Early Netherlandish Painting Pt 1 2 Hans Memlinc And Gerard David

The Livre des faits de Jacques de Lalaing (Book of the Deeds of Jacques de Lalaing), a famous Flemish illuminated manuscript, relays the audacious life of Jacques de Lalaing (1421–1453), a story that reads more like a fast-paced adventure novel. Produced in the tradition of chivalric biography, a genre developed in the mid-fifteenth century to celebrate the great personalities of the day, the manuscript’s text and illuminations begin with a magnificent frontispiece by the most acclaimed Flemish illuminator of the sixteenth century, Simon Bening. A Knight for the Ages: Jacques de Lalaing and the Art of Chivalry presents a kaleidoscopic view of the manuscript with essays written by the world’s leading medievalists, adding rich texture and providing a greater understanding of the many aspects of the manuscript’s background, creation, and reception, revealing for the first time the full complexity of this illuminated romance. The texts are accompanied by stunning reproductions of all of the manuscripts’ miniatures—never before published in color—as well as a plot summary and translations, allowing the reader to follow Jacques de Lalaing on his knightly journeys and experience the thrilling triumphs of his legendary tournaments and battles.

A study of the condition, subject, design, manufacture, ownership, and exhibitions for each tapestry or set of tapestries in the Museum's medieval tapestry collection. -- Metropolitan Museum of Art.

The collection formed by William Appleton Coolidge speaks of a remarkable breadth of taste, of a spirit responsive to works of art of all periods, and of visual discrimination of a high order. Many of the works are intimate in scale, appropriate for domestic contemplation, and it is no surprise that this most unselfish of collectors delighted in sharing his prized possessions with his friends. But he was also keen to benefit a wider audience: for years the finest of them were on loan to the Museum of Fine Arts, and before his death Mr. Coolidge had begun to donate masterpieces, including the paintings by Rubens and Signac. There have been collectors who formed larger and greater collections; however, there were very few who cast their net as broadly as William Coolidge while sustaining such a consistently high level of quality. His catholicity of taste is a characteristic virtue of the Boston past, namely its intellectual curiosity about different times and peoples and its receptivity to good ideas regardless of point or period of origin. There is still much to be learned and enjoyed in such an attitude.

Published in conjunction with the 1999 exhibition of the same name, ten essays and 317 illustrations (157 in color) depict northern Renaissance painting in Belgium and the Netherlands. This lovely book includes such artists as Van Eyck, Campin, Van der Weyden, David, Memling, and Bruegel, and contains commentaries on individual works, an appendix of paintings not covered in the text, artists' biographies, a glossary, a bibliography, and comparative illustrations. Oversize: 9.5x11.25"Annotation copyrighted by Book News, Inc., Portland, OR