Early Music History Volume 23
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Early Music History Volume 23
Author | : Iain Fenlon,Wulf Arlt,Margaret Bent |
Publsiher | : Cambridge University Press |
Total Pages | : 336 |
Release | : 2004-12-27 |
Genre | : Literary Criticism |
ISBN | : 0521842506 |
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Musical history from the early Middle Ages to the end of the seventeenth century.
Early Music History Volume 19
Author | : Iain Fenlon |
Publsiher | : Cambridge University Press |
Total Pages | : 312 |
Release | : 2001-04-19 |
Genre | : Music |
ISBN | : 0521790735 |
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Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. The scope is exceptionally broad and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music, and the relationship between music and society. Articles in volume 19 include: Ritual and Ceremony in the Spanish Royal Chapel, c. 1559-c. 1561; Urban Minstrels in Late Medieval Southern France; Mapping the Soundscapes: Church Music in English Towns 1450-1550; A New Look at Old-Roman Chant.
Early Music History Volume 18
Author | : Iain Fenlon |
Publsiher | : Cambridge University Press |
Total Pages | : 434 |
Release | : 2001-05-10 |
Genre | : Music |
ISBN | : 0521652014 |
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Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. Articles in Volume 18 include: Music notation in Arcivio San Pietro C 105 and in the Farfa Breviary, Chigi C.VI 117; Rinuccini the craftsman: A view of his L'Arianna Ferdinand of Aragon's entry into Valladolid in 1513: The triumph of a Christian king; Citation and allusion in the late Ars nova: The case of Esperance and the En attendant songs.
Early Music History Volume 21
Author | : Iain Fenlon |
Publsiher | : Cambridge University Press |
Total Pages | : 304 |
Release | : 2002-11-21 |
Genre | : Music |
ISBN | : 0521818877 |
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Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music, and the relationship between music and society. Articles in volume 21 include: Aaron's interpretation of Isidore and an illustrated copy of the Toscanello; Musica mundana, Aristotelian natural philosophy and ptolemaic astronomy; The Triodia Sacra as a key source for late-Renaissance music in southern Germany; The debate over song in the Accademia Fiorentina.
Early Music History Volume 27
Author | : Iain Fenlon |
Publsiher | : Cambridge University Press |
Total Pages | : 312 |
Release | : 2009-05-21 |
Genre | : Music |
ISBN | : 0521760038 |
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The study of music from the early Middle Ages to end of the seventeenth century.
Early Music History
Author | : Iain Fenlon |
Publsiher | : Cambridge University Press |
Total Pages | : 332 |
Release | : 2009-03-19 |
Genre | : Music |
ISBN | : 0521104483 |
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Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. It includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music, and the relationship between music and society. Articles in volume 23 include: Guillaume de Machaut and his Canonry of Reims 1338-1377; Reading Carnival: The Creation of a Florentine Carnival Song; Schein's Occasional Music and the Social Order in 1620s Leipzig.
Early Music History Volume 13
Author | : Iain Fenlon |
Publsiher | : Cambridge University Press |
Total Pages | : 322 |
Release | : 1995-02-23 |
Genre | : Music |
ISBN | : 0521472822 |
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Concerned with the study of music from the early Middle Ages to the seventeenth century. Includes articles on French 16th-century music, theatre and poetry
Early Music History Volume 17
Author | : Iain Fenlon |
Publsiher | : Cambridge University Press |
Total Pages | : 350 |
Release | : 1999-03-04 |
Genre | : Music |
ISBN | : 0521622425 |
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Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. It demands the highest standards of scholarship from its contributors, all of whom are leading academics in their fields. It gives preference to studies pursuing interdisciplinary approaches and to those developing novel methodological ideas. The scope is exceptionally broad and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music and the relationship between music and society. Articles in volume seventeen include: Tropis semper variantibus: Compositional strategies in the offertories of Old Roman chant; Music, identity and the Inquisition in fifteenth-century Spain; Musical aspects of Old Testament canticles in their biblical setting.