East Meets West

This first volume in Yang Liu's infographic series explores the range of differences between Eastern and Western experience through her signature graphic simplicity.

Fourteen simple projects: “Readers will be awestruck by the brilliant designs and . . . sidebars on famous stitcher Ayako Miyawaki, yukata cottons, and more.” —Booklist (starred review) Improv quilting—in which quilt designs emerge organi­cally as fabric is cut and stitched—is easy, popular, and fun. In this book, expert quilter Patricia Belyea offers improv instruction and shares her appealing Quilt Manifesto of five simple rules. While providing quilters with a starting point, the fifth rule of the Manifesto, “Break any rule you like,” opens the door to creative freedom. (However, the solid instructions allow even the rule-breakers to create beautiful quilts on the first try!) Fourteen projects combine authentic Japanese yukata cottons and contemporary fabrics; each is finished with bold hand-stitching. The quilt-making process is presented in detail, and each quilt shows the irresistible wabi-sabi influence of Japanese design. “With fresh designs and useful directions, Belyea's book is both practical and aspirational.” —Publishers Weekly

While foodies may flock to Vancouver for dumplings and dim sum, they leave having discovered a wealth of world-class Asian dishes, from sushi to sambar, bánh mì to bubble tea. East Meets West celebrates the distinctive dishes from the best of the city's Asian restaurants. Almost one in five of Vancouver's two million residents is ethnically Chinese, as well as many Taiwanese, Japanese, Koreans, Malaysians, Filipinos, Thai, Vietnamese and Indians whose cooking has influenced the local cuisine. This book compiles signature recipes from the city’s best Asian restaurants, showcasing both traditional Asian foods made with Pacific Northwest ingredients and modern classics inspired by Asian flavors and techniques but designed for contemporary diners. A guide to preparing and serving Asian food plus an explanation of specialty ingredients. An overall introduction traces the roots of Asian food in Vancouver, and sidebars describe the hidden gems in the region's distinct culinary neighbourhoods, from Coquitlam's Little Korea to Richmond's Chinatown to Surrey's Little India. Illustrated throughout, this celebration of Asian food presents world-class, flavorful dishes for the home cook.

This text advises on how to mix colours, textures and objects from different cultures in your own setting. It illustrates ideas for windows and walls, furnishings and floors, tabletops and mantlepieces. Celebrating the handcrafted, influences are taken from China, India and Africa.

This new volume explores the surprisingly intense and complex relationships between East and West during the Middle Ages and the early modern world, combining a large number of critical studies representing such diverse fields as literary (German, French, Italian, English, Spanish, and Arabic) and other subdisciplines of history, religion, anthropology, and linguistics. The differences between Islam and Christianity erected strong barriers separating two global cultures, but, as this volume indicates, despite many attempts to 'Other' the opposing side, the premodern world experienced an astonishing degree of contacts, meetings, exchanges, and influences. Scientists, travelers, authors, medical researchers, chroniclers, diplomats, and merchants criss-crossed the East and the West, or studied the sources produced by the other culture for many different reasons. As much as the theoretical concept of 'Orientalism' has been useful in sensitizing us to the fundamental tensions and conflicts separating both worlds at least since the eighteenth century, the premodern world did not quite yet operate in such an ideological framework. Even though the Crusades had violently pitted Christians against Muslims, there were countless contacts and a palpitable curiosity on both sides both before, during, and after those religious warfares.

Explores the historical significance of Chinese clothing, and offers examples and commentary on fashions ranging from the dragon robes of the Imperial era to the cheongsams shown on the runways in Paris

East Meets West in Dance chronicles this development in the words of many of its best known and most active exponents. This collection of articles provides a theoretical discussion of the promises and pitfalls inherent in transplanting art forms from one culture to another; it offers practical guidance for those who might want to participate in this enterprise and explains the general history of the dance exchange to date. It also identifies the differences that are unique to specific cultures, such as the development of theatrical forms, arts education, and the status of artists. This is a first examination of a phenomenon that has already touched most people in the arts community worldwide, and that none can afford to ignore. A lively dialogue has evolved over the last few decades between dance professionals -- performers, teachers and administrators -- in the United States and Europe and their counterparts in Asia and the Pacific rim.

Attempts to chart a middle ground between the extremes of the international debate on human rights and democracy. Criticizes the use of "Asian values" to justify oppression, but also draws on East Asian cultural traditions and contributions by contemporary intellectuals in East Asia to identify some powerful challenges to Western-style liberal democracy.