Civil War, the wall-scaling girl named Creeper yearns to escape the streets for the air--in particular, by earning a spot on-board the airship Midnight Robber. Creeper plans to earn Captain Ann-Marie’s trust with information she discovers about a Haitian scientist and a mysterious weapon he calls The Black God’s Drums. But Creeper also has a secret herself: Oya, the African orisha of the wind and storms, speaks inside her head, and may have her own ulterior motivations. Soon, Creeper, Oya, and the crew of the Midnight Robber are pulled into a perilous mission aimed to stop the Black God’s Drums from being unleashed and wiping out the entirety of New Orleans. “A sinewy mosaic of Haitian sky pirates, wily street urchins, and orisha magic. Beguiling and bombastic!”—New York Times bestselling author Scott Westerfeld At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Awake, Awake uncovers the subversive, rebellious, and powerful voice of the women of the Jewish tradition. Yael and Deborah, Hannah, Ruth, Miriam, Tzipora, Sarah, and the heroine of Song of Songs—earthly and divine women, creators, midwives, warriors, priestesses, and prophetesses—all are women whose voices have been silenced, erased, and distorted in the traditional canonic stories and interpretations. The book exposes a covert and encrypted level of teeming subversive female voices which have outlived the processes of blurring and deletion. The presence of this subversive stance in the stories of our ancestral mothers is like a knock on an inner door that evokes a deep, ancient and vital memory. Once we meet the stories again and experience the intensity of the fury and protest of our mothers, as well as their passionate desire and fiery boldness, we realize how much they can serve as a liberating anchor and a basis of power for the female readers who encounter the ancient stories of their religion with a renewed reading. When we dare to wake up—to challenge and undermine the exclusivity of the patriarchal ancestral heritage, we find again, in the depths of its womb, the gifts and treasures of the maternal heritage.

For a full list of entries and contributors, sample entries, and more, visit the Routledge International Encyclopedia of Women website. Featuring comprehensive global coverage of women's issues and concerns, from violence and sexuality to feminist theory, the Routledge International Encyclopedia of Women brings the field into the new millennium. In over 900 signed A-Z entries from US and Europe, Asia, the Americas, Oceania, and the Middle East, the women who pioneered the field from its inception collaborate with the new scholars who are shaping the future of women's studies to create the new standard work for anyone who needs information on women-related subjects.

Divination, the use of special talents and techniques to gain divine knowledge, was practiced in many different forms in ancient Israel and throughout the ancient world. The Hebrew Bible reveals a variety of traditions of women associated with divination. This sensitive and incisive book by respected scholar Esther J. Hamori examines the wide scope of women's divinatory activities as portrayed in the Hebrew texts, offering readers a new appreciation of the surprising breadth of women's “arts of knowledge” in biblical times. Unlike earlier approaches to the subject that have viewed prophecy separately from other forms of divination, Hamori's study encompasses the full range of divinatory practices and the personages who performed them, from the female prophets and the medium of En-dor to the matriarch who interprets a birth omen and the “wise women” of Tekoa and Abel and more. In doing so, the author brings into clearer focus the complex, rich, and diverse world of ancient Israelite divination.