Duplicity

HOW WOULD YOU FEEL if you woke up one morning to learn that your wife, the woman you were in love with and had hoped to spend the rest of your life with, had completely duped you from the beginning, and was not only in love with another man, but this man was her PIMP, and she was his MADAM and his PROSTITUTE? HOW WOULD YOU FEEL when it became clear that your wife married you for the sole purpose of stealing your assets, that to her you were just another of her tricks, one who, instead of paying "up front," was expected to pay "at the end," through a divorce settlement? HOW WOULD YOU FEEL when you learned that your beloved wife was running her segment of a multi-state, multi-million-dollar prostitution ring literally from your bedroom on your wedding night, after you had drifted off to sleep? I'm Paul T. Goldman, and this happened to me.

Following the death of their father, Beth's brother Richard returns from the army to claim his share of the family estate. However, Beth's hopes of a quiet life are dashed when Richard, dissatisfied with his meagre inheritance and desperate for promotion, decides to force her into a marriage for his military gain. And he will stop at nothing to get his way. Beth is coerced into a reconciliation with her noble cousins in order to marry well and escape her brutal brother. She is then thrown into the glittering social whirl of Georgian high society and struggles to conform. The effeminate but witty socialite Sir Anthony Peters offers to ease her passage into society and she is soon besieged by suitors eager to get their hands on her considerable dowry. Beth, however, wants love and passion for herself, and to break free from the artificial life she is growing to hate. She finds herself plunged into a world where nothing is as it seems and everyone hides behind a mask. Can she trust the people professing to care for her? The first in the series about the fascinating lives of beautiful Beth Cunningham, her family and friends during the tempestuous days leading up to the Jacobite Rebellion of 1745, which attempted to overthrow the Hanoverian King George II and restore the Stuarts to the British throne. Join the rebellion of one woman and her fight for survival in... The Jacobite Chronicles.

Henry James and the Poetics of Duplicity aims to advance the field of studies on the life and work of Henry James by fully exploring the author’s use of duplicity, one of the key literary and rhetorical strategies within the author’s vast and infamous arsenal of techniques of ‘ambiguity’. The collection brings together essays by both long established and more recent Jamesian scholars from eleven different countries, the collective work of whom, through this publication, further enhances our grasp of the ever-elusive literary style of Henry James. The prefatory section of this volume provides a general overview of the myriad uses of ‘duplicity’ in the writings of Henry James. The collected essays are then divided into five sections, each providing an in-depth study of a particular use of duplicity as a rhetorical strategy. The first three sections focus on duplicitous devices employed within James’s works of fiction – including the author’s often underhanded use of undisclosed literary sources (‘Duplicitous Subtexts’), his staging of characters who rely on subterfuge and outright lying (‘Duplicitous Characters’), and his creation of doubles and doppelgängers – another key connotation of the term ‘duplicity’ – both within a single work and throughout his literary career (‘Duplicitous Representation’). The two final sections then focus the poetics of duplicity employed in works of non-fiction by James, including his autobiographies and his reviews of other authors, as well as in his personal writings and correspondence. This includes James’s guileful use of duplicity in his representation of himself, particular attention being paid to James’s late works of self-assessment (‘Duplicitous Self-Representation’), as well as in his assessments of other writers in his reviews or of certain places in his travel writing (‘Duplicitous Judgements’). Henry James and the Poetics of Duplicity would thus be a great asset to scholars of James at all levels, from the student grappling with James’s literary sleight of hand for the first time, to specialists in the field of James who have long studied the masterful art of James’s literary trickery.

Blaise Pascal's account of the cognitive consequences of the Fall is clearly set out by William Wood in the first book on Pascal's theology to appear in English in more than forty years. Wood's central claim is that for Pascal, the Fall is a fall into duplicity. Pascal holds that as fallen selves in a fallen world, human beings have an innate aversion to the truth that is also, at the same time, an aversion to God. According to Pascal, we are born into a duplicitous world that shapes us into duplicitous subjects, and so we find it easy to reject God continually and deceive ourselves about our own sinfulness. Pascal's account of the noetic effects of sin has long been overlooked by theologians, but it is both traditional and innovative. It is robustly Augustinian, with a strong emphasis on the fallen will, the darkened intellect, and the fundamental sin of pride. Yet it also embraces a view of subjectivity that seems strikingly contemporary. For Pascal, the self is a fiction, constructed from without by an already duplicitous world. The human subject is habituated to deception because it is the essential glue that holds his world together. This book offers more than just a novel interpretation of Pascal's Pensées. Wood demonstrates, by exegetical argument and constructive example, that 'Pascalian' theology is both possible and fruitful.

The political hypocrisy and personal horrors of one of the most repressive anti-abortion regimes in history came to the world's attention soon after the fall of Romanian dictator Nicolae Ceausescu. Photographs of orphans with vacant eyes, sad faces, and wasted bodies circled the globe, as did alarming maternal mortality statistics and heart-breaking details of a devastating infant AIDS epidemic. Gail Kligman's chilling ethnography—of the state and of the politics of reproduction—is the first in-depth examination of this extreme case of political intervention into the most intimate aspects of everyday life. Ceausescu's reproductive policies, among which the banning of abortion was central, affected the physical and emotional well-being not only of individual men, women, children, and families but also of society as a whole. Sexuality, intimacy, and fertility control were fraught with fear, which permeated daily life and took a heavy moral toll as lying and dissimulation transformed both individuals and the state. This powerful study is based on moving interviews with women and physicians as well as on documentary and archival material. In addition to discussing the social implications and human costs of restrictive reproductive legislation, Kligman explores the means by which reproductive issues become embedded in national and international agendas. She concludes with a review of the lessons the rest of the world can learn from Romania's tragic experience.

This volume opens up new perspectives on Babylonian and Assyrian literature, through the lens of a pivotal passage in the Gilgamesh Flood story. It shows how, using a nine-line message where not all was as it seemed, the god Ea inveigled humans into building the Ark. The volume argues that Ea used a ‘bitextual’ message: one which can be understood in different ways that sound the same. His message thus emerges as an ambivalent oracle in the tradition of ‘folktale prophecy’. The argument is supported by interlocking investigations of lexicography, divination, diet, figurines, social history, and religion. There are also extended discussions of Babylonian word play and ancient literary interpretation. Besides arguing for Ea’s duplicity, the book explores its implications – for narrative sophistication in Gilgamesh, for audiences and performance of the poem, and for the relation of the Gilgamesh Flood story to the versions in Atra-hasīs, the Hellenistic historian Berossos, and the Biblical Book of Genesis. Ea’s Duplicity in the Gilgamesh Flood Story will interest Assyriologists, Hebrew Bible scholars and Classicists, but also students and researchers in all areas concerned with Gilgamesh, word-play, oracles, and traditions about the Flood.

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