Early New England Gravestone Rubbings

Reproductions of gravestone rubbings from grave sites in New England.

Evidence of the early history of African Americans in New England is found in the many old cemeteries and burial grounds in the region, often in hidden or largely forgotten locations. This unique work covers the burial sites of African Americans--both enslaved and free--in each of the New England states, and uncovers how they came to their final resting places. The lives of well known early African Americans are discussed, including Venture Smith and Elizabeth Freeman, as well as the lives of many ordinary individuals--military veterans, business men and women, common laborers and children. The author's examination of burial sites and grave markers reveals clues that help document the lives of black New Englanders from the 1640s to the early 1900s.

William Faulkner once said, "The past is never dead. It's not even past." Nowhere can you see the truth behind his comment more plainly than in rural New England, especially Maine, New Hampshire, Vermont, and western Massachusetts. Everywhere we go in rural New England, the past surrounds us. In the woods and fields and along country roads, the traces are everywhere if we know what to look for and how to interpret what we see. A patch of neglected daylilies marks a long-abandoned homestead. A grown-over cellar hole with nearby stumps and remnants of stone wall and orchard shows us where a farm has been reclaimed by forest. And a piece of a stone dam and wooden sluice mark the site of a long-gone mill. Although slumping back into the landscape, these features speak to us if we can hear them and they can guide us to ancestral homesteads and famous sites. Lavishly illustrated with drawings and color photos. Provides the keys to interpret human artifacts in fields, woods, and roadsides and to reconstruct the past from surviving clues. Perfect to carry in a backpack or glove box. A unique and valuable resource for road trips, genealogical research, naturalists, and historians.

Whether it's for their solace and beauty or for the sense of history that seeps from the ground, cemeteries are fascinating places to visit, this guide shows where to find the most interesting and unusual ones in all of New England. Some have headstones that are fine art, others are associated with notorious events, and others are the final resting place of famous poets, soldiers, and statesmen. Included are large public facilities as well as the small family burying grounds hidden away behind crumbling stone walls and along once-cultivated farmland. A sampling of cemeteries profiled: *Hope Cemetery in Barre, Vermont, where lifelike sculptures of angels and Greek goddesses stand next to a stone soccer ball and Shell Oil truck gravemarker, all elaborately carved from local granite by immigrant Italian stonecutters. *Spider Gates Cemetery, in Leicester, Massachusetts, a notorious Quaker burying ground famed for its frequent ghost sightings and still in use today. *A cemetery situated on the raised median of the Interstate in Warner, New Hampshire,which was preserved in 1970 by highway planners, who constructed the roadway around it. *Evergreen Cemetery in New Haven, Vermont, final resting place of Timothy Clark Smith, whose 1893 crypt includes a window to help him escape in case he was buried alive. Driving directions are provided for each cemetery, and detailed maps show the location of the more obscure graveyards. This unique guide offers an intriguing way to learn about the history and culture of New England.

The use of engraved sculptural or painted images was a pagan practice, hesitantly adopted by the earliest Christians, who had to transform the old mythological symbols in order to express suitably the meanings of their new religion.

Includes assessing the problem, collecting data, cleaning and maintaining the site, and caring for gravestones.

How has religion affected the creation and patronage of American art? This is the question explored in 'The Visual Arts and Christianity in America', the most comprehensive treatment of this subject to date. With its 184 illustrations, the volume is a visual and textual survey of both the religious paintings, statuary, and architecture produced in America since colonial times and the attitudes toward such art expressed by the artists, the clergy, and the religious press. By means of a multifaceted approach that includes investigation of biographical, journalistic, art historical, as well as religious literature, a broad range of art objects and buildings are carefully placed in their social and intellectual context. Part One presents the colonial backdrop, both English and Spanish, against which and out of which the ensuing developments in American art and religious life took shape. Part Two treats nineteenth-century views of art and architecture, focusing on the views held by the clergy and conveyed in religious journals as well as the religious views of the artists and architects themselves. In Part Three, devoted to art in private and public life, major issues emerge that will remain as such into the twentieth century: the relation between nature and history, the place of art in civil religion, and the presence or absence of explicit biblical themes. The fourth and entirely new portion of the book, devoted to the twentieth century, examines the continuities and discontinuities in style and content between nineteenth- and twentieth-century art in relation to spiritual and religious perceptions.