Echoes Of No More Wars

... Countless uncounted airy diamond-specks Of downy white and glitter Lay upon sleeping grass and naked trees. Silent power whispers to the winds, Mistress of mountain air, Earth and sky, sun and moon. All life lies strangled In the folds of her triumph, And the snow falls and falls and falls ... Maria Obiechina has been greatly moved by certain events in the world and her life. In her debut collection of poems, she shares poignant verse that explores emotions, human frailty and strength, loss, love, and regrets. Obiechina, who has been an educator in both America and Nigeria, lyrically reflects on her life experiences as she attempted to understand complex events around her and find a better path. Her poems express her frustration after visiting a Nigerian factory, the pain of unrequited love, the heartbreak of war, the beauty of a winter’s day, and the differences between generations. Through it all, Obiechina gently encourages all of us to embrace tolerance, differences, and empathy toward others as we continue on own unique journeys. Echoes of No More Wars shares poems that highlight the indomitable human spirit and touch on the universal traits of compassion, understanding, love, and hope.

Decades of war started by a genocidal faction of aliens threatens the existence of any human or alien resisting their rule on Earth. Dani survives by scavenging enough supplies to live another day while avoiding the local military and human-hunting Wardens. But then she learns that she is part of the nearly immortal alien race of Echoes—not the human she’s always thought herself to be—and suddenly nothing in her life seems certain. Following her discovery of her alien roots, Dani risks her well-being to save a boy from becoming a slave—a move that only serves to make her already-tenuous existence on the fringes of society in Maine even more unstable, and which forces her to revisit events and people from past lives she can’t remember. Dani believes the only way to defeat the Wardens and end their dominance is to unite the Commonwealth’s military and civilians, and she becomes resolved to play her part in this battle. Her attempts to change the bleak future facing the humans and Echoes living on Earth suffering under the Wardens will lead her to clash with a tyrant determined to kill her and all humankind—a confrontation that even her near-immortal heritage may not be able to help her survive.

South Carolina contributed two brigades of infantry, two regiments of cavalry and several artillery batteries to the Battle of Gettysburg in July of 1863. Their veterans related accounts of heroism and fear, triumph and loss for the remainder of their lives. These are their stories. Gleaned from diaries, letters and newspaper articles written immediately after the great battle and throughout the balance of the lives of its veterans, these stories place the reader in the boots of the men who lived the experience. Included with the firsthand accounts are maps of the fields fought for by these sons of the Palmetto State and photographs of a number of the soldiers involved. Along with battle histories and the individual exploits of the brigades led by General Joseph Kershaw, General Wade Hampton and Colonel Abner Perrin are accounts of the artillery batteries from South Carolina and the improvised cavalry command assembled from scattered companies by Colonel John Logan Black, who had been left behind due to wounds from an earlier battle. Black was determined to rejoin the army as soon as he was able and caught up with General Robert E. Lee with two companies and other miscellaneous cavalrymen who had been separated from their regiments. His improvised command participated in all three days of the battle before rejoining Hampton's Brigade. Also covered are the annual reunions where the old soldiers gathered to camp once again on the fields of Gettysburg. The veterans recount many tales of reconnecting with old comrades, memories of those who never made it home, and their reconciliation with former enemies. Every strata of the soldier experience at Gettysburg is represented from the highest general to the lowliest private. Every life is a story and provides a piece toward completing the puzzle of the human experience at Gettysburg.

Echoes & Shadows is a collection of poetry that was written over the course of the past half century. This collection of poetry began while I was still a youth growing up in a small rural Northern Michigan town. The collection was continued through my college days at Central Michigan University, extending through “learning years”, finishing with my coming of age as a writer and as a person. In many ways, Echoes & Shadows is a life history. It chronicles the events of my life and it speaks of the people and places that have most impacted my life. The poetry collection is my thoughts, feelings, philosophies, and memories. Echoes & Shadows is dedicated to the family, friends and women I have loved who so often have touched my life and inspired this collection of poetry. My sincerest thank you to Lisa, Tracy and Carlie Jo for their time and technical assistance in compiling these poems. Their efforts were a big factor in getting Echoes and Shadows ready for publishing.

