East Of West Vol 4 Who Wants War

It's the fourth volume of the Eisner-nominated, best-selling EAST OF WEST. "WHO WANTS WAR?" sees YEAR TWO of the Apocalypse kick into high gear. Collects EAST OF WEST #16-19 & EAST OF WEST: THE WORLD.

The Great Beast now roams the fractured United States of America. Deep into an all-consuming war between the splintered nations, the Four Horsemen move to further their individual agendas while resisting the inevitability of The Message.

Volume 4 of the Eisner-nominated, best-selling EAST OF WEST is now here! "THE APOCALYPSE: YEAR TWO” begins! Following the dramatic conclusion of YEAR ONE, the Great Beast now roams the fractured United States of America. Deep into an all-consuming war between the splintered nations, the Four Horsemen move to further their individual agendas while resisting the inevitability of The Message.

The eccentric scientists of the Manhattan Project, using the building of the atomic bomb as a front, engage in unusual and sinister experiments that could affect the future of the world.

#1 NEW YORK TIMES BESTSELLER The magnificent conclusion to Rick Atkinson's acclaimed Liberation Trilogy about the Allied triumph in Europe during World War II It is the twentieth century's unrivaled epic: at a staggering price, the United States and its allies liberated Europe and vanquished Hitler. In the first two volumes of his bestselling Liberation Trilogy, Rick Atkinson recounted how the American-led coalition fought through North Africa and Italy to the threshold of victory. Now, in The Guns at Last Light, he tells the most dramatic story of all—the titanic battle for Western Europe. D-Day marked the commencement of the final campaign of the European war, and Atkinson's riveting account of that bold gamble sets the pace for the masterly narrative that follows. The brutal fight in Normandy, the liberation of Paris, the disaster that was Operation Market Garden, the horrific Battle of the Bulge, and finally the thrust to the heart of the Third Reich—all these historic events and more come alive with a wealth of new material and a mesmerizing cast of characters. Atkinson tells the tale from the perspective of participants at every level, from presidents and generals to war-weary lieutenants and terrified teenage riflemen. When Germany at last surrenders, we understand anew both the devastating cost of this global conflagration and the enormous effort required to win the Allied victory. With the stirring final volume of this monumental trilogy, Atkinson's accomplishment is manifest. He has produced the definitive chronicle of the war that unshackled a continent and preserved freedom in the West. One of The Washington Post's Top 10 Books of the Year A Kirkus Reviews Best Nonfiction Book of 2013

When Latverian Prime Minister Lucia Von Bardas funds a group of supervillans as a means of wreaking terror on American soil. and the U.S. government refuses to overthrow the Latverian government, S.H.I.E.L.D's Nick Furry is forced to call upon Spider-Man, Captain America, Daredevil, Black Widow, Luke Cage, Wolverine and Daisy Johnson to help.

The Cold War was not only about the imperial ambitions of the super powers, their military strategies, and antagonistic ideologies. It was also about conflicting worldviews and their correlates in the daily life of the societies involved. The term "Cold War Culture" is often used in a broad sense to describe media influences, social practices, and symbolic representations as they shape, and are shaped by, international relations. Yet, it remains in question whether -- or to what extent -- the Cold War Culture model can be applied to European societies, both in the East and the West. While every European country had to adapt to the constraints imposed by the Cold War, individual development was affected by specific conditions as detailed in these chapters. This volume offers an important contribution to the international debate on this issue of the Cold War impact on everyday life by providing a better understanding of its history and legacy in Eastern and Western Europe.

With its unique focus on how culture contributed to the blurring of ideological boundaries between the East and the West, this important volume offers fascinating insights into the tensions, rivalries and occasional cooperation between the two blocs. Encompassing developments in both the arts and sciences, the authors analyze focal points, aesthetic preferences and cultural phenomena through topics as wide-ranging as the East- and West German interior design; the Soviet stance on genetics; US cultural diplomacy during and after the Cold War; and the role of popular music as a universal cultural ambassador. Well positioned at the cutting edge of Cold War studies, this important work illuminates some of the striking paradoxes involved in the production and reception of culture in East and West.