Sounding 7 begins with Echo 107 titled CONTEMPORARY EUROPEAN EYES ON THE OZ CULTURE-CLASH FRONTIER followed by echoes on BUCKLEY REVISITED, AFTER THE PROTECTORATE CRUMBLED and WHAT OF PROTECTOR ROBINSON? Echoes follow on salvaging tribal ways, the Merri Creek black orphanage, ‘going round the bend’ at the Asylum and Echo 114: THE CELESTIALS OF VICTORIA, being the resented Chinese gold miners. Exploring the contrasting fate of Batman, La Trobe and Derrimut, leads into echoes on fringe-dwelling, cultural resistance and Oz racism, in particular the mass psychology of racist ideology that culminated with World War 2. After the gold rush era, life and right behaviour at the Healesville Coranderrk mission station and re-thinking William Thomas the Aboriginal Guardian lead to the pleasant notion of civilizing British colonies through sport. The life and exploits of Tom Wills is celebrated in Echo 122: THE MAKING & BREAKING OF VICTORIA’S FIRST SPORTING HERO. Turning to political history, Oz class struggles – convicts, capitalism and nation-building asks the question with Echo 124: WHITHER MARXISM [?] and then BRITISH EMPIRE POLICY REFORMS IN THE 1840s to contain a Chartist-led revolution. Facets of Victorian ‘quality of life’ since the land grab are followed by echoes on the astrology of the 1802 Port Phillip Crown possession claim and an echo titled TOWARDS AN ASTROLOGY OF CIVILIZATION. The Sounding concludes with approaches to researching Aboriginal society, an undergraduate essay on the Dreamtime and finally with Echo 130: A RAINBOW SERPENT BRIDGE. Today in the 21s century, I wonder how differently Oz would have developed if the then ruling British government in Sydney and London had not used censorship to delay the gold rush for almost 40 years! Sounding 8 begins with Echo 131: HISTORY DISTORTION & CENSORSHIP and is backed up with a critique of Britannia’s pirate empire that together spawn two more echoes of doubtful but controversial polemics in 1421 – THE YEAR CHINA DISCOVERED THE WORLD suggesting they were here in Oz many centuries before Captain Cook. Echo 135: THE KADAITCHA SUNG MEETS THE DRUID INHERITANCE pits Palm Islander Sam Watson’s 1990s fiction The Kadaitcha Sung [the ‘clever’ occult Oz Dreamtime] in occult war with the equally ancient European / Celtic / Druid magic in the psyche of the Aryan ‘race’, so to speak. Going even further out on a limb, the focus shifts to recent light shed on ‘dark ages barbarians’ now considered by some historians to have been more culturally refined than the modern city individual. Back in Oz with Echo 137: WHITE MAN’S LAW – BLACKFELLOW LAW and Echo 138: McLEOD’S BUCKET FROM SKULL CREEK brings Western Australia after WW2 into wider awareness with the Pilbara pastoral workers strike of 1946-49 that won half-decent wage rights for Aboriginal stockmen. Moving further north, Echo 141: RECENT ARNHEMLAND CONNECTIONS Part 1: Taming the NT is the stuff of White Australia’s race-based patriotism as depicted in Ion Idriess’s once-mainstream fascist fictions counterpointed by Part 2: James Gaykamangus’s Striving to bridge the chasm: my cultural learning journey. The final echo 142 talks treaty.

"Nobody I ever met on my assignments . . . asked me for direct, practical help. . . . But over and over again people have asked me: 'Will you write this down?' "--Echoes of Violence ? Echoes of Violence is an award-winning collection of personal letters to friends from a foreign correspondent who is trying to understand what she witnessed during the iconic human disasters of our time--in Iraq, Lebanon, Afghanistan, and New York City on September 11th, among many other places. Originally addressing only a small group of friends, Carolin Emcke started the first letter after returning from Kosovo, where she saw the aftermath of ethnic cleansing in 1999. She began writing to overcome her speechlessness about the horrors of war and her own sense of failure as a reporter. Eventually, writing a letter became a ritual Emcke performed following her return from each nightmare she experienced. First published in 2004 to great acclaim, Echoes of Violence in 2005 was named German political book of the year and was a finalist for the international Lettre-Ulysses award for the art of reportage. Combining narrative with philosophic reflection, Emcke describes wars and human rights abuses around the world--the suffering of civilians caught between warring factions in Colombia, the heartbreaking plight of homeless orphans in Romania, and the near-slavery of garment workers in Nicaragua. Freed in the letters from journalistic conventions that would obscure her presence as a witness, Emcke probes the abyss of violence and explores the scars it leaves on landscapes external and internal.